Archive for the ‘Gender and sexuality’ Category

Adventures in homomasculinity: the pink jock

October 16, 2019

(A lot about jockstraps and their contents, so not to everyone’s taste.)

Following on my postings about butch fagginess in men’s underwear, more intersections of styles of masculinity with styles of homosexuality, still with men’s underwear as signs of these styles.

The background, from my 10/14 posting “Space Candy”


(#1) A (candy) pink jock in PUMP!’s playful Space Candy line, with my note: “a pink jockstrap nicely combines max-macho in the underwear world with high-faggy in color symbolism”

Pink jockstraps (which deserve a separate posting [this is it]) generally take us off the end of the pier at the butch-faggy boardwalk: what we’ve got there is usually a stone-solid muscle queen, a guy with the best of male musculature, in a way-high homo presentation of self.

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Space Candy

October 14, 2019

(Highly sexualized men’s underwear, leading to blunt talk of men’s bodies and mansex. Lots of other content, but this is enough to put it out of bounds for kids and the sexually modest.)

Today’s Daily Jocks ad, for a new line of underwear for the PUMP! company — the image is meant to be outrageous, fey, macho, and funny, all at once — with their ad copy:


(#1) The all new Space Candy Collection from PUMP! has launched. A new take on PUMP’s classic shape, available in Space Candy Pink & Purple. [available as a boxer (boxer brief), (low-rise) brief, and jock]

An image crammed with content — incuding those little candy-themed patches on the front (on the hip or pouch) and the back (on one cheek) of the garments.

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Butch fagginess, take 3

October 12, 2019

(Underwear models performing displays of their bodies as sexual objects and, through their attire, stance, and facial expression, projecting personas. So: definitely carnal, but not down and dirty — mostly reflections on styles of masculiity and styles of male homosexuality — but not to everyone’s taste.)

The Daily Jocks ad from the 9th is another in a series of DJX Varsity mesh offers featuring a forbiddingly / seductively hyper-masculine character I’ll call the MeshMaster, from the tough-top persona the character projects. But this time the MeshMaster has accessorized with a bit of high-gay fashion, a neon pink harness under his black mesh crop top:


(#1) Macho on the outside; on the inside, behind the black mesh curtain, flamboyance — which he secretly treasures (his right hand, inside, pointing to the harness, is the visual center of the composition)

Yet another chapter in what I’ve called butch fagginess, sending  mixed messages: simultaneously high-macho and flagrantly gay.

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A rich internal life

October 8, 2019

(The beginning of this posting is about the complexities of conscious experience — attentional foci and internal lives — but midway through it veers into sexual matters, eventually into a raw account of steamy mansex, entirely unsuitable for kids or the sexually modest.)

The Zits strip from 10/5, about Sara and Jeremy’s fugitive thoughts:


(#1) Sara’s conscious attention is on her homework, but anxieties about her academic life and about current events intrude; meanwhile, Jeremy is consciously focused on listening to Sara’s lament, but finds thoughts of food intervening

What’s involved is a division between two parts of the stream of consciousness: an attentional focus, the central concern in what you are doing at the moment; and any number of peripheral concerns, matters that crowd your consciousness without being chosen for attention, these peripheral concerns together constituting what I’ll call your internal life at the moment.

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A man, his hands, his pants

October 5, 2019

(That’s AmE pants, roughly equivalent to BrE trousers. This posting is about men’s clothing and men’s bodies and gets fairly racy — it starts with a guy with his hands in his pants and sex on his mind — so some readers might want to exercise caution.)

So you’re a straight white guy, from North America or some place culturally similar. A photographer wants to take your picture. How do you pose your body? In particular, what do you do with your hands? More generally, what do you do with your hands when they’re not actually involved in your current activity? Then, what role do your lower garments — trousers, shorts, maybe underpants — play in the placement of your hands? And what, if anything, does your choice of placement signify?

So: adventures in hand-pants (or manual-bracal) kinesics.

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Pat-SU fuck: new visions

October 3, 2019

Yes, this posting is about fucking — specifically about the syntax, semantics, and sociolinguistics of the sexual verb fuck in English, especially with reference to male-male anal intercourse (that is, men fucking men), so despite the high amount of technical linguistic content (NERD FLAG), it is (RAUNCH FLAG) thoroughly unsuitable for kids or the sexually modest. I mean, I’m going to talk about a lot of fucking in this piece, and I’m going to start with a guy getting (quite movingly) fucked by another guy, so some of you are going to have to, or want to, get the fuck out of here.

