Archive for the ‘Paradoxes’ Category

An underwater Psychiatrist cartoon

October 17, 2024

… in yesterday’s (10/16) Bizarro (Wayno’s title: “Subaquatic Psychology Session”):


All about the noun favorite: an implicit superlative, denoting a top-ranking element in some comparison set, but it’s way more complex than that, and the joke turns on one of those complexities (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 4 in this strip — see this Page)

The relevant complexity becomes clear when you look at some explicit superlatives, in questions like these:

Who is the biggest? What is the best?

These are baffling out of context. Because they are consistent with so many different contexts. But these aren’t differences in what the questions mean; dictionaries wouldn’t have different entries for the many kinds of being the biggest or the best. In technical talk, the questions aren’t many-ways ambiguous, but are instead, neutral, or unspecified, with regard to the different kinds of being biggest or best.

It’s much the same for the implicit superlatives, in questions like:

Who is your favorite? What is my favorite?

There are so many kinds of favorite things (try not to think of The Sound of Music). Favorite places, favorite friends, favorite songs, and on and on. Favorite children and favorite foods, in the case of the cartoon. If your mom tells you you’re her favorite, and you’re a fish (of a race of talking fish, from CartoonWorld), then either of those is a genuine possibility — but of course maybe she’s saying you’re her favorite tennis partner or her favorite artistic swimmer or whatever. Neutrality all the way. (Though the more you know about the context, the narrower the range of understandings becomes.)

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Private Magritte’s disavowal

August 3, 2024

It’s been a while since we contemplated a Magrittean disavowal, in the tradition of the Belgian surrealist’s paradoxical Ceci n’est pas une pipe, so today’s absurd Wayno / Piraro Bizarro strip is a welcome addition to the genre:


(#1) Surrealistic clandestine warfare (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page)

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A Magritte double play

June 16, 2024

Today’s Bizarro, a Sunday strip from Dan Piraro alone, is a Magritte double play:


The Magritte pipe in panel 1, the Magritte apple in panel 3 (if you’re puzzled by the odd symbols in the cartoon — DP says there are 6 in this strip — see this Page)

The Magritte pipe is, paradoxically, disavowed in The Treachery of Images (La trahison des images). The Magritte (green) apple conceals its bearer’s face in The Son of Man (Le fils de l’homme) — but seems to be on his driver’s license, so that it, paradoxically, makes him recognizable to the traffic cop.

 

Do we contain multitudes?

January 21, 2024

Two cockroaches, you have a couple of unpleasant bugs. Undulating masses of cockroaches streaming over all the surfaces in a room, you’ve got a shudder-provoking pest infestation. (I’ve had the latter experience with Argentine ants, and it was the stuff of nightmares for weeks.) But when does the former turn into the latter? This is the question asked by self-aware cockroaches in this cartoon by Lonnie Millsap in the 1/29/24 print-edition New Yorker:


(#1) Cucarachas conscientes de ellas mismas, addressing the puzzle in the sorites paradox / the paradox of the heap

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Who will read the readers?

November 17, 2023

The new issue of the New Yorker (dated 11/20/23) brings us a Psychiatrist cartoon by Elisabeth McNair, one of a special subtype I’ll call In-Group Psychiatrist (in which a patient from some extraordinary group — a dog, a robot, a squid, what have you, in #1 a book — is being treated by a therapist from that very group):


(#1) You wonder whether the notebook the therapist is writing on is itself preparing to publish its thoughts, and then it’s books all the way down

McNair is new to this blog. So a few words — her own — about her, and then some more cartoons she’s done for the New Yorker, starting with, yes, another In-Group Psychiatrist.

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A collective cry

December 16, 2021

Monday’s (12/13) Wayno/Piraro Bizarro, with five crows — one of them speaking on a cellphone — in conference:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page.)

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this

December 28, 2020

A Boxing Day cartoon by Wayno (with Dan Piraro at Bizarro studios North):


(#1) Wayno’s title:”New Year, New Symbol: Introducing the Pipe of Ambiguity”

Here, this picks out, or points to, the image just above it, which is indeed a symbol. In general, this has no fixed meaning, instead gaining its meaning from the context it’s in.

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This is a pipe

May 2, 2020

No doubt inspired by my 4/29/20 posting “Magritte by Banksy”, Mark Mandel commented yesterday on my 8/19/17 posting “Magrittean disavowals”:

I have never — well, not for many years — considered the “Magrittean disavowal” in “Ceci n’est pas une pipe”

(#1)

at all paradoxical. It’s quite accurate. That is not a pipe, but rather a painting of a pipe.

It’s a shame that the technical term oxymoron has come to be used for a figure of speech involving an apparent contradiction, since etymologically it’s ‘sharp’ + ‘foolish’ and would be just the label we’d want for claims like Mark’s above: superficially clever, but deeply foolish.

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Magritte by Banksy

April 29, 2020

Noted by Facebook posters recently, this Banksy takeoff on Magritte, photographed here from the side to make its 3-dimensional character clear:


(#1) Banksy’s This is a Pipe (2011), a play on René Magritte’s La Trahison des images (The Betrayal / Treachery of Images:  Ceci n’est pas une pipe)


(#2) The Magritte model

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A Ceci disavowal

April 24, 2019

From Jeff Bowles on Facebook on the 12th, this Magritte-based composition:

(#1)

Apparently a Magrittean disavowal (there’s a Page on such disavowals here), playing on Magritte’s wry late 1920s painting La Trahison des images (The Betrayal / Treachery of Images which shows a pipe, with the painting labeling itself Ceci n’est pas une pipe ‘This is not a pipe’. Here we get Louis Flint Ceci, on the left, objecting in astonishment that what’s on the right is not (a) Ceci; instead, it’s (a) Davisson.

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