Archive for the ‘Shirtlessness’ Category
July 27, 2017
I spent much of Tuesday putting together material for my posting on Mikey Bustos and his parody “I Wear Speedos” of the hit song “Despacito”, by Puerto Rican pop stars Luis Fonsi and Daddy Yankee. That led me of course to the great Puerto Rican pop star Ricky Martin, who’s been steadily on public view ever since he joined the boy band Menudo back in the 1980s.
So I had a day experiencing several versions of “Despacito”, many times over, and also returning to the pleasures of Ricky Martin’s performances, starting with “Livin’ La Vida Loca” and going on from there through his oeuvre (with digressions to Enrique Iglesias and Shakira).
Then yesterday to lunch at the Mexican restaurant Reposado, where they play pop music in Spanish as background. As I sat down, I recognized RM’s “Livin’ La Vida Loca”. Which was followed immediately by Fonsi & DY’s “Despacito”. How unlikely was that?
Synchronicity at work.
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Posted in Gender and sexuality, Homosexuality, Language and food, Music, Pop culture, Shirtlessness | Leave a Comment »
July 26, 2017
Earlier today, the posting “I sing the body elastic”, about Mikey Bustos’s parodic hymn to Speedos, the skimpy elastic men’s swim suits — with a title playing on “I Sing the Body Electric”, a poem from Walt Whitman’s 1855 Leaves of Grass, celebrating the human body. Beginning:
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.
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Posted in Actors, Language and the body, Language play, Poetry, Shirtlessness | Leave a Comment »
July 25, 2017
Yesterday’s morning name was the Mexican Spanish nickname Chuy (for Jesus). I’m pretty sure it got into my head from a friend who recently ate at a Chuy’s restaurant in Texas, so I’ll start with that.
But the real topic is Mexican Spanish nicknames: Chuy or Chucho for Jesus, Pepe for José, Che for Ernesto, and Pancho or Paco for Francisco, in particular (with a note on the linguist Viola Waterhouse, who was a student of such things). That will take me to Pepe Romero, Che Guevara, Pancho Villa, the linguist Paco Ordóñez, Paco Rabanne (the man and the fragrances), and from there to Nick Youngquest in the buff, which will supply a moment of gay interest.
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Posted in Abbreviation, Etymythology, Gender and sexuality, Language and food, Linguists, Names, Nicknames, Shirtlessness, Sociolinguistics, Spanish | 2 Comments »
June 30, 2017
Or: Happy Trails to You.
It starts with a Richard Oliva photo in Steathy Cam Men on the 28th, with the caption “Hello, sexy daddy man!”:
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In leather singlet, displaying his furry pecs and treasure trail.
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Posted in Childhood, Clothing, Gender and sexuality, Language and the body, Language play, Movies and tv, Music, Shirtlessness | Leave a Comment »
April 28, 2017
Two cartoons to end the week: a Rhymes With Orange with a four-word play and a Bizarro with a POP (phrasal overlap portmanteau):
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The Cantonese American dish moo goo gai pan ‘chicken with button mushrooms and sliced vegetables’, with a pun on each word: onomatopoetic moo, onomatopoetic goo, the informal noun guy, the Greek god Pan.
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(If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 2 in this strip — see this Page.)
Doctors Without Borders + Border Collie(s).
(Note that there are a lot of things you need to know to appreciate these comics.)
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Posted in Language and animals, Language and food, Language play, Linguistics in the comics, Phrasal overlap portmanteaus, Shirtlessness, Sound symbolism | Leave a Comment »
March 31, 2017
… and his servant Guran, in a scene from early in the 1996 movie The Phantom:
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Secure in the Chronicle Chamber within his jungle stronghold, The Phantom (Billy Zane) and his servant Guran (Radmar Agana Jao) discover the secret of the Skulls of Touganda.
The Phantom of course works shirtless in his jungle library (amidst his collection of manuscripts and books) — I mean it’s in the steamy goddam jungle (and anyway we all need to appreciate his pecs). Outside of the jungle (where he’s the 21st Phantom), he’s Kit Walker, raised in the U.S., college-educated, and NYC-savvy. Then there’s his servant Guran, who’s obviously not a member of the African tribe the Phantom works with; instead, he looks Filipino and is dressed in Indian garb. The movie is packed with cultural mixtures, and this is just one of them.
I’ll write some about these, but first a bit about the fascinating life story of Radmar Agana Jao.
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Posted in Actors, Movies and tv, Names, Shirtlessness | 1 Comment »
March 30, 2017
I first noticed him in some episodes of the tv series Charmed, playing a personable (and hunky) ex-demon named Drake. And now he’s coming past me again, in the second season of Twin Peaks, once again charming, boyish, playful, and sexy (his perennial actorial persona). In between Twin Peaks (1991) and Charmed (2005) came, among other things, the movie version of The Phantom (1996), with Zane in the title role.
So this will be about actors, the comics, tv and movies, and some of Zane’s masculine attributes: that persona, a strong physical presence, a sensuous masculine face, and (of course) an attractive body. Not a lot about language here.
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Posted in Actors, Comic conventions, Facial expressions, Language and the body, Linguistics in the comics, Masculinity, Movies and tv, Shirtlessness | Leave a Comment »
March 28, 2017
(About actors, movies, and tv, with very little language stuff in it.)
Watching Twin Peaks (the original tv series) on Netflix, and delighted to see Michael Ontkean (cute, amiable, and hunky) in it again. I’m a great fan of smiles, so here’s the young Ontkean smiling:
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Posted in Actors, Movies and tv, Shirtlessness | Leave a Comment »
