Archive for the ‘Linguistics in the comics’ Category

Animated families

March 18, 2026

In the Wayno / Piraro Bizarro for 3/16/26, two characters from Disney animation commiserate in a bar: Dopey (the least of the Seven Dwarfs in Disney’s telling of the Snow White tale from the Brothers Grimm) with a mug of beer, Goofy (the canine companion of Mickey Mouse and Donald Duck in a long series of short features) doing shots. If you don’t recognize who they are and what their names are, the cartoon is incomprehensible, because the dwarf and the dog are sharing their regret at the names their parents gave them:

What kind of parent would name their son Dopey or Goofy? Those are epithets, not ordinary names, and while the names of all seven dwarfs are actually (evocative) epithets, Goofy hangs with his buddies Mickey and Donald (who have alliterative, but not epithetic, names), so he can feel especially aggrieved (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 3 in this strip — see this Page)

The Seven Dwarfs are a band of miners, in both the Grimm and Disney telling of the tale of Snow White, and though they all must have had parents, we know nothing about them; the dwarfs just materialize in their little house, in need of a housekeeper’s touch. The Disney comic animals have vaguely delineated, largely unseen families; about them we know little. Goofy appears to be the screw-up child in his family. And ended up getting called by an epithet.

Well, Goofy began life as Dippy Dawg, again with an unflattering epithet. (My father, with whom I shared a name, sailed through his adult life addressed by an epithet, not his name: the positive-vibe epithet Zip, alluding to his pleasant energy.)

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Penguins, iconic and indistinguishable

March 17, 2026

On the heels of my 3/14 posting “Seeking a penguin caption” (in which the birds are ubiquitous), there come two penguin cartoons in the April 2026 issue of Funny Times: one by Bill DeMain in which the birds are iconic, one by Vaughan Tomlinson in which they are (memically) indistinguishable.

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Seeking a penguin caption

March 14, 2026

The New Yorker cartoon caption contest in the 3/6/25 issue features one of my totem animals, the penguin. Well, quite a lot of penguins:


The three finalists for the caption will be announced in the 3/30 issue

The caption — what the woman is saying to the man — could be about that pigeon (maybe the whole thing is stage-managed by the pigeon; or maybe it’s about a pigeon among the penguins, like a cat among the pigeons). Meanwhile, note the prevalence of penguins —  driving a car, in the windows of a building, on top of the food truck; they’re everywhere.

 

Name sharing

March 11, 2026

The Zippy strip for today, 3/11, all about sharing a personal name (with some intrusions of the name Melvin):


The large generalization is that mentioning two people together implicates some special relationship, even more so if they share a name (personal name or family name)

In the first panel we start with two authors, from widely separated times, in different genres (plays vs. fiction), and with hugely different styles — but both with the personal name William.

The personal-name sharing goes on with wildly different characters, oddly yoked to one another: Oscar Wilde the writer and Oscar the Grouch the Muppet; Jackson Pollock the painter and Jackson Browne the rock musician (whose career started with the Nitty Gritty Dirt Band); Mona Freeman the actress (and painter) and the Mona Lisa (the subject of Leonardo da Vinci’s famous painting).

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Stripes

March 6, 2026

The Wayno / Piraro Bizarro of 3/5, in which the effusive Cat in the Hat of Dr. Seuss / Theodor Geisel meets the elusive Waldo of Martin Handford’s Where’s Waldo? Under the sign of red stripes, in two styles (Wayno’s title: “Stylistic Differences”):


The Cat stands out, Waldo blends in (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 3 in this strip — see this Page)

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Toys, potatoes, and dogs

February 26, 2026

The Wayno / Piraro Bizarro strip for 2/25: Mr. and Mrs. Potatohead with their Potatohead dog:


The toy: Mr. Potatohead and his detachable-bodypart family; the potato: the russet; the dog: the Jack Russell terrier (note russet as a potato-pun on the dog name Russell) (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 5 in this strip — see this Page)

To understand this cartoon, you need to recognize it as an instance of the potatohead cartoon meme, based on the toy. Now, some details.

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The megalomania of a small penis

February 24, 2026

(Well, all about penises and what men think about their own and other guys’, so edgy for many people — but mostly clinical in content and tone, not at all raunchy)

Stephan Pastis’s Pearls Before Swine strip of  2/24, about what we might call little-dick grandiosity — the common belief that megalomania is (in general) a compensation for having a small penis:


There is in fact no evidence for this idea; and we might legitimately question whether there are any actual cases of little-dick grandiosity, as I put it so crudely above, at all

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Dear Ed

February 23, 2026

Reprinted on Facebook recently by Jeff Bowles, Charles Schulz’s Peanuts cartoon from 11/3/1988, in which Snoopy the writer upbraids an editor — someone I think of as the powerful but irrationally unappreciative son-of-a-bitch Ed — for failing to print his stories and make him rich and famous:

Me, I share with Snoopy a history — in my case, long past — of having my articles callously rejected by Ed. I did not seek riches, though I was happy to get some royalties from my writing; the currency of academia isn’t financial but reputational: having an audience for my ideas and my creative writing.

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Anarthrousness in the comic strips

February 16, 2026

The Pearls Before Swine strip by Stephan Pastis, for 1/9/26:


A difference between British English and American English over constructions with the definite article (arthrous) or without it (anarthrous) — putting aside British Bob’s touching belief in the primacy of BrE over AmE

(There is a Page on this blog with links to postings on Language Log and this blog on arthrousness)

Now for some scholarly observations on BrE vs. AmE practices in arthrousness with various prepositional objects, among them hospital and university. Here I take you to Lynne Murphy’s blog “Separated by a Common Language: Observations on British and American English by an American linguist in the US” — in her posting “(the) menopause, (the) flu, (the) hospital” from 4/17/2007:

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You know it’s good, because it’s free

February 13, 2026

A step into greater complexity in my blog posting, after re-entry in two brief postings yesterday: “Zichichi” (here) and “Calvin Tompkins (here): two separate subjects, united by being cleverly stitched together in The Bob newsletters (from writer and cartoonist Bob Eckstein), about the 2026 Winter Olympics on television, with this cartoon from 2/7:


(Toon) The Bob at the Winter Olympics; BE says “The bob is here”, with this tag about the Olympics on tv:

You know it’s good, because it’s free

This is subject 1, the excellent tag, which I would like to apply to this very blog of mine: you know it’s good because it’s free (and I have gone to some trouble to make it so; applaud here for me)

Meanwhile, Toon is BE’s wiener dog race version of the Olympics, in which the racing dogs are in hotdog buns, observed by an array of condiment bottles. On Facebook on 2/8:

BE: “I’m I’m watching the Puppy Bowl. It’s not the same. Gambling has ruined it, even though I’m admittedly part of the problem.

BE’s eccentric Puppy Bowl is subject 2, and it has nothing to do with the the tag.

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