Archive for the ‘Language and race’ Category

Sense-shifting pun jokes

December 2, 2023

A common joke form exploits an ambiguous expression E. Prior likelihood or the preceding context in the joke favors one understanding for E, but then fresh context (in the joke) brings out another, more surprising one. The effect is that the sense of E has shifted as the joke proceeds. It’s a pun, son. Used in a sense-shifting pun joke. (Puns get used in all sorts of jokes: knock-knock jokes, one type of riddle joke, and more.)

I now offer two examples that especially tickled me, to show how such ((phonologically) perfect) puns work. Then some comments on a different joke form, formula pun jokes, which can turn on imperfect puns and involve a different kind of set-up / pay-off from sense-shifting pun jokes.

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Labor Gay

September 2, 2023

(Man-on-man sex, with a photo that just barely doesn’t have any genitalia in it, so not for kids or the sexually modest)

Today is the Saturday of the US Labor Day weekend — the actual holiday is on Monday — and so there are sales on almost everything imaginable, including of course gay porn. This year TitanMen is offering a holiday pun — Labor Gay — for the occasion, in an ad showing two pornstars hard at work, laboring at their job:

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The ASC project

November 28, 2022

Alienizing, scapegoating, and cleansing (ASC) — what was intended as a very complex posting following on two occasions: the shootings at the Colorado Springs gay bar Club Q just before midnight on Saturday 11/19; and yesterday’s Harvey Milk Day, remembering the 11/27/1978 assassination of SF Supervisor Harvey Milk, killed because he was the driving force behind the city’s first gay rights bill.

Over the Club Q shootings I was consumed by fits of red-hot rage combined with body-wracking weeping sorrow, not to mention fear over where events are taking us. As I said yesterday in my posting “Lest we forget”, about Milk’s assassination,

I would say NEVER AGAIN — but it is far far too late for that.

The social mechanisms at work in these wrenching cases involving homosexuals — what I’ll call alienizing, scapegoating, and cleansing — reappear with other groups, in particular Jews and Blacks, leading to murderous assaults on the locations of supportive and protective community, on “safe spaces”. At, for example:

— the Pulse (gay, leaning Latino) nightclub in Orlando FL in June 2016

— the Tops Friendly Market (in a predominantly Black neighborhood) in Buffalo NY in July 2022

— the Tree of Life synagogue, in the Squirrel Hill neighborhood (about 40% Jewish) of Pittsburgh PA in October 2018

Meanwhile, my life is a mess. At the moment, much of every day is consumed by narcoleptic sleep, and my many disabilities cause me to take about five times as long to do everyday tasks as a fully able-bodied person would, so I’ve been having trouble finding the time to put the ASC posting together from the materials I’ve been assembling.

My solution is to post, as often as I can, collections of some of these materials, hoping that eventually I’ll be able to knit it together. (Some of these materials will be surprising to you. My first collection will probably be one that starts with Donald Sutherland screaming. Yes, it’s relevant.)

Oh, dem rainbow bones

July 15, 2022

(underwear, swimwear, plus references to men’s raunchy bits and one (edited, but decidedly hot) image of gay male pronging — so not for kids or the sexually modest)

The day started with some Elia beachwear in gayboy-themed patterns, in my posting “Hey, buddy, we’ve been waiting for you!” While I was posting that, among the swarm of swimwear and underwear ads that infest my Facebook page came a deeply goofy ad for Skull and Bones underwear (and related apparel), set in a subway car:


(#1) Not your usual premium underwear ad: floral designs for such underwear have become common, but this one is based on Dutch masters; potently sexy ads are all over the place, but this one is framed instead as a kid just horsing around — still it manages to be sweetly sexy (don’t you want to nuzzle that adorable belly?); and, yes, check out the subway car cards

As it happens, flagrant man-on-man sex in a moving subway car is a subgenre of gay porn, one I find strangely moving, so the ad came with an extra resonance for me. (Example soon to come.)

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Hola Queridx

August 28, 2020

Back on 3/4 on Facebook, from Peruvian linguist Ernesto Cuba, with a photo of him

[Cuba phrase] con mi queridx Iván Villanueva Jordán, traductor queer … lingüistica marica


(#1) Ernesto (right) with his Peruvian student Iván (who’s studied drag queens in Lima)

(Google at the time didn’t try to translate queridx but translated lingüistica marica as ‘faggot linguistics’)

Cuba’s queridx posting led me to discover Dario Cocimano’s song “Hola Queridx” from his 2018 Digno album —

(#2)

— and so to query Cuba about the linguistic usages involved.

