Archive for the ‘Facial expressions’ Category

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The faces of a baker’s dozen fcleffings

February 7, 2023

(solidly about men’s bodies and man-on-man sex, in street language, so entirely unsuitable for kids and the sexually modest)

For the background, I return to two postings on this blog from July 2022:

— from 7/3/22, “Smiles of the summer days”, about a sexual encounter between Cocky Boys Levi Karter and Blake Mitchell that exemplifies a common trope of gay male porn combining a facial component — two faces pleasurably engaged with one another (in what I’ll call facial coupling) — and a groin-buttocks component — a back-on-front sit-fuck (what I’ll call a lap fuck, aka Reverse Cowboy):


(#1) 1 ONE-SIDED interaction: R[eceptive] Levi Carter, I[nsertive] Blake Mitchell)

— from 7/5/22,  “The reverse of me”, about gay pornstar Zach Astor, with X-rated images in an AZBlogX posting of 7/5/22, “Zach Astor”: ZA engaged in such an encounter with Tannor Reed:


(#2) 2 ONE-SIDED interaction: I Zach Astor, R Tannor Reed

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Posted in Facial expressions, Gay porn, Gender and sexuality, Language and the body, Language of sex | 2 Comments »

Thilopyrus flamminips Wants YOU!

September 23, 2022

(Content warning: men’s bodies, references to sex between men, not suitable for kids or the sexually modest. On the other hand, there will be some delightful birds.)

Yesterday’s Daily Jocks sale ad (for harnesses, plus accompanying jockstraps and athletic socks) via e-mail, featuring the model I’ve called Reggie. In the ad, we see Reggie in character as Thilopyrus flamminips, the fire-nippled flit, performing his mating ritual; note the characteristic cruising facial display (narrowed eyes, intense direct gaze) and the inflamed party plumage (rainbow harness and jockstrap), but especially the left nipple actually on fire (when both tits ignite, the flit spontaneously ejaculates, at the same time producing his climax cry, a fierce, drawn-out whoop: “Fuuuuck”)

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Posted in Clothing, Facial expressions, Gaze, Language and the body, My life, Taboo language and slurs, Underwear | 4 Comments »

The agonism and the ecstasy

September 11, 2022

(There will be (all-male) slices of a Rubens masterpiece, but the centerpiece of this posting is an act of aggressive fellatio, so it’s not for kids or the sexually modest.)

Not at all what I intended to be doing with my morning, but Chance intervened; Chance the Bringer of Felicitous Juxtaposition has a side career as a gardener, as in Being There. First , this morning he brought me an e-ad for a new gay porn DVD, Briar Basin Ranch – Act I, the cover of which shows that aggressive fellatio, in a fine composition of light and shadow playing on tensed muscles.

Reminding me of agonistic scenes in Baroque painting. While I was trying to dredge up some specific examples, Chance kindly pointed me to a Facebook posting yesterday by Randy McDonald, reporting on a visit to the Art Gallery of Ontario, where he encountered Peter Paul Rubens’s The Massacre of the Innocents (ca. 1610), showing the biblical Massacre of the Innocents of Bethlehem by the soldiers of King Herod, as related in Matthew 2:13-18 — a painting that’s all light and shadow playing on the tensed musculature of the murderers (and on the contorted faces of the victims’ families). Bingo.

As for the facial expressions, I note once again how hard it is to distinguish ferocity from intense pleasure — or, for that matter, either of these from intense pain.

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Posted in Art, Facial expressions, Gay porn | Leave a Comment »

Mortal power

September 9, 2022

The 8/11/22 Rhymes With Orange, exploiting an ambiguity in the noun killer as the modifier N1 in N1 + N2 compounds, in this case in killer abs (literal ‘abs that are killers, abs that kill’ vs. figurative ‘abs that are killer / remarkable’):


(#1) In the worlds of advertisements featuring beautiful people, the health and fitness literature, and soft porn, figurative killer abs are commonplace; abs that kill, however, have (so far as I know) never once appeared on a police blotter

Wider topic: the figurative modifiers of mortal power — premodifying killer (killer abs, a killer app), postmodifying of death (the cruise of death, referring to a penetrating sexual facial expression).

Male body parts and sexual connections between men plus a ton of linguistic expressions in their social contexts, what more could I ask for?

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Posted in Address terms, Beheading, Clipping, Facial expressions, Language and the body, Lexical semantics, Linguistics in the comics, Nicknames, Penguins, Semantics of compounds, Truncation | Leave a Comment »

Hey, buddy, we’ve been waiting for you!

