Archive for the ‘Language and the body’ Category

“A place for us to see each other”

May 12, 2024

(Some photos of male bodies and allusions to sex between men, but no naughty bits and no street language — just not to everyone’s taste)

The end tag to a New York Times story, “At Frieze, Photographer of Gay Life Seeks ‘a Place in the Sunshine’: Stanley Stellar has documented gay New York, on the streets and in his studio, for decades. Now he steps onto his biggest stage”, by Erik Piepenburg, on-line on the NYT website on 5/3 (in print on 5/4); from the story:

From May 1-5 [AZ: yes, the event is now over; my life has been difficult, and I’m doing the best that I can], Stellar will step onto possibly his biggest stage when Kapp Kapp, the queer-centered TriBeCa gallery run by the twin brothers Sam and Daniel Kapp, shows his work at Frieze New York, the annual international art fair that returns to the Shed at Hudson Yards.

On view will be 15 of Stellar’s “Piers” photographs: assertive portraits and lazy-day snapshots of the mostly gay men who claimed the decrepit West Side piers as social and sexual turf in the 1970s and ’80s. Many photographs will be shown in color for the first time; “Stanley Stellar: The Piers,” a related book of photos, has been reprinted timed to the fair.


(#1) “Piers Roof July 1, 1978”

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The gay handshake

May 11, 2024

(It’s about men going down on men, in street language, so not for kids or the sexually modest)

A subtopic extracted from a posting (in preparation) on Stanley Stellar’s career in male photography (previous posting on this blog: on 5/8 in “Stanley Stellar’s couch”), during which he has amassed a trove of tens of thousands of photos, almost all set in NYC (and is still at it). One part of his work is devoted to depicting the beauty of the male body; for this he solicits men to pose for him (that’s why his e-mail address is on his website). These men are of various sexualities.

The remainder of his work he thinks of photographing the gay community:

— chronicling Pride parades (in all their complexity)

— showing street life in gay neighborhoods and at locations of gay sociability — both places populated by an assortment of lgbt+ people, plus some others

— and recording the places of cruising and tricking for men who have sex with men: what I’ve called the subterranean world of sex between men in public

This subterranean world: cruising spots in public parks, the famous trucks in NYC’s West Village back in the day, gay baths and sex clubs, t-rooms (mensrooms repurposed for sex between men), and so on — including Stellar’s special province, the West Side piers in NYC. All places where sex between men (especially cocksucking, which is quick and easy, and requires no special preparation or clean-up, so can be smoothly managed pretty much anywhere) is available in spaces that are in some sense public and are open to other like-minded men but are carefully concealed from outsiders (hence, subterranean).

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Stanley Stellar’s couch

May 8, 2024

This is a reposting, on this blog, of the complete content of a 5/2/11 AZBlogX posting “Stanley Stellar’s couch”, original link:

http://arnold-x-zwicky.livejournal.com/29466.html

The 2011 posting includes a link (still valid) to Stellar’s own website, which is packed with wonderful content and kept up to date, and even includes his gmail address, so that he can make himself available to men interested in being photographed by him.

Today’s blast from the past is relevant to the current moment: the 2024 edition of the international art show Frieze New York (May 1-5, 2024) included 15 historic photographs by Stellar reproduced for the first time  in color. As reported in the 5/4 New York Times:

Titled “The Piers: In Color,” the queer-centered TriBeCa gallery Kapp Kapp presented Stellar’s Kodachrome vision of New York City’s west side piers of the late 70s through 80s, a pre-AIDS paradise mostly remembered in black and white. Stellar’s color photographs recall a vibrancy and texture often omitted from visual history.

More Stellar in a posting to come. In this one it’s just the couch.

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Tool time: the hose end pressure controller

May 7, 2024

(Warning: this posting will immediately descend to crude jokiness on male genitals and masturbation, so it’s not to everyone’s taste)

To celebrate Masturbation Day, today’s notable occasion (in my household, every day is jack-off day, but the celebratory holiday comes around only once a year): the Zwicky Linemaster hose end pressure controller, from a vintage UK ad for aviation supplies (advertised on eBay), with its language repurposed here to cover the fluid pressure of ejaculation (which varies considerably in the male population, while being largely out of conscious control):


(#1) The ad from eBay, for some Zwicky Limited (of Buckinghamshire in southeast England) aircraft equipment, for controlling hose pressure during fueling

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Jason Lloyd’s cartoon gay world

May 4, 2024

(or maybe his gay cartoon world. either way, this posting gets right into men’s bodies and sex between men, in plain talk, so it’s totally not for kids or the sexually modest)

Encountered on Pinterest some time ago, an item from the Jason Lloyd Art website, with a work much like this one, two men in the act (but without a visible penis, so I can show it to you here):


(#1) “Just Relax” — I think Frankie Goes to Hollywood’s 1983 hit song is an inevitable association here — is about taking pleasure in getting fucked, and it’s in JL’s least cartoonish and most realistic (but soft-focus) style, which can be either simply erotic (and touching) or actually pornographic (and arousing), depending on how you approach it

All of JL’s work is at least somewhat simplified in its lines, and most of it is straightforwardly cartooning, all of it skilled, some of it notable.

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Rabbit hordes will shake the darling buds of May

April 30, 2024

🐅 🐅 🐅 tiger tiger tiger for ultimate April; this is Lepus Eve, that fearful moment before the rabbit hordes of May descend, in a cloud of fragrant muguets, to ravish and despoil the golden youths of spring, the band of bros, of buddies, bonding to spread their seed and alliterate aimlessly: Bunnies Bash Buds

Two images for the day: a cinematic account — Night of the Lepus — of the threatening rabbit hordes; and just one of those adorable buds at risk in this moment of peril: Dean Young. serving as the embodiment of the vulnerable golden youths of spring.

