Archive for the ‘Derivation’ Category

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Verbizing on the lam

February 4, 2020

From the American tv police detective series Nash Bridges, S3 E19 “Lady Killer” (from 4/10/98): detectives Bridges (played by Don Johnson) and Joe Dominguez (played by Cheech Marin) have learned that Insp. Rick Bettina, under arrest in this episode, has escaped from custody:

Bridges, on the phone: He fugitized!

Dominguez: He fugitized?!

Yes, the verb fugitize ‘flee as a fugitive, go fugitive’. And no, it’s not in the OED, not that you should have expected it would be; fresh verbizings — with meanings that are clear in context, as here — are coined almost daily. In fact, this one has been independently innovated several times in the past.

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Posted in Derivation, Lexical semantics, Morphology, Movies and tv, Music, Semantics | Leave a Comment »

Present at the creation: the weaponization of sarcasm

September 25, 2019

A Mick Stevens Caveman cartoon in the 9/30/19 New Yorker (about to arrive in the mail), memorializing a signal moment in the cartoon Stone Age:


(#1) The weaponization of sarcasm in prehistoric times

The later history of weaponized sarcasm is vast, but certainly reaches one of its high points in 1970 in the career of British gangster Doug Piranha. During a period of perhaps 70 years sarcasm has spread to become, in the view of some cultural critics, absolutely pervasive in modern society, at least in the Anglophone world.

Meanwhile, the idea that elements of culture can be weaponized — used like bludgeons not just against individuals, but also to aggressively serve social or political purposes — has recently become fashionable.

(And then, of course, there’s the question of the semantic work that the derivational suffix –ize does in converting various groups of lexical items to verbs (as in N weapon > V weaponize).)

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Posted in Comic conventions, Conversion, Derivation, Language and politics, Lexical semantics, Linguistics in the comics, Sarcasm and irony | Leave a Comment »

perennial, evergreen, hardy

June 4, 2019

From an exchange on Facebook a few days ago, in which (at least) two of the participants use the term perennial to refer to plants that are green all year round, that don’t lose their leaves for a dormant season. The discussion was set off by DA (not knowing the privacy wishes of the participants, I refer to them by their initials), posting about a practice that puzzles him:

DA: I never understood why [people] bother to plant [fruit] trees that don’t bear fruit.

To which DS replied with a number of reasons for the practice, but along the way introducing perennial in the sense ‘green all year long’ (relevant materal boldfaced):

DS: They provide many other benefits, for birds, shade, soil augmentation … they hold together hills so they don’t wash away .. and much more. Besides, they can be lovely. As far as I know, there are no perennial fruit trees so they can’t be used for privacy.

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Posted in Derivation, Language and food, Language and plants, Metaphor, Names, Naming, Taxonomic vs. common | 5 Comments »

The moving sale

March 21, 2019

From Karen Chung on Facebook a while back, this complex pun in the 9/25/15 Bizarro, illustrating (among other things) a nice contrast in accentual patterns: front stress (or forestress), the default for N + N compounds, in MOVING sale; back stress (or afterstress), the default in Adj + N nominals, in moving SALE:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)

So the hinge of the pun is the ambiguity of moving: as N, (roughly) ‘the act or process of changing residence’; or as Adj, (roughly) ‘causing strong emotion, esp. of sadness’ (both senses are ultimately semantic developments from the simple motion verb move, intransitive or transitive; but they are now clearly distinct lexical items). Then from the difference in syntactic category follows the difference in accentual pattern.

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Posted in Ambiguity, Common vs. proper, Compounds, Derivation, Linguistics in the comics, Movies and tv, Names, Phonology, Pop culture, Semantics, Syntactic categories, Variation | 3 Comments »

Fruit cream tarts, one with pansy

September 14, 2018

(Not suitable for Facebook, because double entendres and incidental naked men, but not actually X-rated. Mostly about food.)

Fruit cream tarts, one with pansy. Plus a little Echeveria plant. These are more birthday presents from the 6th, from Juan Gomez and the aging care company he works for (a big tart — not merely una tarta, but un tartone — plus the little succulent) and from Kim Darnell (a cute fruit cream tartlet with a pansy).

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Posted in augmentative, Categorization and Labeling, Derivation, Double entendres, Gender and sexuality, Language and food, Language and plants, Names | 1 Comment »

Ruthie and the language of doughnuts

August 3, 2018

The One Big Happy from July 5th, in which Ruthie and Joe get some dubious advice from their father:

(#1)

Their dad’s advice will no doubt warm the hearts of language teachers and multiculturalists, but it’s dubious as practical advice for everyday life.

Meanwhile, Ruthie wrestles with the question of how to get a language name from the noun doughnut / donut. Donuttish (with an all-purpose adjective-forming suffix, –ish) would certainly be possible, but, probably on the model of Dutch, Ruthie goes for Donutch, that is, Donut-ch (this is spoken, rather than written, by Ruthie, so it could have been spelled Donutsh, like Welsh).

(It tickles me to think of the language name as Dutchnut, a portmanteau of Dutch and doughnut. Or maybe that should be the name of the food.)

In any event, Ruthie has stumbled slant-wise onto the idea that doughnuts are of Dutch origin — an idea that confuses words and things, labels and the categories they label, but nevertheless incorporates a genuine bit of history.

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Posted in Categorization and Labeling, Derivation, Language and food, Linguistics in the comics, Morphology, Portmanteaus, Rainbow, Words and things | 2 Comments »

contractions

June 7, 2018

The One Big Happy from May 11th, in which Ruthie discovers that there are contractions and then there are contractions:

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Posted in Ambiguity, Derivation, Lexical semantics, Linguistics in the comics, This blogging life | Leave a Comment »

Dramatic exits

May 31, 2018

A Leigh Rubin cartoon from the 22nd, illustrating an exit and a dramatic exit:

(#1)

First, this is a play on the ambiguity of exit, as a N referring to a concrete object (a door, used for exiting) or an act (of exiting). Then there’s another ambiguity, in the  sense of dramatic in the nominal dramatic exit: it could be taken literally, as ‘pertaining to a play’, but here it’s used with a figurative sense ‘melodramatic, stagey, flamboyant’ (note the man’s gesture). In its second use, dramatic incorporates a figurative sense of the N drama seen also in the (originally US gay) slang compound drama queen.

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Posted in Ambiguity, Books, Compounds, Derivation, Figurative language, Gesture, Homosexuality, Language and sexuality, Linguistics in the comics, Memes, Memes, Pop culture, Signs and symbols | 1 Comment »

bossercize

May 26, 2018

Today’s Dilbert, in which the pointy-haired boss goes portmanteauing:

(#1)

boss + exercise (in a spelling variant with –ize) = bossercize, formed on the model of the name of the dance fitness company Jazzercise.

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Posted in Derivation, Language and gender, Linguistics in the comics, Portmanteaus, Spelling | Leave a Comment »

The egg patrol: plastic to porcelain

May 20, 2018

It started on cable tv (in a commercial) and ended in England’s industrial Midlands (with birds — wrens and a finch — and a museum). All to cook eggs.

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Posted in Derivation, Language and animals, Language and food, Language in advertising, Morphology | Leave a Comment »

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