Maggie Larson cartoon in the New Yorker‘s 4/8/19 issue:
(#1) (Dried) fruits and nuts meeting and greeting, under the disco ball
A POP (phrasal overlap portmanteau): trail mixer = trail mix + mixer. Combining two elements very much grounded in particular sociocultural worlds (plus that disco ball glittering overhead).
(A version of things I posted on Facebook earlier today about my life, with glancing allusions to various phenomena of social life. Posted here to have a more permanent and accessible record, on WordPress. There will be a little bit of linguistics.)
(#1) (Not an accurate portrayal of Xfinity/Comcast staff)
(Underwear and race / ethnicity / nationality / religion among gay men.)
News from Daily Jocks: a birthday for the Australian premium men’s underwear firms 2eros and Supawear (brothers in sexwear):
(#1) 2eros
(#2) Supawear
Notably, Asian models for the birthday celebration. Most sexunderwear firms are very light on black models, Latino models, Asian models (of all ethnicities and nationalities), and, for that matter, identifiably Jewish models. Andrew Christian is, on the whole, a stunning exception: his advertising reflects the use of “exotic” models in the fashion industry rather than the custom in the premium men’s underwear industry of relying on models whose looks are pumped-up mirrors of their customers’. The customers are mostly SAE-D — standard average European-descended — men (“standard average European” here is a little linguist’s joke, making reference to Standard Average European (SAE) languages, in Benjamin Lee Whorf’s terminology); the products either flatter their self-images or feed their fantasies of exotic men (for certain values of exotic).
Yesterday’s Bizarro/Wayno collaboration:
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)
A strenuous exercise in cartoon understanding: you need to be familiar with a certain kind of (seafood) restaurant, and to recognize both anteaters and a children’s educational toy known as an ant farm. And then to understand that the cartoon embodies a metaphorical translation from a seafood restaurant world to an anteater world.
The Bizarro/Wayno from the 18th, another exercise in understanding cartoons:
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)
Three things to recognize: the figure of Medusa, the figure of the (Indian) snake handler, and the politeness formula charmed. And then, of course, you need to know that such snake handlers are conventionally known as snake charmers in English and that the politeness formula is part of the social ritual of introduction, where it serves as an alternative to Pleased / Pleasure / Nice to meet you, formal How do you do?, and the like.
