Archive for the ‘Diners’ Category
January 12, 2024
(The very last section of this posting, on the name Monty Crisco, gets right down to man-on-man sex in street language, so is out of bounds for kids and the sexually modest; the rest of the posting is quirky but not indecent)
The 1/4 Zippy the Pinhead strip takes us back to Zippy’s imagined perverse version of the (now-defunct) Miss Albany Diner in Albany NY — call it the Zipperverse Diner — and its blackboard menu above the counter:
(#1) The messages on the board are about the day’s offerings, but neither sandwiches nor pies are mentioned; meanwhile, Monte Cristo sandwiches are a not-uncommon diner offering, but Zippy maintains, perversely, that the sandwich name is correctly spelled Monty Crisco (and you don’t want to think about the ingredients or how you eat the thing); and Nesselrode pie is a bit of elegance far from any ordinary diner’s pie offerings, but Zippy supposes, perversely, that it’s on the board at the comic-strip diner, with a typo in it
Three things here: about the (actual) diner and its appearance in an earlier Zippy strip, with the same drawing but different text in Zippy’s speech balloons; about (actual) Monte Cristo sandwiches and Nesselrode pie; and about the name Monty Crisco.
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Posted in Books, Diners, Language and food, Language of sex, Linguistics in the comics | 1 Comment »
July 29, 2023
From the great book of diners of fanciful design (compare, more generally: restaurants of fanciful design and motels of fanciful design), from Tim Evanson: Charlie’s Dog House Diner, 2102 Brookpark Rd, Cleveland OH:
(#1) The facade, representing a doghouse, with dogs; but this is just one face of the diner, which is otherwise of more ordinary form
Now: on the compound noun dog house; on Charlie’s Dog House Diner; on what is no doubt the most famous dog house in pop culture, Snoopy’s from the Peanuts comic strip; and on diners that have taken dog house entirely for its name value, without any attempt to mimic or represent a dog house — taking the Dog House Diner in Encinitas CA as one exemplar of these. Hot dogs! Getcher hot dogs here!
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Posted in Architecture, Diners, Language and food, Linguistics in the comics, Names | 4 Comments »
June 5, 2023
Another brief posting. And yes, I am not dead yet, and my second breakfast — sriracha-spicy soy-salty Singapore-style rice noodles (which has shrimps and chunks of ham in it) with sliced mushrooms and a ton of chopped celery (wielding my excellent new kitchen angle knife!) in chicken broth — was yummy, and will make at least one more meal (several, if I decide to turn it into mostly-garbanzo soup, a sort of deranged Chinese posole).
Today’s Zippy strip finds our Pinhead musing poetically, à la Blake, on the symbolic potential of the diner:
It’s the initial quatrain of Blake’s “Auguries of Innocence”, as seen from a vinyl-covered counter stool
The original:
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
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Posted in Diners, Linguistics in the comics, Parody, Poetry, Signs and symbols | 1 Comment »
January 31, 2023
🐅 🐅 🐅 tiger tiger tiger for Ultimate January, as we leave the darkest period of the year in my hemisphere
The 7/24/22 Zippy strip:
(#1)
Zippy theorizes that comic-strip characters and their stories are an overlay of characters, personalities, settings, and tales from elsewhere in popular culture — in particular, from television shows. (Just to get some grip on these things in the real world, rather than ZippyWorld: Billy in The Family Circus has never marinated a duck breast.)
(Note: this is a Zippy strip, always liable to veer into surrealism and the injection of Zippreoccupations into things, so that not all the details are going to hang together coherently.)
Zippy offers these theories to Griffy from inside a sort of monument to pop-cultural syncretism, Davies’ Chuck Wagon Diner in Lakewood CO: something that was created as a reproduction of East Coast diner culture, but got crossed with the symbols of mythical cowboy culture, in the shape of a gigantic neon cowboy and a life-sized fiberglass horse. Located not in the dusty high plains of cowboy country, but on a commercial strip in a thoroughly built-up suburb of Denver. (I grant that you can at least see the Front Range of the Rocky Mountains from there.)
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Posted in Diners, Language and food, Linguistics in the comics, Movies and tv, Pop culture | 1 Comment »
July 16, 2022
Today’s Zippy strip takes us to triple Dinerland in Rockford MI (as it was before it closed in 2011), in a celebration of the rule of three — a narrative principle that favors trios of events or characters in all sorts of contexts:
(#1) The Three Musketeers (in the Dumas novel and the movies), the Three Little Pigs (vs. the Big Bad Wolf in the fable), The Good, the Bad and the Ugly (the 1966 epic spaghetti Western), and the Three Stooges (the vaudeville and slapstick comedy team best known for their 190 short films)
The rule of three in a little while, but first, the diners of Rockford MI (a town of a few thousand people about 10 miles north of Grand Rapids).
