Archive for the ‘My life’ Category

Better the second day

April 24, 2024

I haven’t been coping well with daily life for a while now, but see no reason to issue fresh bulletins on my anxieties, incapacities, and infirmities in these difficult times, so I’ve been posting on things that entertain me and might entertain you, often just the wispiest of notes in the spirit of the Pythonic Mary, Queen of Scots. As here, with a report on what I had for lunch today — and yesterday too, but it was much better the second day.

Better The Second Day, a general principle for most hot soups, and a variety of other foods too. In this case, for lamb and spinach curry (with fenugreek leaves): so, palak mathi gosht plus a lot of basmati rice, from Zareens (a Z! a good omen) Indian restaurant on Broadway in Redwood City CA:

palak ‘spinach’; methi ‘fenugreek leaves’; gosht, literally ‘meat’, specifically referring to goat, mutton, or lamb

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On the transmission of ideas: RUKI gets around

April 22, 2024

Today, a long guest posting on intellectual history, specifically on the transmission of ideas in linguistics, in particular on the innovation and spread of linguistic terminology. This is an immensely scholarly follow-up to my 4/15/24 posting “Greek-letter variables and the Sanskrit ruki class”, in which I reproduced a 1970 Linguistic Inquiry squib of mine with that title and wrote:

and then there’s the question of the useful ruki terminology, whose history [the Indo-Europeanist Michael L. Weiss (Professor of Linguistics and Classics at Cornell)] has been trying to trace (this squib might have been the source of its spread throughout the linguistic literature)

Today’s guest post is the current fruit of Michael Weiss’s RUKIstorical investigations, with minimal intrusions in his text by comments from me.

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Plant days in April

April 20, 2024

It’s April 20th, and the plants on my patio are into late spring mode: the last course of cymbidiums opening up their flower buds as the earlier courses come to an end (these will come to their own end in six weeks or so); meanwhile, my bigleaf hydrangea has shot up into a mass of dark green leaves, with shoots now filled with buds that will open up into bright pink umbels in a week or so. All this an occasion for taking my new little camera out of doors.  So I have a couple of photos for you.

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It’s that actor again

April 18, 2024

If you watch television series — especially the dramatic series, like police procedurals and mysteries (which consume large numbers of cast members on a weekly basis) — you’ll see familiar actors again and again. Some of them are well-known (so you can enjoy celebrity spotting), but most are lesser-known working members of what I’ve called the Acting Corps. You might see them in dramatic film series and tv commercials as well, maybe also in off-Broadway productions or in Shakespeare in the Park or similar theatrical venues. Acting is what they do. They might also be comics or performing musicians or models, but they are likely to think of these jobs as just another kind of acting, of projecting a persona, role, or character for an audience.

In any case, one of these people will cross your field of vision, and you’ll find them familiar, but might not be able to place them, and unless you’re into the acting world or in this actor’s fan club — I’m pleased to say that there are such things — you won’t know their name. So you have the it’s that actor again experience. It happens to me a lot. Eventually, I’ll check to find out their names and learn something about their histories. If I have the time, post about them.

This is routine. In today’s posting, I’ll file a brief report on Rachel Dratch, notable for the goofy characters she portrays (in several different contexts). Her appearance in a recent American Home Shield commercial finally moved me to identify her.

While I was assembling these materials, my back-channel tv-watching brought me, in adjoining hours but in different programs on different channels, a familiar actor (whose name I didn’t know) playing a serial killer (a true monster) and then an FBI agent (with a good heart) — a juxtaposition that I found emotionally jarring, a whip-sawing of affect; during the second program, I kept fearing that the agent’s niceness would turn out to be mere cover for some grotesque and bloody obsession. But the experience did move me to identify Billy Burke and discover the huge body of his acting work (plus side gigs as a singer-songwriter).

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PAW days

March 31, 2024

🐅 🐅 🐅 three tigers for ultimate March (3/31) and for Princeton University (from the 19th century, the Princeton locomotive cheer “Rah rah rah! Tiger, tiger, tiger! Sis, sis, sis, boom, boom, boom, ah!”), plus 🐇 a rabbit for Easter (no doubt soon to be devoured by the tigers — though it will be succeeded tomorrow by a tougher trio of rabbits inaugurating the month of April, who might be foolish but have the power of three)

And so I turn to the Princeton Alumni Weekly (which is a monthly publication, but try not to dwell on that) — PAW, from now on — and my relations to it in recent years. While noting that when I die, PAW is the only place where I’m sure to get an obituary, though my Stanford department’s weekly newsletter, the Sesquipedalian, will have a notice, as will the news bulletin from the Linguistic Society of America (the LSA), and friends will say something on Facebook; otherwise, I expect my death to go publicly unremarked (and I encourage my daughter and grandchild not to spend their money on paid announcements), so at least in the death department, PAW looms large.

