Archive for the ‘Linguistics in the comics’ Category
June 9, 2026
The 6/1 Zippy strip celebrates a vibrant life on the side of the road, in drive-in joints offering comfort food and in flashy highway motels, in the lost days of mid-20th-century America (think HoJo’s clam strips):
(#1) Stunned by signage: an octogenarian’s bulletin from the golden days; the cartoonist Bill Griffith was born in 1944, I was born in 1940, so this was the time of our youth
Remembrance of lost time: L-Ken’s Drive-In Restaurant in Colonie NY (a northern suburb of Albany, the state capital) was demolished on 4/20/17; the Tucson Inn, in Arizona’s second city, was demolished in April 2025. Both were famed for their neon signs (cartooned above).
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Posted in Architecture, Art, Linguistics in the comics, Signage, Signs and symbols | Leave a Comment »
June 2, 2026
(not the cartoonist’s fault, but my discussion veers occasionally onto fellatio, in vulgar street language, and that’s out of bounds for kids and the sexually modest)
The Pearls Before Swine strip of 5/31, Stephan Pastis’s farewell to the month of May, devoted to one of his outrageously complex jokes (it’s so off-the-wall intricate that Rat, one of his characters, takes to protesting against it):
Three contributions: (1) the joke genre (the setup / payoff formula pun); (2) the English verb succeed, homophonous with suck seed; and (3) the familiar proverb, popularized by William Edward Hickson in 19th-century England: If at first you don’t succeed, try, try again — all the while skirting (4) the sexual collocation suck seed (with seed ‘semen, cum’), a variant of suck cum
On to the four contributions.
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Posted in Ambiguity, Comic conventions, Language and the body, Language of sex, Linguistics in the comics, Puns, Rhyme, Taboo language and slurs | Leave a Comment »
May 31, 2026
Hey, there, server lad,
Have you any wool?
Yes, sir, yes, sir,
One alpaca full!
This Drew Dernavich cartoon in the 6/1/26 issue of the New Yorker:
A wonderfully absurd riff on the custom of restaurant servers offering freshly ground black pepper (occasionally, also freshly ground sea salt) upon the appearance of food at the table, obliging the diners to participate in a pretentious edgy ritual of condiment dispensation
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Posted in Language and food, Linguistics in the comics, Music, Parodies, Poetry, Pop culture | 1 Comment »
May 28, 2026
The Wayno / Piraro Bizarro of 5/26:
A Wayno Psychiatrist cartoon, this time with couples therapy in which the couples’s conflicts are referred to the attitudes of their inner children, one of whom is said to be infected with the dreaded cooties of childlore (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 5 in this strip — see this Page)
It’s likely that some of my readers will find this one-sentence summary of the cartoon’s content to be simply incomprehensible — because the two central terms in all of this belong to specialized vocabularies — cooties from American childlore; and inner child from pop-psychological therapy-talk.
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Posted in Childhood, Comic conventions, Linguistics in the comics, Pop culture, Psychology | Leave a Comment »
May 22, 2026
Yesterday, in my posting “Sir, I bring you a token of my subservience”, a Zippy strip in which Griffy addresses a Muffler Man, offering the fiberglass giant a phallic offering to his superior masculinity. It turns out that this strip is a reworking of the text from an earlier strip on a similar theme. And there we have the two-strip set-up for today’s discussion:
(#1) [The 5/21/26] strip “Tired Out”, with, oh dear, the alpha male theme made explicit; it is, in any case, all about (hyper)masculinity vs. inferior masculinity
(#2) The 6/2/17 strip “Rubber Fire”, showing (hyper)masculine contempt for analytic academics (I am, of course, the very model of the modern analytic academic, so eat my shorts, brute boy)
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Posted in Address terms, Art, Books, Count & Mass, Insults, Language and animals, Linguistics in the comics, Masculinity, Phallicity, Pop culture, Pragmatics, Signs and symbols, Vaginality | Leave a Comment »
May 21, 2026
The crucial moment of today’s (5/21) Zippy strip, in which Griffy addresses a Muffler Man, offering the fiberglass giant a phallic offering to his superior masculinity. It’s hard to know where to start with this — and then it turns out that this strip is a reworking of the text from an earlier strip on a similar theme.
(#1) Today’s strip “Tired Out”, with, oh dear, the alpha male theme made explicit; it is, in any case, all about (hyper)masculinity vs. inferior masculinity
(#2) The 6/2/17 strip “Rubber Fire”, showing (hyper)masculine contempt for analytic academics (I am, of course, the very model of the modern analytic academic, so eat my shorts, brute boy)
Just to get the two strips on display, for discussion to come. My l life has been overfull, but almost entirely in wonderful ways, and that’s something else for me to talk about.
Posted in Academic life, Linguistics in the comics, Masculinity, My life, Phallicity, Pop culture, Signs and symbols, Vaginality | Leave a Comment »
May 14, 2026
Briefly noted: today’s Zippy strip has our Pinhead rowing to a half-rhyme:
Zippy is keen on spleen (‘bad temper; spite’ (NOAD)) and is happy to vent his in a half-rhyme. In particular, the feature rhyme of /strim/ with /splin/, m – n being the most common feature rhyme for consonants in English. On a lake, he could have displayed his hate (k – t).
Posted in Language play, Linguistics in the comics, Rhyme | Leave a Comment »
May 2, 2026
In this cartoon from the latest (5/4/26) New Yorker, Ms. Duck and Ms. Rabbit mourn their versatile paramour, Mr. Shimmer the duck-rabbit (or rabbit-duck); see my 8/24/25 posting “Shimmer is both a floor wax AND a dessert topping”, and reflect on versatile gay men, who are bottoms or tops, depending on how you approach them:
(#1) The widows weep for their bi-stable beloved; meanwhile, the famous illusion that lies at the very center of their world turns out to be a lifelong preoccupation of the cartoonist
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Posted in Ambiguity, Cartoonists, Death and dying, Illusions, Language and animals, Language and religion, Linguistics in the comics, Parody, Perception, Work | Leave a Comment »
April 25, 2026
Yesterday’s (4/24) Zippy strip has our Pinhead singing the praises of everyday stationery supplies, in particular the cylinders (now usually made of plastic) used to convey rolled-up sheets of material with printing or designs on them: the telescoping plastic mailing tube:
Zippy chants for the TPMT
Four words of decreasing length (in number of syllables), in two phrases:
— the adjectival modifiers telescoping ‘which telescopes’ and plastic ‘which is made of plastic’ (4 + 2 syllables)
— and the head compound noun mailing tube ‘tube for mailing things’ (2 + 1 syllable)
Thereby achieving the effect of building to a final one-syllable bang.
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Posted in Linguistics in the comics, Poetic form, Repetition | Leave a Comment »
