Music, cartoons, and language play, plus Slavic folklore, Seiji Ozawa and his expressive hair, pony cars, symphony trumpeters, NPR, and Frankenstein’s monster. It starts with this wonderful cartoon by Jeffrey Curnow from the NPR site (hat tip to Virginia Transue):
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The June 26th One Big Happy, with an updated version of a bit of childlore:
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It starts out traditionally, with a retort to insult beginning “I’m rubber and you’re glue…”, but then it takes a modern-tech social-media turn (while preserving the glue … you rhyme).
Yesterday, from Chris Hansen, this cartoon by Daniel Beyer:
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Chris’s comment:
It took me a minute to “get” it (I’ve been in England for a looooong time)
(Chris is an American long resident in England.)
Another exercise in understanding comics. In this case, requiring a crucial piece of knowledge about American popular culture.
It’s May Day, an ancient spring festival — think maypoles and all that — so, the beginning of the cycle of the seasons. (Everybody knows the Vivaldi. Try listening instead to the Haydn, here.) And it’s the first of the month, an occasion for still other rituals, including one that calls for everyone to greet the new month, upon awakening, by saying “rabbit, rabbit, rabbit” (or some variant thereof). There’s even a Rabbit Rabbit Day Facebook community, with this page art (not attributed to an artist):
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The three-rabbit variant is the one I’m familiar with. (I got it as an adult from Ann Daingerfield Zwicky. Since she was from the South, I thought it was a specifically Southern thing. But today I learned, from an astonishingly detailed Wikipedia page, that that is very much not so.)
Today also brought a Facebook posting from my friend Mary Ballard, to whom the whole inaugural-rabbit thing was news, and, by good fortune, three cartoons from various sources: a Bizarro I’ve already posted about; a Mother Goose and Grimm with an outrageous bit of language play; and a Calvin and Hobbes reflection on the meaning of the verb read.
Back in 1975, Alan Dundes and Carl R. Pagter published the first in a series of Urban Folklore From the Paperwork Empire books, in which they catalogued an assortment of material — drawings (most with captions or other text on them) and slogan signs — created by office workers, photographically reproduced, and distributed through office mail. In addition, “dirty” drawings and pictures were passed from hand to hand, just as “dirty” jokes spread by word of mouth. All of this material cycled informally, and (like classic folklore) no one had any real idea where it came from, beyond the person who gave it to you, nor did people care about that.
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This dissemination of subterranean cultural material continues, but now mostly by digital means. And at a vastly increased rate. And a fair amount of it is the same stuff that used to be passed around the office.
In any case, few people care about the source of the stuff that comes their way — an attitude that distresses me with respect to cartoons and obvious artistic creations and makes me uneasy in lots of other cases. Meanwhile, some of my friends treat my attitudes as charming academic eccentricities that don’t, and shouldn’t, concern ordinary people.
On Facebook, from My Shelf Books & Gifts in Wellsboro PA, this 1900s greeting card featuring Krampus, the evil twin of Santa Claus:
Naughty, naughty children!
… was yesterday. From John Lawler on Facebook, this comment about the Pied Piper of Hamelin and an illustration, originally from Richard Galgano:
July 22 is Ratcatcher’s Day (celebrated on June 26 in Hamelin, Germany)
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