Now: I’ll re-play (with little further commentary) some history from the past three years in which PAW has been involved, ending with a section from my class notes in the issue that arrived in the mail yesterday (with rather more commentary).

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An AZ icon?

March 30, 2024

Thanks to a pointer from Jeff Bowles, this first panel from a Peanuts strip (dated by Charles Schulz as from 2/16/60), now a candidate for my on-line icon:


(#1) Schroeder at his toy piano, on which rests a somnolent Snoopy, emitting the cartoon Z of sleep (also the Zwicky initial); for further personal meaningfulness, I am a former pianist (still an enthusiast of the piano repertory), now an analyst of the comics (among other things)

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Writers’ night at the Hotel De Luxe

March 28, 2024

Last night: a long — stretching over three hours of sleep, with a whizz break in the middle — and vivid story dream in which Ellen Kaisse (an old friend and a frequent character on this blog) and I were holed up for an entire night in an elegant hotel — much like the actual Beverly Hills Hotel — where we had a suite in which we were expected to produce a script for a film. The place looked like your ordinary luxury suite, except that it was dominated by a huge desk. Which, at the pressing of several buttons, converted magically into a fully functioning office, with computers, printers, phones, paper files, assorted office supplies, and of course a coffee maker. (But no staff, not even assistants to take things down for us. If we got hungry, we were to order food from room service.) Our work site for the long dark night.

We were expected to hack out an entire draft script, as well as suggestions for casting for the parts, costumes, and sets, plus a sketch of a score for the movie (I suspect that the score was especially significant to my having this dream; details to follow).

Somehow the actual subject of the film, which Ellen and I labored over, elaborately, for all those hours of my sleep, has dissolved, as dream material often does on awakening.

We didn’t question being put to work at the Hotel De Luxe through the night; apparently, that was a regular thing in Hollywood, just the way things worked there.

The dream was not at all unpleasant, sometimes actually delightful. Well, Ellen is wonderful company and an excellent person to exchange ideas with.

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Ancestral investigations

March 26, 2024

In recent days, I’ve been exchanging e-mail with my (Université du Québec à Chicoutimi) linguistics colleague Luc Baronian about ethnic and linguistic history, with special reference to the Welsh (and the Welsh language, Cymraeg) in Pennsylvania and the Pennsylvania Dutch (and their language, Pennsilfaanisch Deitsch); and about tracing ancestral history. Three pieces of background here:

First, Luc is an Armenian-Canadian, the way I’m a Swiss-American. Luc is by recent paternal ancestry Armenian (as you can tell from his surname), by upbringing French Canadian; I am by recent paternal ancestry Swiss (as you can tell by my surname), by upbringing (and maternal ancestry) Pennsylvania Dutch (a descendant of primarily 18th-century immigrants to southeastern Pennsylvania, mostly from the Palatinate region of southern Germany).

Second, some years back, Luc — whose ancestry-search competence is vastly better than mine — helped me trace connections on my mother’s side and correct my misrecollections of several facts.

Third, Luc had gotten interested in the history of the Welsh language in Pennsylvania, which begins in colonial times, with late 17th-century negotiations over the Welsh Tract as a landmark event, and then apparently vanishes, leaving only place-names in its wake.

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More Hummels

March 25, 2024

On the heels of yesterday’s posting about the early 19th-century composer Johann Nepomuk Hummel, more people named Hummel (with the accented vowel rounded [U] (as in English put) in German or German-influenced English varieties, like Pennsylvania Dutch English; but unrounded [Ʌ] (as in English putt) in ordinary American English). The German landscape painter Carl Hummel. The fictional Kurt Hummel in the American tv series Glee. And the artist nun Maria Innocentia Hummel, whose paintings provided the original models for Hummel figurines, which is what this posting is mostly about.

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The three Larrys

March 16, 2024

A complex tale that begins with a follow-up to my 3/1 posting “The grace of lovers”, about the sharing of enthusiasms with my first male lover, Larry (the pseudonymous Danny Sparrick in my writings about my sexual life). That’s Larry1. There are gripping stories about our time together and his life now, but the tale of the three Larrys is fabulously intricate as it is, so I’ll put off posting about these parts of Larry1’s life for another time. And focus on our exchange of enthusiasms, which will lead, circuitously, to Larry2 (in NYC, some years after Larry1). And then, a recent posting about a French conference on interjections, in which a 1982 dissertation on discourse particles I directed at Ohio State brings us Larry3, who wrote it.

There is still more, a epic of geographical (and social) wandering for both Larry1 and me; he grew up in Del Mar, a beach community in San Diego County, and ended up in provincial Japan; I grew up in little suburbs of Reading, in the Pennsylvania Dutch country, and ended up on the San Francisco peninsula; in between these terminal points, he and I more or less wandered the world (we both taught in China along the way, but not in the same place or at the same time; we both lived in England at one point and were able to get together in London then; and once we rendezvoused in Washington DC). Perhaps these odysseys will make another posting — but, again, too much for today.

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