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A Promethean hepatical

April 26, 2024

The liver. Patent medicine. Greek mythology. Advertising. The illustrator’s art. All together now.

In the hands of French illustrator Charles Lemmel (1899 – 1976), the task of devising a poster to advertise a hepatical (a patent medicine for maladies of the liver) somehow fixed on the myth of Prometheus, punished by Zeus (for having stolen fire from Olympus and given it to humans) by being chained, naked, to the side of a mountain and subjected to endless hepatophagy: every day, Zeus’s eagle feasts on the Promethean liver, which then regrows for the next day’s torture.

Not, you might have thought, an ideal theme for a medicine ad; but look what Lemmel did with the idea in the poster (from the 1930s):


(#1)  Lemmel presents Hepatior as a rest and relief from the pain of hepatic ailments, a pain like that of Prometheus’s aquiline torment; meanwhile, he elevates the real-life sufferer by depicting the suffering Prometheus as a hot hot muscle-hunk and also a curly black-haired Greek dude — who is smiling and winking at us through the ordeal, reassuring us that it’s all a joke

That’s quite an artistic performance, also soft porn at several levels (extravagant body display, proud masochism). I happen to think it’s deeply silly, but enjoyable in its crudeness.

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Briefly noted: pecker (because Pecker)

April 22, 2024

In the US news, media guy David Pecker, whose innocent but gigglefacient surname led me to realize that I hadn’t posted on the phallonym pecker. So, very briefly:

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Acting Corps: Robert Conrad

April 21, 2024

Viewed yesterday morning: S4 E7 of the tv show Columbo — “An Exercise in Fatality”, originally aired 9/15/74, with four members of the bank of reliable actors with prodigious portfolios that I’ve called the Acting Corps (four plus series star Peter Falk, playing Lt. Columbo) appearing in the early moments of the show, in which character Milo Janus is depicted as a cocky fraudster running a chain of gyms, confronted by one of his defrauded franchisees, Gene Stafford. It is quickly clear that one of these men will be murderer and one victim, but unclear which will be which: Janus richly deserves to get offed, but on the other hand, he’s bastard enough to dispose of Stafford as a mere obstacle in his path.

The plot is nicely balanced between these two possibilities, but I should have realized from the casting how the scene would play out; both characters were cast from the Acting Corps, but Janus is played by a high-recognition, star actor (Robert Conrad), while Stafford is played by character actor Phil(ip) Bruns, who had a supporting role, at one time or another, in virtually every American tv series there was then, so always seemed vaguely familiar but not identifiable.

The character Stafford was then doomed, because the actor playing him was dispensable. Not only was Robert Conrad a star, he was also an incandescent actor: body-proud (displaying his muscular torso and remarkable buttocks), high-masculinity (energetic and athletic, tough, frequently sweaty, giving off a whiff of testosterone), and intense. No director would kill off a property like that in the first few minutes of a 90-minute show.

I originally intended to post about four of the actors from this episode — Conrad, Bruns, Pat Harrington, Jr. (who I recognized and identified immediately), and Gretchen Corbett  (who was familiar but not identifiable) — but I quickly accumulated a lot of material about Conrad, so I’m giving him a posting all of this own; I’ll do the other three in a separate posting.

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Give your boys the love they deserve

April 11, 2024

(About naughty bits — men’s testicles and women’s breasts — so not to everyone’s taste.)

From the ads of brands site, “Ad of the Day | Manscaped Gives Men’s “Boys” the Love They Deserve”, from 3/8/24:

There’s a lot of data out there about men but only one truth… 100% of men think their “groin” is the most important part of their body. [AZ: I’d like to dispute that, since I’m deeply attached to my heart and my brain; and since if I had to choose between losing my testicles and losing my arms or my legs, I’d happily give up my balls; but that’s a topic for another day] But the problem is almost all of them feel uncomfortable talking about it. Especially when it comes to grooming. [AZ: looking ahead and clarifying this murky text, what Manscaped is deprecating here is hairy testicles, not pubic hair in general or testicles in general]

The goal for “The Boys” campaign was to stop treating male groin grooming like it’s some kind of taboo. It’s 2024 afterall, we need to normalize groin grooming for the benefit of men (and their partners) everywhere.

The challenge? How to talk about men’s nether regions in a TV-safe way. Enter the visual metaphor. The spot depicts the…you know what… as a pair of miniatures identical to every full-size male character, always attached to him at hip height. The visual allowed us to showcase exactly what the product was designed to do by changing the miniatures’ hairstyles throughout the spot.


(#1) His boys before manscaping


(#2) His boys after manscaping

This visual metaphor opened up a whole world – one where every male would have two identical groomed boys. The jokes unfolded naturally as the boys behaved like men’s body parts — bobbing around whilst jogging or floating to the top of a hot tub. And the ungroomed boys, well, they had a rough time of it [AZ: they were sweaty and uncomfortable and nowhere near as cool as other men’s boys] until they finally got a little love via The Lawn Mower® 5.0 Ultra, MANSCAPED’s newest groin and body hair trimmer.

You can watch the Manscaped “Give your boys the love they deserve” 2024 Super Bowl commercial here. A shorter version has gotten lots of play on tv.

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