The impetus for this posting is a line from a short gay porn video on the IceGay site, “Brad McGuire And His Piggy [Dawson]”; McGuire, a dominant top into barebacking, is unloading a line of dirty sex talk onto the sexpig Dawson, whose aching desire is to get a load of hot cum in his ass after being enthusiastically screwed, doggie-style:


(#1) McGuire and Dawson, moving close to climax

McGuire: Work that dick, man. C’mon. Fuck me with that ass. [Big spangly note: McGuire fucks Dawson with his dick; Dawson fucks McGuire with his ass.] Yeah, c’mon, hungry pig. Yeah? That’s it. That’s it. C’mon, work for it [the desired load of cum]. Yeah. … Yeah, you work for that load. C’mon, fuck me with that ass, man. Fuckin’ pig.

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Up to the line, and sometimes over

October 1, 2019

(About men’s bodies in very plain terms, and about the fantasy world of steamy male underwear models, and a bit about the social and sexual practices of gay male life, so not for kids or the sexually modest.)

Refections on yesterday’s Daily Jocks ad, officially for a Varsity mesh shoulder harness for men, but also featuring a mesh trunk — and a sexual gesture involving that trunk, which together with the model’s facial expression frames the scene as a fantasy of cruising for sex (between men).

The gesture skirts the line between covering the genitals and revealing them and also, independently, the line between protecting the genitals and fondling them, so it involves us in the question of what is permissible for display in various social contexts (in particular, in WordPress blogs like this one); the central photo might well be over the line in WP, so it appears here with the details of the gesture fuzzed over (though it’s reproduced unaltered in an AZBlogX posting “Skirting the lines” accompanying this one, along with another problematic photo and three unquestionably WP-unsuitable images).

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Gender notes: the pinup push

September 28, 2019

(Dense with references to buttocks and their possible sexual portents, so not to everyone’s taste.)

From The Mary Sue site, “We’re All Kinds Of Obsessed With Nicola Scott’s Nightwing Drawing Highlighting His Assets: Gotham’s ass indeed”, by Kate Gardner on 9/20/19:


(#1) Dick Grayson evolves into pinup-push Nightwing (hat tip to Kim Darnell)

The title says it all. In her latest art depicting DC characters like Superman, Batman, and Wonder Woman throughout the years, comics artist Nicola Scott drew the evolution of Nightwing, a.k.a. Dick Grayson, ending with art of him in a pose usually reserved for male artists drawing female characters, and we’re totally obsessed with it. It’s about damn time that men had to push their tush out alongside their female counterparts.

A pose signifying (women’s) sexual availability, with a long history, but especially as made famous by movie star Betty Grable in 1943:

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Gender notes: transgender fashion models

September 28, 2019

From the attitude (UK) site on 9/11/18, “Underwear brand Marco Marco features all trans models at New York Fashion Week: The groundbreaking runway show featured some of our favourite transgender stars”:


(#1) Marco and the boys

A complex presentation. Male fashion models are typically presented as ideals of conventional masculinity, with the facial features, musculature, and gait and gestures of young but mature, very fit, straight men of good class and conventional lives. Transgender men, however, often aim for more machismo markers than is customary in fashion models: facial hair and bodybuilder musculature, in particular. Neither of these is modal or classy, but they do visibly perform the masculine gender role, so that they’re of considerable symbolic value.

Transgender men are then doing two things, in different contexts: sometimes they want to present themselves simply as men — to just be, unremarkably, guys. Sometimes there are practical reasons for men to reveal their trans status, but occasionally they want to display it as an accomplishment, as here; they did, after all, put a lot of effort into achieving this concordance between their sense of identity and their appearance.

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The hollow

September 18, 2019

In a comment on my 9/14/19 posting “Clavicular knobs” (aka Ricardo’s acromia), Robert Coren writes about “the hollow space above the inner end of the collar-bone”, and I confess to not knowing a name for it. Roger Phillips (in England) fills in:

It’s not in Merriam-Webster, but all my British dictionaries have “saltcellar” for the collarbone pit. The first OED citation is:

[1870 O. Logan Before Footlights 26] I was a child of the most uninteresting age..a tall scraggy girl, with red elbows, and salt cellars at my collar-bones, which were always exposed, for fashion at that time made girls of this age uncover neck and arms.

The item has a complex social and cultural distribution, but knowing this much eventually led me to the technical term from anatomy: the suprasternal, or jugular, notch. Sometimes referred to in ordinary language as the hollow of the neck or the neck hollow.

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