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Posted in Diners, Jokes, Linguistics in the comics, Narrative, Slogans, Snowclones | 4 Comments »
February 17, 2022
Today’s Zippy strip has Griffy and Zippy inside the Boulevard Diner in Worcester MA while snow falls outside:
(#1) The two men exchange opinions about their two favorite things, which are definitely not raindrops on roses and whiskers on kittens: Griffy’s (diners and snow) are more conventional, and are linked to their context; while Zippy’s (Vincent Price and sushi) are decidedly eccentric, and have no connection to the context or to each other
And now the time has come to speak of many things.
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Posted in Actors, Diners, Gender and sexuality, Homosexuality, Language and food, Linguistics in the comics, Masculinity, Music, Phallicity, Vaginality | 1 Comment »
June 22, 2021
The 6/21 Zippy strip takes us to Kenosha WI, on the highway between Chicago and Milwaukee, along the shore of Lake Michigan — to the location of Mars Cheese Castle, which is why Zippy is there:
(#1) Nothing directly to do with the two principal foci of this blog — language and linguistics, gender and sexuality — but plenty on food, pop culture (along the roadside), and absurdist comedy
As for my interests, Kenosha does have the headquarters of Jockey International — hail to men’s underwear! — and a local woolly mammoth skeleton in its museum — my totem animal! — and, best of all in mid-America’s Land of Cheese, an annual fall Cheese-A-Palooza festival (devoted to the grilled cheese sandwich and to mac and cheese). But best of all is Mars Cheese Castle.
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Posted in Diners, Humor, Language and food, Linguistics in the comics, Pop culture | 1 Comment »
May 17, 2021
Yesterday’s (5/16) Zippy strip shows a Zippy-like Pinhead actor playing the Zippy role in the comics; Zippy strips often advance the unsettling view that characters in the comics are, or at least can be, just roles that are played by actors, who have lives of their own, outside the strips their characters appear in. But then (as here) these Zippy strips sometimes feature such actors as characters in the strips, hence as roles that can themselves be played by actors. And so on down the surrealistic rabbit-hole.
(#1)
So much for the content of the strip. My attention was immediately caught by the diner, Chips, that the Zippy-actor is studying his script in, and its arresting architecture, which cries out “L.A.!” So it is.
But a search for “Chips diner” pulls up as its first hit a set of 5 east-coast eating establishments, the Chip’s Family Restaurants located throughout Connecticut — equally offering old-fashioned diner fare, but architecturally crying out “New England!”
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Posted in Architecture, Diners, Linguistics in the comics, Surrealism | Leave a Comment »
March 11, 2021
The Zippy strip from two days ago (3/9) on the roadside culture of working-class (and largely white and male) North America:
(#1) By their consumer products you shall know them: gas, energy drinks, cigarettes, lottery tickets, candy, batteries, beef jerky — “everything anyone could ever need”
The strip is dominated by the Irving gas station, with its accompanying Mainway convenience store. Irving Mainway, which looks and sounds like a man’s name, and so has taken on lives of its own. Beyond the gasoline from Irving, Mainway can offer Red Bull, motor oil, smokes, and maybe a frozen burrito.
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Posted in Diners, Figurative language, Idioms, Linguistics in the comics, Metaphor, Movies and tv | 1 Comment »
February 11, 2021
Today’s Zippy has Zippy and Claude strolling in a fantasy city not unlike San Francisco (note the analogue of the Transamerica Tower) and remarking on an advertising display, a shark fin extolling “Joe’s seafood shack [or possibly Joe’s Seafood Shack] on the waterfront”, a fantasy eating establishment:
(#1)
Now, Zippy strips are often about/in specific diners (and motels and fast food restaurants and casual dining places and bowling alleys etc.), places that (with some work) can be tracked down (from their names and/or locations) and depicted (there’s a Page on this blog on my postings about these strips.
But #1 is different. Pretty clearly, it’s not about some actual seafood shack (or Seafood Shack) that advertises with a shark fin, but spins a little fantasy on such eating places as a type.
However, it might still be a (suggestive) allusion to one such specifc place, especially if there’s (just) one that’s well-known over a wide area. An allusion doesn’t have to be exact in detail; close will do.
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Posted in Diners, Language and animals, Language and food, Linguistics in the comics | 1 Comment »
