Today’s Wayno / Piraro Bizarro strip, with a detective in a pickle:
(#1) Since the readers of the strip are taking the point of view of the detective, we are in the same pickle (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page.)
How did this happen? Well, first, in this strip, speech balloons are treated as physical objects (containing a representation of speech) that people carry around with them and display to others. So when RH (the hood on the right) is talking to LH (the hood on the left), facing him, with his back to D (the detective), his speech balloon is also facing LH, with its back side to D, so that it can’t be read (by D, or by us).
But wait. This assumes that we are viewing things as if we were in a theater, fixed in our seats while the story unfolds in front of us on stage; what we can see (and hear) depends on how the actors orient themselves. Suppose instead that we’re watching (and listening to) a film; then the cameras (and microphones) go wherever the director wants them to, providing a constantly shifting visual (and auditory) focus on the unfolding narrative.
If the cartoon view is filmic rather than theatrical, then the speech balloons could show us whatever the cartoonist wants us to see — and that can be done even if speech balloons are treated as physical objects (rather than as meta-information). Yes, there are examples.
I know, nobody expects the filmic exposition. (And no, I won’t stop working this Pythonic gag.)
