Archive for the ‘Phonology’ Category

Two cents, common sense, incense, and peppermints

March 27, 2019

The 2/26 One Big Happy, riffing on /sɛns/, in idioms with sense (common sense, horse sense, nonsense), in incense, and in cents (also in an idiom, two cents):


Which, of course, leads us inevitably to the psychedelic days of 1967, with their whiff of incense and peppermints (plus some pot).


The moving sale

March 21, 2019

From Karen Chung on Facebook a while back, this complex pun in the 9/25/15 Bizarro, illustrating (among other things) a nice contrast in accentual patterns: front stress (or forestress), the default for N + N compounds, in MOVING saleback stress (or afterstress), the default in Adj + N nominals, in moving SALE:

(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)

So the hinge of the pun is the ambiguity of moving: as N, (roughly) ‘the act or process of changing residence’; or as Adj, (roughly) ‘causing strong emotion, esp. of sadness’ (both senses are ultimately semantic developments from the simple motion verb move, intransitive or transitive; but they are now clearly distinct lexical items). Then from the difference in syntactic category follows the difference in accentual pattern.


Low back issues

March 20, 2019

… in a One Big Happy cartoon (in auditorium) and in the title of a 1998 movie (the nickname Paulie): in American English, unrounded [ɑ] for rounded [ɔ], collapsing the distinction between the phonemes /a/ in cot and /ɔ/ in caught.

(#1) Discomfort in the low back region: Polly on the left, Paulie on the right


Hard Tundra

March 4, 2019

Adventures in cross-dialect understanding in the One Big Happy strips of 2/1 and 2/2, both featuring Ruthie and Joe’s playmate James:




The wherewolf

March 3, 2019

Passed on by Joelle Stepian Bailard, this Cyanide and Happiness strip by Rob DenBleyker from 9/30/10:

A tour of the interrogative words of English.


Wading with Vladimir and Estragon

February 19, 2019

That, at least, is where it started, with this bit of playfulness on Facebook:


One among a great many available versions of Wading for Godot (like this one, hardly any have an identifiable origin, but just get passed around on the web, along with jokes, funny pictures, and the like: the folk culture of the net). I’m particularly taken with #1, as a well-made image and as a close reworking of lines from Samuel Beckett’s Waiting for Godot:


Presidents Day weekend in Berkeley

February 16, 2019

A bit of personal and intellectual history, having to do with the fact that there was a period of years when on the Friday before Presidents Day my husband-equivalent Jacques Transue and I would drive from Palo Alto to Berkeley for the annual meeting of the BLS, the Berkeley Linguistics Society, then held in Dwinelle Hall at UCB over the three-day weekend. (It has since moved its dates to less crowded times during winter quarter.)


Wok it to the golden Lab for analysis, har-de-har-har

December 3, 2018

3 x 3: three cartoons of linguistic interest for the 3rd of December: a Dave Blazek Loose Parts with merged phonemes; a Wayno/Piraro Bizarro with an ambiguity; and a Zits with an onomatopoeia.


Imperfect rhyme, part 3

October 6, 2018

Previously on this blog:

on 9/30, “AZ on imperfect rhyme” (part 1 of a series): an inventory of publications of mine on half-rhyme and phonological similarity

on 10/1, “Imperfect rhyme, part 2”: an inventory of postings on this blog that discuss particular examples of half-rhyme

And now, part 3, the last: an inventory of publications that cite the papers of mine on imperfect rhyme in part 1 — mostly the first, the 1976 rock rhyme paper.


Imperfect rhyme, part 2

October 1, 2018

First installment: my 9/30 posting “AZ on imperfect rhyme”, an inventory of publications of mine on half-rhyme and phonological similarity. Today, the second installment, an inventory of postings on this blog that discuss particular examples of half-rhyme. To come: an inventory of publications that cite the 5 papers of mine on imperfect rhyme, especially the first, the 1976 rock rhyme paper.