Archive for the ‘Double entendres’ Category
January 11, 2024
(Manual sex acts as the theme, discussed in both clinical and street language, so not suitable for kids or the sexually modest.)
This is very much a Mary, Queen of Scots, Not Dead Yet posting. I failed to get a Hot Hunks of Christmas posting out yesterday, though I was close to finishing it, when at 2:20 in the afternoon, my net access (also my phone and my cable tv) went down for 6 hours, derailing my life (and marooning me from contact with the outside world). Now I offer you this small, unambitious posting, just to show that I have not indeed died. (My medical state is a strange mixture of, on the one hand, terrible incapacitation and constant pain, and, on the other, absolutely splendid recovery on some fronts. But I have gotten this day as a gift to use. To write for you.)
I bring you this Irish radio report on the recent Golden Globes awards (quoted yesterday on Facebook):
The Cork actor [Cillian Murphy, in Oppenheimer] beat off fellow Irishmen Barry Keoghan and Andrew Scott [in the competition for Best Performance by a Male Actor in a Motion Picture], as well as Leonardo Di Caprio and Bradley Cooper.
Commenters picked up the inadvertent double entendre in beat off, one quipping and boy were his arms tired! (suggesting a malady of wankarm, the manual counterpart of the well-known oral-sex affliction cockjaw). Gay male readers might have read the Irish radio report as the fulfillment of an extraordinary fantasy, of getting off all four of these hot actors in single encounter.
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Posted in Ambiguity, Double entendres, Language of sex, Taboo language and slurs | 2 Comments »
June 30, 2023
Just arrived in my e-mail, this entertaining Fourth of July sale ad for TitanMen gay porn:
An American flag + shirt-lifting, a biceps display, and a jutting crotch: patriotism plus a display of conventional signs of sexually desirable masculinity for guys who are into guys.
American Independence Day is what what I’ve called a masculine meat holiday (in my 6/17/22 posting “Be the Master of the Meat!”) — with the full weight of the double entendre on meat, so lending itself to exploitation in gay porn ads.
Posted in Double entendres, Gay porn, Holidays, Language and the body, Masculinity | Leave a Comment »
October 30, 2022
(There will be some digressions into vulgar sexual slang and explicit descriptions of sex acts, so some sections of this posting are not recommended for kids or the sexually modest.)
Adventures on Facebook that start with cheese balls and then branch to the coinages giggalicous and snickerfacient. So things are pretty much all over the map. I set things off on FB with this message, which mingles all three topics :
— AZ on 10/26: I find it giggalicious that some company is offering “dairy-free cheese balls”. But I am admittedly easily amused, to the point where I have always found “cheese balls”, all by itself, to be snickerfacient.
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Posted in Double entendres, Figurative language, Language and food, Language and the body, Language of sex, Libfixes, Style and register, Taboo language and slurs | Leave a Comment »
October 16, 2022
(Gets right into gay men’s sexual parts, fore and aft, and man-on-man sexual acts, using street language, so not suitable for kids or the sexually modest.)
… or like cherry, vanilla, peach, or pumpkin spice. These are the Tasty Hole flavored body scrubs, formulated to make your hole tasty for the guy who’ll be rimming you.
(Just for the record: I hate flavored condoms. And flavored lubes. And flavored douches, which is the territory we’re moving into here. Unless the flavor is something like Male Sex Sweat. As for cherry flavoring, I hate it in cough drops and syrups and all that stuff, so I’m certainly not going to get it up for licking cherry scrub out of my trick’s hole. Your tastes might differ, of course. But you should know ahead of time that I’m inclined to mock the basic idea of Tasty Hole products.)
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Posted in Double entendres, Emoji, Language and food, Language and the body, Language in advertising, Language of sex, Phallicity, Signs and symbols, Smell, Vaginality | Leave a Comment »
September 26, 2022
(Phallic preoccupations abound in this posting, sometimes in street language — I mean, look at the title above — so some readers may want to skip over it)
Passed on by a friend on Facebook yesterday, this German grocery-store snapshot plus a joking double-entendre intro in English (together making what appears to be a a fast-spreading meme):
(#1) Hähnchenschnitten Wiener Art ‘Viennese-style chicken cutlets’ from the (German) Vossko company, the name of the product including the German phrase Wiener Art ‘Viennese-style’ — that is, prepared like Wiener Schnitzel / Wienerschnitzel); meanwhile, the English-language intro alludes to wiener art, in the sense ‘penis art’, referring to artworks in which penises are significant elements (or, in an hugely extended sense, to any artworks in which human penises are visible) — the label wiener art involving the (mildly racy) AmE sexual slang term wiener ‘penis’
German Wiener Art ‘Viennese-style’ (a) leads to English Wiener art ‘Viennese art’ (b) and then to four AmE slang uses of wiener art: (c) ‘sausage / frankfurter art’; (d) ‘dachshund art’; (e) ‘penis art’; (f) ‘weenie art’. All will be illustrated below.
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Posted in Ambiguity, Art, Double entendres, German, Language and food, Language and the body, Metaphor, Metonymy, Parodies, Parody, Phallicity, Puns, Slang, Taboo language and slurs | Leave a Comment »
July 29, 2022
O pickle, my love / What a beautiful pickle you are!
