A little study in N + N compounds in English, their great utility and versatility (they pack a lot of content into two-word expressions), and their consequent massive potential ambiguity (so that divining the intended meaning can require vast amounts of background knowledge and appreciating details of the context in which the compound is used). You can have (great) brevity, or you can have (great) clarity, but you can’t have both at once.
From the world of commerce, the compound dog spot (which many of us will not have encountered before, or will take to be a reference to the coat pattern of Dalmatian dogs). From the comic strips, two compounds that have conventional interpretations but can also be understood in fresh and unconventional ways: from One Big Happy,dancing school; from Bizarro, cowboy.
The title of this cartoon, which turned up yesterday in FB’s Our Bastard Language group:
(#1)
The captain is both a pirate and (as it turns out, once you figure out what the man intends to say) a grammar nazi, bent on correcting his crew’s inferior (as he sees it) English — hence the portmanteau grammar pirate. So the cartoon is, primarily, about (stereotypical) pirate talk (which will take us to the West Country of England), but also about peeving.
Today is the lunar New Year, celebrated as the beginning of the Year of the Pig in China, Vietnam, and a number of other places. From Wikipedia:
The Pig (豬) is the twelfth of the 12-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar. In the continuous sexagenary cycle of sixty years, every twelfth year corresponds to hai, 亥 [’12th earthly branch’ (in astrology)]
And in this PinMart enameled Chinese zodiac pin ( 1″w x 3/4″h):
Text: Pigs are hardworking, kind, and liberal. With their intense concentration and calm demeanor when facing trouble, Pigs will dedicate full energy into reaching their goals.
Not how most Western people would characterize pigs.
(Warning: brief reference to sexual body parts in a caption.)
As I observed yesterday, in the posting “22-festoon!”, today (December 22nd) is the holiday of Festoonus, celebrating “the victory of light over darkness, good over evil, and knowledge over ignorance”, with “elaborate light shows, decorating your bodies, sharing exotic food, dancing, and making public and communal art and music”. Inevitably, there are people who are intensely devoted to, identified with, the holiday. These are the Festoonists.
On the 5th here, postings on the patron saint of bears and on Swiss saintly dogs (with a bow to the city of Bern(e)). Now: more on Bern; on the movie BearCity; and on two California cities of bears, Big Bear City in San Bernardino County and Los Osos in San Luis Obispo County.
(It’s art, but about male bodies and often about mansex, so not for kids or the sexually modest.)
Original alert from Daniel MacKay on Facebook, about a work that’s far from X-rated (no sexual bits at all) but is nevertheless steeped in a ritual of mansex, t-room cruising, in this case at the urinals:
A follow-up to my posting of the 28th, “Deviant Last Suppers”, about queer travesties of Leonardo’s Last Supper, a painting of the communal meal (celebrated on Maundy Thursday, yesterday this year) that Christians understand as the origin of the eucharist, or communion, ritual (take, eat, this is my body; take, drink, this is my blood). Now after sunset today, the Jewish ritual communal meal, the Passover seder, with its symbolic retelling of the Jews’ liberation from slavery in ancient Egypt. So, Bill Stewart wondered in a comment on this blog, what about a queer seder?
