First, rainbow: from Andrew Winnard on Facebook, a photo of a rainbow-lit Metro escalator in Stockholm.
Then, sharks: in my posting earlier today “Central Shark”, about Sharknado Week on the SyFy channel (Trailer Park Shark (2017) is just about to begin!).
Which led me to the Italian clothing company Paul & Shark, with its sharky logo — and its line of rainbow shark t-shirts. And to a slew of artworks depicting rainbow sharks. And to a popular aquarium fish, the rainbow shark.
Posted in Art, Clothing, Compounds, Formulaic language, Gender and sexuality, Homosexuality, Language and animals, Memes, Movies and tv, Subsectivity | 1 Comment »
A Leigh Rubin cartoon from the 22nd, illustrating an exit and a dramatic exit:
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First, this is a play on the ambiguity of exit, as a N referring to a concrete object (a door, used for exiting) or an act (of exiting). Then there’s another ambiguity, in the sense of dramatic in the nominal dramatic exit: it could be taken literally, as ‘pertaining to a play’, but here it’s used with a figurative sense ‘melodramatic, stagey, flamboyant’ (note the man’s gesture). In its second use, dramatic incorporates a figurative sense of the N drama seen also in the (originally US gay) slang compound drama queen.
Posted in Ambiguity, Books, Compounds, Derivation, Figurative language, Gesture, Homosexuality, Language and sexuality, Linguistics in the comics, Memes, Memes, Pop culture, Signs and symbols | Leave a Comment »
Noted on a sign in Dan Gordon’s in Palo Alto yesterday — a place that specializes in barbequed meat, especially brisket and pulled pork. Meanwhile, I like pig butts and I cannot lie, with its double entendre play on butt, has apparently achieved meme status; it’s now available in many forms, including t-shirts from several suppliers:
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Posted in Double entendres, Formulaic language, Gender and sexuality, Memes, Slang, Snowclonelet composites | 4 Comments »
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