On Henny Youngman and his famous one-liner “Take my wife … please”, see the Youngman section of this 9/8/12 posting.
(Everyday mansex — just your ordinary fellatio — discussed in plain language, mostly analytically rather than enthusiastically, so maybe not enough to frighten the horses in the street. Use your judgment.)
The Michael Lucas studio ad for a Valentine’s Day offer, cropped here for the sake of modesty (the full image, of happy cocksucking, can be viewed on AZBlogX):
When the Old Porn Peddler comes on a holiday, he naturally turns to puns. For Valentine’s Day, it’s probably going to involve heart and hard-on, as here.
Commentary: on the heart/hard pun for VDay; on the figure of the Old Porn Peddler; on the smiles by both cocksman and cocksucker (even though the latter has his mouth filled by a big dick); and on what the men are doing with their hands.
So I’ve posted about rainbow things: rainbow food, rainbow clothing (including rainbow underwear), even rainbow sex toys, and more — but not about the Sacred Harp song Rainbow (344 in the 1991 Denson Revision), an ecstatic hymn of praise:
At the Palo Alto Sacred Harp singing yesterday (singing from the 1991 Denson Revision), a moment of mortality (50t), with a 1707 text from Isaac Watts:
(You get humility for free.)
A Benjamin Schwartz cartoon in the latest (February 13th/20th) New Yorker:
The German folk tale of Snow White provides the basis for this name play, though the published version of the story by the Brothers Grimm didn’t name the dwarfs who help Snow White. The modern names entered pop culture with the 1937 Disney animated film. At which point they provided an inventory of names to play with (supplementing another source of pop culture names, the names of Santa’s eight reindeer from “A Visit From St. Nicholas”).
(Warnings. There will be talk of men’s bodies and sex between men, mostly in plain language, so this is not for kids or the sexually modest. And there will be comparisons of mansex to religious ritual, which some might find sacrilegious and therefore offensive.)
That would be the singer George Michael, as canonized by Australian artist Scott Marsh. The cover of the March-April 2017 Gay & Lesbian Review:
One allusion is to Michael’s enthusiasm for sex in public places — in mens rooms, in the hookup areas of parks, and so on — which eventually triggered his coming out as gay and led to his fashioning defiant celebrations of his sexuality and of these practices. Another allusion is to sexual acts, especially mansex, as analogues of religious rituals: a man sucking cock as worshiping the essence of maleness on his knees, a man getting fucked as offering his body to another man as sacrifice.
To come: the Scott Marsh mural; about George Michael’s music, with an appreciation of several of his songs; musings on sex in public, its organization as a social practce, and entrapment by police; and the rituals of mansex.
Another chapter in the great book of Zwickys. From The Guardian on 2/1/17, “Theo Zwicky obituary”, an affectionate reminiscence by Peter Vacher:
My friend Theo Zwicky, who has died aged 89, was Europe’s best-known collector of jazz films and photographs. His archive, Mr Jazz Photo Files, in Zurich, was consulted extensively by magazine editors and jazz writers, myself included, when it came to finding rare illustrations for their books and articles.
Some reflections on coming to the end (a month ago) viewing the complete run of the U.S. Queer as Folk, concentrating on the male characters and the actors who portray them. Cause I’m a gay guy and that’s my territory — and, yes, there will be shirtless men — though I’m not disregarding the women.
The original central cast (five gay male characters and two lesbian characters), with the cast identified by the actors’ names:
Extended discussion to come, with material from the Wikipedia article on the tv show marked by the tag (Wik); other commentary is mine.