Archive for the ‘Movies and tv’ Category

Out of Switzerland on 942

May 3, 2026

Explorations of the channels on my Comcast cable subscription led me to a big block of “music choice” channels in the very high numbers, where I (with my basic cable subscription) don’t normally venture. And there I found channel 942, “classical masterpieces”, offering what ordinary Americans think of as “classical music” (of the serious variety, not the soupy stuff intended for elevators or supermarkets).

Some experience with 942 suggests that it’s very heavily biased towards orchestral music (including orchestral transcriptions of vocal, solo-instrument, and chamber music), especially from the Romantic period. My personal tastes are centered on solo-instrument music (especially for my instrument, the piano), chamber music (which I think of as musical conversations), and opera and art song — especially from the Baroque and Classical periods — so 942’s programming is an imperfect fit for me.

On the other hand, the programming tends to favor obscure composers (a fair number are people I’ve never heard of, though you might take that just to mean that I’m a poorly educated philistine) and obscure compositions by more well-known composers (for instance, a work by Elgar I’d never heard of) — which brings me to what was playing when I first tuned in to 942: Joachim Raff’s (very long, and dramatic) Symphony No. 1, in a recording by the Bamberg Symphony under Hans Stadlmair.

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Notable Zwickys

April 29, 2026

I had somehow missed this Wikipedia page until I stumbled on it this morning:

Zwicky is a surname. Notable people with the surname include:

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Focusing on form rather than content

April 15, 2026

In today’s (Wayno / Piraro) Bizarro, a bank teller focuses on how quaint it is that a bank robber has written his demand on paper (the way they did it in old movies), while disregarding the pressing threat of the robber’s gun:


(1) A quibbling triumph of details of form over the real threat of content (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 4 in this strip — see this Page)

Faced with dreadful, uncontrollable situations, people sometimes take to fretting about some minor issue that is more easily remedied.

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More TMR goofiness

April 9, 2026

(about sex between men, described in street language — entirely unsuitable for kids and the sexually modest)

Continuing my laborious examination of the 2026 MEN.com 5-part DVD The Men’s Room (TMR). So far, two postings on the goofy “human urinal” segment (#1): 4/8 in “human urinal” and 4/9 in “human urinal, the photo album” (nobody expects a porcelain pissoir to have human bodyparts and a fierce desire for sexual relations with men).

Contrast TMR with Joey’s Surf Vacation from the same source — see my 4/5 posting “Travels with Joey”, where I note how carefully designed JSV is. TMR, however, seems have been thrown together from five scenes: the pieces of two previous videos, from 2022, reordered, plus some new material (in “poking the bear”, now #4) — see the appendix for the sources and their ordering in TMR — and some of it is definitely goofy: “human urinal” (#1) and, notably, “porta pounder” (#3), which involves a toilet but one not in a men’s room at all (instead, in a porta-potty).

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human urinal, the photo album

April 9, 2026

(raunchily entertaining but utterly unsuitable for kids and the sexually modest)

To the photo in my “human urinal” posting yesterday — Tony D’Angelo reacting in surprise to Edward Terrant’s half-man half-pissoir (in a scene from The Men’s Room DVD from men.com) — two further images:

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Annals of derogation: homo

March 19, 2026

An example on the hoof, complete with the libelous myth of gay recruitment:

“These homos are interested in recruiting new members,” Rev. Benjamin Bubar, leader of the fundamentalist Christian Civic League of Maine, told the Bangor Daily News. (“Remembering the Maine Gay Symposium”, link here)

with homo, an abbreviation of the medical-technical term homosexual, the short form derogating gay men — along with such terms as fairy, pansy, fruit, BrE poof(ter), and before some of us homos engaged in reclaiming it, fag(got). I’m comfortable, even proud and defiant, with faggot, but because fairy-boy was the primary verbal abuse directed (inexplicably) at me in childhood, along with (equally inexplicable) accusations that I wanted to be a girl, I’ll never get on good terms with fairy.

Your mileage probably varies. Most people recognize fairy — and homo — as usually intended to be insulting, but open for ironic and playful uses, even full reclamation, as in the Radical Faery movement (for queer liberation, community, and ecological awareness). So, on the homo front, we get a queer-studies colleague of mine, parting from a lunch together with the announcement that he had to get his homo ass back to work. How queer is that?

More to come in this vein.

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March 15th

March 15, 2026

Today: a significant day in my personal life for many years, and also a significant day in world history.

— March 15th was spring Removal Day — Higashi (East) removal — when (for about 10 years) Jacques and I left Palo Alto (after winter quarter at Stanford) to drive the 2650 miles east to Columbus OH (for spring quarter at Ohio State); the winter Removal Day — Nishi (West)  removal — in the opposite direction was December 15th

— March 15th is also the Ides of March, the day of Julius Caesar’s assassination in 44 B.C.E.

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Presenting yourself

March 13, 2026

Following up on yesterday’s (3/12) posting “Masculine flamboyance” about the political commentator Jon Favreau’s presentation of himself in an advertisement for Crooked Media’s Pod Save America show: as an impish hunk: impish via a half-smile; hunk via a display of his muscular forearms, signs of a ripped body. (I could also have noted his neck muscles and the solid torso beneath his t-shirt):


(#1) JF on display

This is a pose for the camera, so what we see is some mixture of (a) what we might think of as a picture of one of his “natural” personas (unconsciously composed), just being who he is (as if that were a simple thing) and (b) a calculated presentation, with some conscious thought devoted to choosing elements of his presentation for the photo. I would guess that some part of the image was calculated — perhaps, the light dusting of facial scruff, conveying masculinity (in case you might have doubts, given the flamboyance of JF in action, as described in yesterday’s posting).

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Masculine flamboyance

March 12, 2026

adj. flamboyant: (of a person or their behavior) tending to attract attention because of their exuberance, confidence, and stylishness … [from NOAD]

Last Saturday I made the acquaintance (in the first Crooked Media show on MS NOW) of this exemplar of masculine flamboyance, presenting himself in this IMDb photo as an impish hunk:


Jon Favreau (advertising Crooked Media’s Pod Save America show)

Inexplicably, I seem not to have noticed JF before, though he’s someone of great substance. Meanwhile, his performance on the show was hugely entertaining — cutting criticism of our overlord Grabpussy and his administration, flamboyantly delivered. The deep moral commitment of Stephen Colbert performed in a wildly expressive style.

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The travails of etymology

March 7, 2026

Thoughts inspired by a comment by Robert Coren on my 3/6 posting “Checking out”, in which I responded darkly to the information from a grocery-delivery service that you can:

Add items until your shopper checks out

by understanding the intransitive phrasal verb check out in it not as the intended sense

To complete the procedure required in order to register one’s departure from a location or venue, esp. a hotel, at the end of a stay or visit. Also more generally: to leave, to depart. [OED‘s 1b for check out]

but as OED‘s 4a ‘to die’. RC offered a speculation on the etymology of the mortal sense of a different intransitive phrasal verb with out, peg out:

4a reminds me of a phrase that I encountered in Dorothy Sayers’ The Nine Tailors, where “peg out” is used as a colloquialism for “die”; I assume that (1) it comes from the process of being victorious in a cribbage game (which makes it a rather odd metaphor, actually), and (2) it was standard usage among some portion of the British population in the early 20th century.

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