A while back I lamented to Sacred Harp singers Leigh Cooper and Mark Godfrey (wife and husband; some of us come in couples) over no longer being able to sing face to face, in one another’s company (instead, having to sing along alone at home via Zoom). Leigh took my lament to Paul Kostka, who acts as arranger for our twice-monthly singings in Palo Alto, and they picked a day (9/10) and time (11 am). That turned out to be the exact time I was scheduled to get flu and covid vaccinations, and Mark’s schedule that day precluded his taking part at all. (Juggling schedules is hellish).
But the plan eventually came together, with many singers invited to take part, but only four actually able to turn up on 9/10 : Leigh, Paul, Lorraine Sohlberg Kostka (yes, another couple), and me. Four is the magic number — SH is 4-part a cappella music — and together the four of us could cover the treble, alto, tenor, and bass lines. I’m a male treble; in the world of ordinary vocal music, I’m a natural baritone (roughly corresponding to SH tenor), but astonishingly I can do this other stuff too and love the lines I get. And when I have a voice (various degrees of laryngitis have dogged me in recent weeks), I am wildly, fiercely shake-the-windows loud.
But what is so touching is that the whole event was a gift to me. Causing me to spill over with joy at being back in the community — SH is communitarian, elaborately egalitarian, and comfortable with difference (I am often adorned in way-gay apparel) — with these wonderful people.
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