Name sharing

March 11, 2026

The Zippy strip for today, 3/11, all about sharing a personal name (with some intrusions of the name Melvin):


The large generalization is that mentioning two people together implicates some special relationship, even more so if they share a name (personal name or family name)

In the first panel we start with two authors, from widely separated times, in different genres (plays vs. fiction), and with hugely different styles — but both with the personal name William.

The personal-name sharing goes on with wildly different characters, oddly yoked to one another: Oscar Wilde the writer and Oscar the Grouch the Muppet; Jackson Pollock the painter and Jackson Browne the rock musician (whose career started with the Nitty Gritty Dirt Band); Mona Freeman the actress (and painter) and the Mona Lisa (the subject of Leonardo da Vinci’s famous painting).

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Notes on Fijian

March 10, 2026

My main helper these days has lived and worked in the US for many years, but he’s a native of Fiji. I call him Isaac in my postings, but his actual personal name is the Fijian version of the name, Aisake, and the syntax of his native language Fijian turns out to have lots of characteristics that are a surprise to, say, speakers of English. So I offer you some notes on the language, building on the material in the Wikipedia article on the language.

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Singing about death

March 9, 2026

On 3/7 (on this blog) I posted “The travails of etymology”, about the sources of some phrasal verbs meaning ‘to die’. Which elicited from Troy Anderson friendly but anxious e-mail on 3/8:

dai s’la (hello friend/cousin, in Miluk),

Your last post on Facebook makes me think you’re thinking you’re about done? I’m sad we haven’t kept the conversation going.

Know I’m here rooting for you.

(The reference to the language Miluk will get clarified eventually, when I tell you more about TA.)

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The travails of etymology

March 7, 2026

Thoughts inspired by a comment by Robert Coren on my 3/6 posting “Checking out”, in which I responded darkly to the information from a grocery-delivery service that you can:

Add items until your shopper checks out

by understanding the intransitive phrasal verb check out in it not as the intended sense

To complete the procedure required in order to register one’s departure from a location or venue, esp. a hotel, at the end of a stay or visit. Also more generally: to leave, to depart. [OED‘s 1b for check out]

but as OED‘s 4a ‘to die’. RC offered a speculation on the etymology of the mortal sense of a different intransitive phrasal verb with out, peg out:

4a reminds me of a phrase that I encountered in Dorothy Sayers’ The Nine Tailors, where “peg out” is used as a colloquialism for “die”; I assume that (1) it comes from the process of being victorious in a cribbage game (which makes it a rather odd metaphor, actually), and (2) it was standard usage among some portion of the British population in the early 20th century.

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Stripes

March 6, 2026

The Wayno / Piraro Bizarro of 3/5, in which the effusive Cat in the Hat of Dr. Seuss / Theodor Geisel meets the elusive Waldo of Martin Handford’s Where’s Waldo? Under the sign of red stripes, in two styles (Wayno’s title: “Stylistic Differences”):


The Cat stands out, Waldo blends in (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 3 in this strip — see this Page)

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Night life

March 6, 2026

About the night of  3/4-5, last night, different from all other nights in my experience, in its schedule and in the content of my dreams, suggesting that I spent the night in the grip of feel-good hormones rather than stress hormones. And awoke in calm delight.

First, some background, about earlier nights. Then about the schedule of last night’s sleep; about the content of last night’s dreams; and an appended note about feel-good hormones and stress hormones.

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Checking out

March 6, 2026

A standard notice from the Instacart home-delivery service about a grocery order in progress from the Safeway supermarket:

You’ve still got time to shop
Add items until your shopper checks out

The intent is to convey the oldest intransitive phrasal verb check out: you can add items until your shopper has completed their search for items, informed the service of this, and left the store — 1b in the OED list below. But there are three other readings for check out, and the one that came to my twisted mind first was 4c ‘to die’. Evoking images of the fatal grocery order, which will never get delivered because the shopper dropped dead. (Presumably, the 4c reading had recently come by me in some other context, so it was somehow salient to me; my imagination is not normally so dark.)

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Remarkable sinecures

March 6, 2026

From NOAD:

noun sinecure: a position requiring little or no work but giving the holder status or financial benefit: political sinecures for the supporters of ministers. ORIGIN mid 17th century: from Latin sine cura ‘without care’.

And now a juicy bit of political news as it appeared on Facebook today (4/6):

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The fabulously successful idiot plot

March 5, 2026

I recently stumbled on the notion of an idiot plot on Facebook — a cultural category I had surely encountered before but must have forgotten about. In any case, I now had Wikipedia’s explanation, along with a notable example, the plot of the Astaire / Rogers musical comedy film Top Hat.

But … despite some evident absurdity, I find the film enormously enjoyable, and in fact it’s by far the most successful of the Astaire / Rogers movies. Musical films are clearly not bound by constraints of rationality or fidelity to fact — indeed, the narrative objects of culture are in general unconstrained by such considerations: consider the plots of most operas and American Western movies, both set in times and places that never existed and often don’t make sense: consider, specifically, Manon Lescaut and The Magic Flute; or Red River and Stagecoach. Masterpieces of their genres, truly wonderful, but preposterous and inaccurate in many ways. We don’t care. All this stuff happens in fictive worlds that are imaginative creations with their own conventions (not unlike the fictive worlds of science fantasy).

Now: background about idiot plots. And then an appreciation of Top Hat.

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Three nights on the hormonal rollercoaster

March 4, 2026

A journal of the nights of 3/1-2, 3/2-3, and (last night!) 3/3-4, during which I experienced the deepest lows and the greatest highs of hormone-driven states of being.

Meanwhile, somehow, the rest of life went on: washing up, getting my meals, ordering groceries and household supplies, mourning the deaths of old friends and admirable people, seeing doctors, getting exercise, scheduling appointments, writing blog postings, singing, fretting (pointlessly) about being completely uprooted and moved to an assisted living facility, getting income tax materials together, keeping in touch with friends (especially those in crisis or grieving, but just to renew connections going back as far as the 1940s), trying to recollect my work and activities in the 1960s (as intellectual history now potentially of significance), fending off assaults on me as an icon of DEI, answering e-mail, all while trying somehow to cope with the state of the world, which seems threatening to degrees once unimaginable, and in the face of grievous memory losses that will take months of labor to recover from (at the moment I am damaged goods, with a somewhat fried brain).

The three nights, expanding on notes I made at the time. (My memory for new things is very unsteady, so that I write stuff down. Then I have a huge pile of notes in which I have to find whatever it is that I need. So I have to try to remember where the relevant notes are. It’s all vexing, leading me to weep in frustration. But I persevere.) Read the rest of this entry »