July 15, 2022

(Symbolic allusions to men’s raunchy bits, so not to everyone’s taste.)

Poolside image in a Daily Jocks sale ad in this morning’s mail, in which three men hawk Elia beachwear in gayboy-themed patterns:


(#1) Paros swim briefs, left to right: Rainbow Cloud, Ice Cream Pop (symbolic penises), Donut Sky (symbolic anal rings)

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Posted in Facial expressions, Language and food, Language and plants, Phallicity, Underwear | 2 Comments »

Faces and phalluses

May 26, 2022

(The title is an indictor of what’s to come. No visible phalluses, but plenty of references to them, in plain speech, so not suitable for kids or the sexually modest.)

Brief musings on this morning’s ad from the Gay Empire company, with a sale on their DVDs:

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Posted in Facial expressions, Language and the body, Lexicography | 1 Comment »

The chirosexual moment

May 8, 2022

(Men’s bodies, masturbation, not suitable for kids (according to the — inexcusably, harmfully puritanical — sexual mores of current American culture) or the sexually modest.)

The image from a 5/6 TitanMen ad for the 2022 Masturbation Month sale of their gay porn:


(#1) A pants-pulled-down cock tease, plus an eyes-narrowed slant-eye cruise face (the expression is hard to pull off: it’s supposed to be invitingly sexy, but to my eye here it verges on silly)

Celebratory days, and the whole merry celebmasturbatory month of May.

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Posted in Facial expressions, Gay porn, Gender and sexuality, My life | 3 Comments »

Getting him on the mat

May 6, 2022

Today’s e-mail ad for a Daily Jocks sale features an ornamental (rather than strictly functional) wrestling singlet — a striking piece of homowear — worn in a sexual (rather than strictly athletic) stance by a model I’ll call Joe:


(#1) Joe has pulled the top half of his singlet down to fully expose his lean, nicely muscled upper body; meanwhile he’s in a stance no wrestler has ever used in an athletic competition: resting on his elbows, back arched, ass humped up in the lordosis position (see my 4/7/21 posting “Assuming the position”, about the lordosis, tail-in-the-air, or FMP (Fuck Me Please) body position, with links to other postings)

If Joe’s coach taught him that stance, then the coach had something in mind other than preparing Joe for an athletic match on the mat — men can be matched on a mat in other ways (videos with hot wrestlers grappling sexually are a subgenre of gay porn) — and that would be sexual imposition, not coaching. (But #1 is an underwear ad that is merely fantasy-framed as depicting a wrestler — a homowrestler in homowear.)

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Posted in Facial expressions, Gender and sexuality, Language and sports, Language and the body, Stance, Underwear | Leave a Comment »

Happy catamites

February 3, 2022

(About male-male sex in street language, definitely not suitable for kids or the sexually modest.)

Unearthed this morning — amidst piles of note pages with material for, I estimate, about 500 blog postings, on the same page from my little bedroom notepad as “I ween”, which (thanks to my 4/24/21 posting “I ween”) I’ve been able to date to mid-April 2021 — this bit of alliterative doggerel:


(#1) The pedication poem

(Perhaps unconsciously inspired by the American “dirty” folksong” “Violate Me in Violet Time (In the vilest way you know)” — No. 235 in Vance Randolph’s Roll Me in Your Arms: “Unprintable” Ozark Folksongs and Folklore (Univ. of Arkansas Press, 1992).)

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Posted in Facial expressions, Language of sex, Music, Poetry | Leave a Comment »

Commercial Christmas 2021: DJ’s third quarter

January 6, 2022

(Well, men’s homo-underwear ads, featuring what are intended to be alluring male bodies, and skirting the line of outrageous lewdness. Clearly not to everyone’s taste.)

Following up on yesterday’s Twelfth Night posting (“Three days of commercial Christmas”), about the Daily Jocks treatment of the second quarter of the 12 days of commercial Christmas — Days 4 (12/16, calling birds), 5 (12/17, golden rings), and 6 (12/18, geese) — for Epiphany itself today, the DJ treatment of the third quarter: Days 7 (12/19, swans), with fetishwear; 8 (12/20, maids), with traditional jockstraps; and 9 (12/21, ladies), with — hiss, boo — a mystery jock offer, nothing to see here.

Nothing says Christmas like harnesses and old-school jockstraps.

In any case: a quick tour of DJ’s Days 7 and 8, then a survey of Epiphany on this blog.

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Posted in Art, Facial expressions, Gender and sexuality, Holidays, Linguistics in the comics, Underwear | Leave a Comment »

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