Blame it on Nancy Friedman (@Fritinancy on Twitter), who took us down to the pickle plant in Santa Barbara on 7/18, citing these 5 delights, with their label descriptions:
Unbeetables (pickled beets with unbeatable heat) – pun on unbeatable
Carriots of Fire (pickled carrots to light your torch) – punning allusion to the film Chariots of Fire
¡Ay Cukarambas! (dill-icious spicy dill pickle spears) – complex portmanteau of the American Spanish exclamation ¡ay caramba! and the noun cuke ‘cucumber’
Asparagusto (pickled asparagus with a kick) – portmanteau of asparagus and gusto
Bread & Buddhas (semi-sweet bread & butter pickles) – pun on bread and butter (pickles)
(#1)
Pickles are automatically phallicity territory, and the Pacific Pickle Works in Santa Barbara CA (website here) doesn’t shy away from their penis potential, augmenting it by references to phallic carrots, asparagus spears, and unpickled cucumbers. If you have the eye for it, we all live in Penis Town.
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Posted in Alliteration, Double entendres, Language and food, Language in advertising, Language play, Metaphor, Movies and tv, Phallicity, Poetry, Portmanteaus, Puns, Rhyme, Slogans, Taboo language and slurs | 1 Comment »
June 18, 2022
(This is obviously going to go where no kids or sexually modest people should go, and it’s going to get there fast.)
The commercial names Doggie Diner and Mr. Whippy, both surely conceived in all innocence, but, to the prepared mind, easily evoking sexual images (as it happens, my mind is prepared for man-on-man sexual images, so that’s where I’m inclined to go): the doggie / doggy position for anal intercourse; and a leatherman master whipping a leatherman slave.
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Posted in Double entendres, Homosexuality, Language and food, Language and the body, Language of sex, Linguistics in the comics, Logos, Mascots, Music, Parody, Phallicity, Signs and symbols, Trade names | Leave a Comment »
June 17, 2022
(Warning: some discussion of sexual slang in a serious but straightforward tone.)
From the annals of masculine meat holidays in my country, a Blackstone tv spot “Father’s Day: Griddle Envy” (first aired 6/1/22), in which the announcer projects macho good-buddy enthusiasm for a Blackstone griddle as a Father’s Day gift (6/19 this year, just two days away! And the next American MascMeatHol, Independence Day, aka the Fourth of July, is only two weeks away):
(#1) The envy-inciting appliance: a Blackstone 4-burner 36″-griddle propane-fired cooking station with side shelves (about $300); you can view the ad at this site
From the alliterative text:
Give him what he really wants … Your Dad can be the master of the meat, the king of the cookout, the sultan of steak
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Posted in Alliteration, Double entendres, Holidays, Language and food, Language and the body, Language in advertising, Language play, Masculinity, Phallicity | 1 Comment »
April 2, 2022
(Warning: much of this is heavy in male bodies and man-on-man sex in very plain language — you know me, Al — so it’s not for kids or the sexually modest.)
Yesterday’s installment — “Bunnies with baskets”, here — only got through some amiably very dirty doggerel of mine and analysis of its poetic organization, when the draft for the rest was eaten in a computer disaster. But now I’ve re-composed the whole damn thing, and added a bonus section, so today you’ll get not only stuff about the 2001 film The Fluffer (which is not at all fluffy), but also the 2011 film Going Down in LA-LA Land (which has some joyously fluffy moments).
So today it’s about the noun fluff, the verb fluff, the agent noun fluffer, and the adjective fluffy. Inspired by entertaining vrai-gai exchanges on Facebook beginning on 3/31.
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Posted in Double entendres, Gender and sexuality, Language of sex, Movies and tv, Word play | 3 Comments »
March 13, 2022
(Considerable discussion of sexual practices in this posting — largely in cautious language, but some may find the topics — male masturbation and male-male sexual acts — distasteful.)
To understand the brilliant 3/11 Wayno / Piraro Bizarro, you need to marshal detailed information about the Pillsbury Doughboy, the Roman Catholic confessional, the language of male masturbation in English, and self-rising flour (I wonder what, say, a Japanese exchange student in the U.S. would make of the cartoon; there is just so much culturally specific knowledge needed to understand it):
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)
You must recognize the central figure as Poppin’ Fresh the Pillsbury Doughboy (though you can’t see the Pillsbury label on his chef’s hat), the dough-creature mascot of the (American) Pillsbury baking brand since 1965; and you must recognize that he’s at the grill, or screen, separating the penitent from the priest in the confessional box of a Roman Catholic Church, where he is confessing his sins (seeking absolution from the priest); then you must understand that the particular sin he’s confessing is masturbation (stimulating his penis by hand to become erect — to rise — for the purpose of sexual pleasure), and that this is a grave sin, requiring confession; and finally, and crucially, you have to see that his reference to his masturbating as self-rising (metonymically causing himself to rise) is a play on words, the ordinary use of self-rising being to flour (available mostly in the US and the UK) with added ingredients that will cause dough made from such flour to swell — to rise — on its own.
What makes the cartoon so delightful is that all of this is woven together by the fact that Poppin’ Fresh is an anthropomorphic being — a male one, with the desires of a sexually mature male — made of dough.
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Posted in Categorization and Labeling, Double entendres, Language and food, Language and religion, Language of sex, Linguistics in the comics, Metonymy, Subsectivity, Understanding comics | Leave a Comment »
