Wayno’s title for today/s Wayno/Piraro Bizarro, in which the world of summer scout camp for kids intersects with the complex fictional world of the animate marionette Pinocchio. To understand the cartoon, you need to recognize both of these worlds (a matter of considerable cutural knowledge); and to understand why it’s funny, you need specific detailed information about each of these worlds.
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 6 in this strip — see this Page
(Men’s bodies and mansex, in very plain language, so not for kids or the sexually modest. There will be a surprise detour into literary analysis.)
You can get anything you want at Alex’s Locker Room, including Alex. As depicted on the front cover of the DVD for Falcon Studio’s gay porn flickTales From the Locker Room (2020):
(#1) Four heavy cruise faces, which is what caught my eye and led me to this posting. Dick (one barely concealed, one fuzzed out here) and ass. Black and white. Muscles. Plus a pair of icepick-erect nipples. Something for everybody. (The full photo in my 4/5/20 AZBlogX “In the fantasy locker room”)
You don’t often get to be the object of four industrial-strength cruises at once. (On cruise faces, see my 7/19/18 posting “Get your cruise face on”. And on those nipples, see my 2/25/17 posting “Displaying your nipples”, with its section on nipple erections.)
… provided by friends in a time of unspeakable violence, though neither is a totally unmixed pleasure: from Mike McKinley, the 1962 boys’ space adventure yarn Lost City of Uranus, just for the cheap but evergreen double entendre in its title; from Betsy Herrington, a link to the rainbow dreadhead stone lions of Monza, Italy, an admirable exercise in yarn bombing.
Following on my 7/7 posting “GN/BN”, about the Good News Bad News joke routine, which the hounds of ADS-L traced back to the early 19th century (at least). Other commenters offered formuations of the idea that there’s a good side and a bad side to everything, the bad comes withthe good, and lots of other things that, however interesting, are not instances of the joke formula (in any of its variants). But then on 7/16, Bill Mullins posted about an entirely different joke formula hinging on the opposition of good and bad.
Bill wrote:
Are you familiar with Archie Campbell’s “That’s Good/That’s Bad” routines? He used to do them on Hee Haw.
Today’s morning name. I really have no idea why. I haven’t even seen the movie and was only vaguely aware of its theme. Maybe the sound-symbolic values of the names, the contrast between the /l/s of Lilo, voiced liquids, symbolically flowing; and the /s t č/ of Stitch, all voiceless obstruents, symbolically spiky and aggressive. And the /aj/ of Lilo, long and with a low nuclear F2; versus the /ɪ/ of Stitch, quite short and with a very high F2. Lilo is female, human, and family-oriented; Stitch is male, alien, and destructive.
The Bizarro/Wayno collaboration on the 21st is another exercise in cartoon understanding (but a relatively easy one):
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page.)
You need to know the basic outline of a European legend (the major clues to which are the reference to ridding a town of rats and the unusual word pied in the title), and you need to know something about musical instruments (to recognize that the sousaphone — named in the title — plays the role of the (musical) pipe in the legend).
Then there’s more to be said about the parallels between the cartoon world and the legend world, with special reference to wind instruments (of which the sousaphone is the largest). Which leads me to the rich world of the legend and its connection to the real world. And the fictivity of stories; there’s a fair amount of factuality, or at least real-world context, in the legend. And from there — surprise! — to St. John and Paul’s Day next week (June 26th). And from there — another surprise! — to eunuchs and the social world of the Roman Empire.
Zippy-God as the psychiatrist, a very Zippy-like generic Pinhead as the patient; he’s given the name Fenwick in the third panel. The artist is fond of Fenwick.
(Mostly cultural analysis, focused on gay porn. But plenty of very plain talk about men’s bodies and mansex, so this is not for kids or the sexually modest.)
(#1)
The pizza boy archetype, as depicted by young Melbourne artist Allain de Leon in DNA Magazine, April 2013
The figure is a package of symbolic content and associations, among them: the desirable youth; the delivery figure, someone who comes to your door bearing pleasurable goods for money; pizza as an American cultural emblem of warm informal social associations; and a cluster of associations of food with sex, some more general, others specific to pizza slices and whole pizza pies
The trigger for this posting is a recent ad for C1R/Catalina Video, with a sale on a new release — Pizza Boy 4 – Slice of Pie — and the three earlier films in the series, starting with Pizza Boy: He Delivers (William Higgins, 1986). The ads, which are way XXX-rated, are available in a posting on AZBlogX (“Another slice of pizza boy”). But here: a salacious image of pizza boy Steve Henson from the first film, a classic of gay porn:
