The Zippy from the 21st takes us into a world where hidden identities surround us everywhere:
(#1) Griffy gives the definition, and he and Zippy supply examples — in particular Karl Malden’s nose
Notes on pareidolia, on Karl Malden’s nose, and the Kinks’ “Destroyer”.
A brief celebration of one of my favorite cartoons, on the occasion of a reproduction of it being installed in the Empire State Building. Rob Leighton’s Escher on high steel:
I’m trying to imagine the blueprints. Also, of course, how the workers got up there in the first place.
Adventures in cross-dialect understanding in the One Big Happy strips of 2/1 and 2/2, both featuring Ruthie and Joe’s playmate James:
(#1)
(#2)
Edward Steed cartoon in the May 21st New Yorker:
It’s about point of view (pov), especially as this reflects selective attention, an inclination to focus on certain things in the context over others.
David Sipress in the latest (May 8th) New Yorker:
(#1)
“I can’t remember—do I work at home or do I live at work?”
Which is the ground — home (living place) or workplace — and which is the figure — working or living?
A question framed in the caption as a chiasmus, abstractly of the form X … Y / Y … X?
Today’s Bizarro, on categories in the domain of sexuality and gender:
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(If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page.)
Some brief introductory words on homosexual, gay, and queer. Then on LGBTQ. And on to a recent NYT Magazine article on queer. Which leads, remarkably, to the Penrose triangle (of interest to scholars of both perception and art).
Yesterday’s Bizarro puts a fresh twist on an old philosophical puzzle:
Previously on this blog, a Zippy (posted 10/15/12) on a related theme, with the punning punch line:
If a red-breasted nuthatch sings in a forest & there’s no one there to google it, did it post a tweet?
So what does it refer to in the top panel? In the old conundrum, it refers to the falling of the tree. But in the bottom panel, it refers to the tree itself, which turns out to have the power of speech; it can certainly make a sound (of its own volition).
A continuing ad campaign for Febreze air freshener and odor eliminator products warns us about noseblindness,
The gradual acclimation to the smells of one’s home, car, or belongings, in which the affected does not notice them (even though their guests do). (link)
An illustration of a cat owner’s noseblindness, showing how visitors will perceive their house:
Noseblind is a fairly clever coinage for this sensory saturation effect, treating it as similar to being temporarily blinded by bright lights or deafened by loud noises. But it’s not truly similar to being blind or deaf. which are enduring and more global inabilities.
From Andras Kornai, a link on my Facebook timeline, tagged as “for Mr. Alexander Adams”: a Schwa Fire piece, “The Name on the Cup: Brewing the Perfect Coffeenym” by Greg Uyeno. About choosing a name for ordering in a coffee shop with lots of background noise. A related task is choosing a name for making reservations over the phone (I have a small amount of local fame in some circles for using Alexander Adams as a reservation name.)
Then there’s Uyeno’s playful coinage coffeenym.
It starts with today’s Zippy, with a punning title; continues with a Discover Card tv commercial for fraud protection (or frog protection); and ends with some bilingual play involving Nadia Boulanger. There will be digressions at each stage.
The Zippy:
(#1)
The title, “Getting a Bad Feline”, puns on feeling and (with reference to the actual theme of the strip, the cat-replacement phenomenon in Dingburg) feline. Feline survivalism in the last panel (which I won’t comment on here), and, throughout, an entertaining pattern of naming from trade names (which I will).