Archive for the ‘Pragmatics’ Category
August 13, 2019
(Regularly skirting or confronting sexual matters, so perhaps not to everyone’s taste.)
Yesterday’s Wayno/Piraro Bizarro takes us back to the Garden of Eden:
(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 4 in this strip — see this Page.)
The bit of formulaic language for this situation is a catchphrase, a slogan with near-proverbial status (YDK, for short):
YOU DON’T KNOW WHERE IT’S BEEN
The leaves are conventionally associated with modesty, through their having been used to cover the nakedness of Adam and Eve in the Garden — a use that then associates the leaves with the genitals, from which the psychological contamination spreads to the entire plant, including the fruits. You don’t know where that fig has been.
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Posted in Catchphrases, Culture, Formulaic language, Idioms, Language and the body, Language of sex, Linguistics in the comics, Music, Pragmatics, Proverbs, Slogans, Speech acts | Leave a Comment »
July 22, 2019
Following on my 7/7 posting “GN/BN”, about the Good News Bad News joke routine, which the hounds of ADS-L traced back to the early 19th century (at least). Other commenters offered formuations of the idea that there’s a good side and a bad side to everything, the bad comes withthe good, and lots of other things that, however interesting, are not instances of the joke formula (in any of its variants). But then on 7/16, Bill Mullins posted about an entirely different joke formula hinging on the opposition of good and bad.
Bill wrote:
Are you familiar with Archie Campbell’s “That’s Good/That’s Bad” routines? He used to do them on Hee Haw.
And we’re off!
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Posted in Jokes, Language play, Narrative, Pragmatics, Routines and rituals, Spoonerisms | Leave a Comment »
June 17, 2019
Going the social media rounds, this joke, an ostentatiously playful allusion (OPA) to a bit of popular culture, presented as a texty — a cartoon that’s primarily a printed text, though texties often come with a visual backdrop, which sometimes contributes crucially to an understanding of the joke, as here:
(#1) A texty that lives in two worlds: American political culture of recent years (a reference conveyed visually, through the photo of Paul Ryan); and an ad campaign for an American breakfast cereal marketed to children (a reference conveyed verbally, by the ostentatious play on the ad slogan “Silly rabbit / Trix is for kids!”)
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Posted in Formulaic language, Implicature, Language play, Linguistics in the comics, Pragmatics, Puns, Semantics, Snowclones, Understanding comics | Leave a Comment »
May 18, 2019
(OPAs, for short.) The contrast is to inconspicuously playful allusions, what I’ve called Easter egg quotations on this blog. With three OPAs from the 4/20/19 Economist, illustrating three levels of closeness between the content of the OPA and the topic of the article: no substantive relationship between the two (the Nock, Nock case), tangential relationship (the Sunset brouhaha case), and tight relationship (the defecate in the woods case).
The three cases also illustrate three degrees of paronomasia: the Nock, Nock case involves a (phonologically) perfect pun; the Sunset brouhaha case an imperfect pun; and the defecate in the woods case no pun at all, but whole-word substitutions.
I’ll start in the middle, with Sunset brouhaha. But first, some background. Which will incorporate flaming saganaki; be prepared.
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Posted in Acronyms, Ambiguity, Idioms, Implicature, Jokes, Language and animals, Language and food, Language play, Metaphor, Metonymy, Movies and tv, Names, Pragmatics, Puns, Quotation, Sarcasm and irony, Semantics, Speech acts | Leave a Comment »
April 21, 2019
(Men’s bodies, clicks, mansex, dactyls, homowear, eggcorns, street talk, and more. Not suitable for kids or the sexually modest.)
The Daily Jocks mailing of the 15th, with a studiedly homo-smouldering ad for crop tops from the fetish-wear company Barcode Berlin. Plus a foul derangement of (heavily enjambed) dactyls as a caption.
(#1)
Kiko the crop-top kid,
Impudent pussy boy,
Butch faggy target for
Amorous arrows — a
mazing for festivals,
Parties with gangbangers,
Mid-drifting kikis with
Quatrains of dactyls
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Posted in Address terms, Captions, Eggcorns, Facial expressions, Gender and sexuality, Phallicity, Poetic form, Signs and symbols, Slang, Taboo language and slurs, Underwear | 2 Comments »
April 20, 2019
Yesterday’s Zippy takes us to Littleton (NH, not the more famous CO — or, for that matter, IL, IA, KY, ME, MA, NC, or WV), where our Pinhead falls into an identity crisis:
(#1)
Everybody, including the counterman, is Zippy, or at least a Zippy. And the strip begins with a stretch that is both two panels, each with a Zippy in it, and one full-diner-view panel, with two Zippys in it. We’re in the nightmare world of clones — who am I?
Then there’s the observation in the last panel: No one brings small problems into a diner. Certainly, an interpretation of what happened in the strip before this, though as that it’s crucially ambiguous. But maybe also a moral that we should take away from those events, a piece of advice about what we should or should not do.
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Posted in Diners, Identities, Movies and tv, Music, Pragmatics, Semantics, Snowclones | Leave a Comment »
April 4, 2019
In yesterday’s Zippy, the Walking Man — Zippy knows him as Ed Ped — returns to Zippytopia:
(#1)
First theme: Ed used to be otherwise, but now he’s naked, amanous, and apodous: Deal with it! Get over it! Get used to it! We are everywhere.
Second theme: Zippy moves the focus to France, causing Ed to morph into a stereotypical Frenchman (with beret and cigarette, probably Gauloises), who announces Je suis partout ‘I am all over, I am everywhere’.
Side effect: French Ed evokes, in Zippy’s mind, Jerry Lewis in The Nutty Professor. (Zippy is a wildly associative thinker.)
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Posted in Books, Catchphrases, Formulaic language, Gender and sexuality, Homosexuality, Linguistics in the comics, Movies and tv, Pragmatics, Semantics, Signs and symbols, Slogans, Snowclones | 1 Comment »
March 12, 2019
A long long day getting this handout together; my paper is on Friday afternoon. Ides of March. But first, the doctor is in:
Matt LeBlanc, playing Joey Tribbiani on Friends, playing Dr. Drake Ramoray on Days of Our Lives
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Posted in Conferences, Context, Language play, Movies and tv, Pragmatics, Puns, Semantics, Snowclonelet composites, Snowclones | 1 Comment »