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Chocolate-covered amidst the statuary

September 21, 2019

Today’s Zippy takes us to the shore of Lake Erie, in the roadside realm of Dolly Dimples (but, startlingly, it will end with the minstrel-show character Rastus and the Cream of Wheat box; you never know where things will go these days):

(#1)

DD is actually selling chocolates, statuary, and tchotchkes, not hamburgers. Her head is indeed unrealistically gigantic, but even with this selling point she’s probably not going to leave Silver Lake NY to pursue a failed movie career in L.A. (note the whimsical tense-aspect-mood semantics of intending to pursue a failed career).

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Melon eaters of 1937

August 13, 2019

In the NYT on the 11th (in print on the 12th), the entire editorial page given over to an opinion piece by Brent Staples, “The Radical Blackness of Ebony Magazine: The publication was revolutionary for its depiction of middle-class African-American life”, in the middle of which comes an astonishing observation:

As a close student of Life [magazine], [Ebony founder John H.] Johnson would no doubt have seen the dehumanizing images of African-Americans that appeared in the infamous 1937 issue of the magazine whose cover caption read “Watermelons to Market.” The cover photograph showed an unnamed black man — shirtless and well muscled — sitting with his back to the camera atop a wagonload of melons [on a dirt road alongside a cotton field]. The inside photos offered what Ms. Greer describes as a hierarchy of watermelon eaters, with white bathing beauties at the top and pigs at the bottom; in between was an image of a black woman holding a slice of melon to her face with one hand and nursing a baby with the other. The equating of blackness with sub-humanity is unmistakable in the photographs. The photo caption drives home the point:

“Nothing makes a Negro’s mouth water like a luscious, fresh-picked melon,” it reads. “Any colored ‘mammy’ can hold a huge slice in one hand while holding her offspring in the other. … What melons the Negroes do not consume will find favor with the pigs.”

You will say that things have changed, and to some extent that’s true: these days you wouldn’t find such flat-out unthinking racism in a publication aimed at a large audience primarily of the middle class. But the attitudes and images lie just below the surface today, to bubble up in barely coded form for mass audiences (as well as in undiluted form on flagrantly white-nationalist sites).

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Film watch: men kissing men

February 18, 2019

As furors break out here and there over same-sex kisses in the media (especially in ads) and also in real life (in public places) — disgusting! THINK OF THE CHILDREN! get that out of my sight! — I move to celebrate them. Especially men kissing men, an act that enrages a fair number of people, apparently because they have been conditioned to view it as the functional equivalent of two sweaty naked men fucking. I view it as the functional equivalent of a man and woman kissing: an act of romantic connection with a spicy tang of sexual attraction (but no more)

And so I come to two recent British films viewed on Netflix: The Pass (Russell Tovey and Arinzé Kene as footballers) and God’s Own Country (Josh O’Connor and Alec Secăreanu as Yorkshire sheep farmers). Both are fraught love stories set in intensely masculine working-class social worlds. With wonderful performances. And man-on-man kissing, both touching and moving.

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Mandolin Orange

February 4, 2019

Alerted by NPR this morning and entertained by the band’s name, I checked out Mandolin Orange and really liked what I found.


(#1) Mandolin Orange recording “Wildfire” 11/2/16 at Paste Studios in NYC

And they’ll be playing at the Fillmore in SF next month:

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A book for the professor

October 22, 2018

On Facebook yesterday, this message from the J.E. Wallace Sterling Professor of Linguistics and the Humanities at Stanford University, my excellent colleague John R. Rickford:

Last night (Oct. 20), I experienced one of the most moving, memorable events of my academic career! After giving a keynote talk at the 47th annual conference on New Ways of Analyzing Variation in language, at New York University, I was presented with a festschrift (book) containing 47 articles and 9 vignettes by faculty colleagues and former students from around the world. It was a surprise gift to mark my retirement (last Stanford class is Jun 2019). Tears flooded my eyes more than once, beginning with the moment I saw all 4 of our children and 6 grandchildren in the huge audience, and ending with editors Renee Blake and Isa Buchstaller presenting me with four bound pre-print volumes and the contributors and family members coming on stage. The book, entitled “The Roundtable Companion to John Russell Rickford,” will be about 588 pages when printed (May 2019). This was truly one of those life-moments that “take your breath away.”

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