Archive for the ‘Art’ Category

St. Martin des Poires

March 29, 2020

(Nothing actually crude, but a lot of mostly high-falutin’ sextalk that might give some people the fantods.)

In yesterday’s mail, a postcard from Ryan Tamares (a Stanford friend who is now socially but not postally distant from me) with this crate label from the 1920s and 1930s, featuring a character I’ll call the Bartlett Pear Kid:


(#1) We’ve been here before, in my 2/14/12 posting “Suggestive”, where I wrote: “The newsboy is hustling pears, but to modern eyes the label suggests something more salacious.”

I pursued this example further in a 6/14/16 posting “Crate labels”, which I’ll take up in a little while. But first the literally fabulous history of the Bartlett Pear Kid, who eventually became St. Martin des Poires, B.P.I.

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Mourning Son

March 23, 2020

… or Social Distancing. More art of the pandemic: a CGI homage to Edward Hopper’s Morning Sun (1952) by Vadim Temkin:

(#1)

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Golcorona

March 21, 2020

The art of the pandemic continues at Vadim Temkin’s CGI atelier, with Golconda 2020, an homage to Magritte (on Facebook yesterday):


(#1) They way we live now

A many-depthed airscape of naked young men (with modesty hands) and fuzzy coronavirus molecules.

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Corónsyphùs: Strength Through Biochemistry

March 16, 2020

Now available in home video: CORÓNSYPHÙS, a PROVEN exercise regimen for the ARMS AND LEGS that achieves POWERFUL MUSCLE MASS while you perform a SOCIALLY USEFUL (though apparently futile) task!!

(best when used with Purella de Villi gut-strength hand cleanser*)


(#1) Workout of the Titans: corónavìrus vs. Sísyphùs

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A priest, a rabbit, and a minister

February 26, 2020

… walk into a bar. And into a Walk Into Bar joke, which then goes doubly meta. The rabbit brings a really big beer to the event. The joke has been around in print, in one form or another, for maybe 20 years. The image is a fantasist painting “Bunny with Beer” (from 2017) by the artist Omar Rayyan. The two joined in happy union by an unknown hand, during the past few days, in the form of a texty cartoon:

(#1)

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While you’re up

February 22, 2020

The Wayno/Piraro Bizarro from yesterday, on running evolutionary errands:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page.)

Venture Fish crawls out onto land, no doubt to return after foraging there, then will venture onto land again, and in time its descendants will have become amphibians, and then, well, you know the story.

But why does Venture Fish go on land? It insists on doing this for some reason — the primary reason for the act —  that is inscrutable to its aquatic companion, but Home Fish asks that Venture Fish meanwhile run an errand: fetch some things on the trip, thus supplying an additional, secondary reason for the act.  Home Fish uses the format BACKGROUND CONDITION + REQUEST:

BACKGROUND CONDITION: If you’re going out / Since you’re already up / As long as you’re up / While you’re up / …

+ REQUEST: (could you / would you / why don’t you / please /…) VP-BSE

— made famous in the slogan for an early 1960s ad campaign:

as long as you’re up get me a Grant’s

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Lincoln Darwin Valentine Day

February 13, 2020

(Uncompromisingly raunchy references to male bodyparts and mansex, so absolutely not for kids or the sexually modest.)

Lincoln Darwin Valentine Day lies in the cleft between Lincoln Darwin Day, February 12th, and Valentine’s Day, February 14th. It is a day of unbridled mansexual excess, coming as it does between the high seriousness of the day that honors two towering figures — two Great Men — of the 19th century and the romantic heterosexual excesses of Valentine’s Day. It’s Carnal Carnival without reference to the religious calendar (actual Mardi Gras can fall any time between February 3rd and March 9th).

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Early February herbivores

January 31, 2020

We advance upon a surprising gift of the Pennsylvania Dutch to American culture: Groundhog Day (February 2nd). In earlier years, this blog provided coverage of Marmota monax (the groundhog / woodchuck), its holiday, and the comic movie, comic movie, comic movie. Now comes Alex (Alessandro Michelangelo) Jaker on Facebook:

I think that, the same way that the Easter Bunny visits and leaves candy [notably, chocolate eggs] and jelly beans at Easter time 🐰🍬🍫, we should start a tradition where, on Groundhog Day, the Friendly Groundhog stops by to visit during the night, and leaves the children a bag of nuts. 🐿🌰🥜

I replied (alas, emojilessly):

Even better: Marmo the Enchanted Groundhog, who leaves a bag of magic nuts.

And Alex countered with:

Or how about: “Chuck the Magic Marmot”.

Much to munch upon here.

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Identify that potato

January 31, 2020

Today’s Wayno/Piraro Bizarro collabo, posing a puzzle in cartoon understanding:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 8 in this strip — see this Page.)

Ok, you need to recognize the Potato Heads; the cartoon takes place in a world of Potato Heads, with their removable and interchangeable features. But it takes place simultaneously in the everyday world, or at least this world as represented in American popular culture — so we’re expected to recognize this as a police station, with a Wanted poster on the wall and a uniformed (male) cop at a desk, holding the detached head of a PH (Potato Head). He’s engaged with a (female) citizen, who looks at the head and, mustache in her hand, says “That’s close, but can we try it again with the mustache?”

Ok, so she wants to see the PH head with the mustache added to it. Why? And why would that be funny?

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Humongous tops Adonis

January 28, 2020

Riffs on gay porn in difficult times. The penis portion of this presentation — with five stone-XXX-rated images — is in my AZBlogX posting “Humongous fucks Adonis”. This posting, further expounding on that material, is literally free of penises, but it’s extravagantly about men’s bodies and mansex, mostly in street language, so it’s entirely unsuitable for kids or the sexually modest.

It all began with some moments of recreational gay porn use, focused on what I think of as “sweet sex”, which took me back to scene 2 of the 1984 Falcon flick The Bigger the Better:


(#1) Cover of the Bijou Classics re-release, featuring Rick “Humongous” Donovan from scene 1

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