Archive for the ‘Pop culture’ Category

Heavenly POP

October 18, 2019

It’s been about ten days since the last POP (phrasal overlap portmanteau) here — a 10/9/19 posting “Two old cartoon friends”, with doctors without border collies — so, on the theory that regular POPs are good for the mind and the spirit, today’s Wayno/Piraro Bizarro collabo, at the very gates of heaven:

pearly gates + gate-crasher

(If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 2 in this strip — see this Page.)

Appreciating the cartoon requires that you be familiar with the pop-culture story (whose source is the Christian Bible) of St. Peter at the pearly gates to heaven; that you be familiar with the belief (spread by an 1989 animated movie) that all dogs go to heaven; that you know the idiomatic synthetic compound gate-crasher; and that you know the idiomatic nouning plus-one. That’s a lot of cultural stuff.

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Big sexy prime birthday gay ice cream

September 7, 2019

(References to gay male life, men’s bodies, and mansex, so not suitable for kids or the sexually modest.)

Yesterday was my birthday, my 79th, 79 being, as I noted in a 8/29 posting for the day, a sexy prime. 8/29 is also, every year, National Coffee Ice Cream Day, and coffee is my favorite ice cream flavor. Put all this together and you get this birthday present, delivered by Kim Darnell yesterday:


(#1) Coffee ice cream, plus a selection of Big Gay Ice Cream flavors for Big Gay Arnold

This will take us to the pornstars of the end of summer, to Greenwich Village, and to South Park, with a final side trip to visit with the Marquis de Lafayette.

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The news from Nadoland

September 6, 2019

The 9/3 Pearls Before Swine:

(#1)

Great big themes:

anti-intellectualism: the distrust of, and rejection of, learning;

the ignorance of the young, elevated to a form of resolute stupidity;

mass hysteria: the amplification of irrational beliefs and behaviors in crowds

All packaged into dumbnado, with the libfix –nado, that entertaining pop-cultural product of the Sharknado movies.

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Revisiting 31: That’s Good / That’s Bad

August 26, 2019

My 7/22 posting “Oh that’s good” looked at Archie Campbell’s That’s Good / That’s Bad joke routine from the tv show Hee Haw. Now Tim Evanson points out a somewhat later appearance of the routine, in an episode of The Simpsons.

(#1) From “Treehouse of Horror III”, The Simpsons S4 E5 (first aired 10/29/92)

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Cheeseburger mouse

August 10, 2019

Today’s Zippy takes us to restaurant or diner whose mascot is a mouse offering a cheeseburger:

(#1)

The intersection of two genres: the cheese mouse mascot, in fiberglass images indigenous to Wisconsin; and the fiberglass cheeseburger, as advertising icon or pop-arty work.

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Follow-up: things that make the world go ’round

June 12, 2019

My 6/6 posting “What makes the world go ’round?” looked at the catchphrase, or saying, Love makes the world go ’round, with
comments from the American Dialect Society’s lexicographers John Baker and Peter Reitan tracing the expression, with love as the subject, in several variant forms (including It’s love that makes the world go ’round and ‘Tis love that makes the world go ’round), back to an old song in English (early 19th century at least), and that from an older song in French. Now Peter Reitan has unearthed a late 18th-century playful variation on the formula, in which it’s drink, not love, that makes the world go ’round.

Meanwhile, in the modern world, playful variations have abounded, to the point where it’s reasonable to posit a snowclone X Makes the World, conveying ‘X is very important’.

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The Chinese diner

June 5, 2019

Today’s Zippy takes us to a bit of now-vanished Camden NJ, the Elgin Diner Restaurant, and, next to it, a fantasy Chinese diner, an amalgam of two items of demotic culinary Americana: the classic diner (an Art Deco railcar where people meet to eat plain, familiar food); and the little Chinese (that is, American-Cantonese) restaurant:

(#1)

This will take us on the road to Ardmore PA, Wheeling WV, and Idaho Falls ID. For the trip, choose a diner classic — tuna melt, patty melt, club sandwich, meatloaf, macncheese — from column A; and a Chinese-restaurant classic — hot and sour soup, chow mein, garlic eggplant, General Tso’s chicken, sweet and sour pork — from column B. And then wok this way.

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Great twerks of the 19th century

May 19, 2019

In advertising for the Palo Alto Art Center’s exhibition Local Editions: A Celebration of Bay Area Printmaking 6/15/19 – 8/25/19, this arresting print by Judy Aoki:


(#1) (She) Twerkin’, 2014 stone lithograph with watercolor (on Aoki’s website under the title Dance Styles of the 1800’s, from her Museum of Historical Makeovers)

A note on the late 20th- / early 21st-century dance craze twerking, then more on Aoki and her work.

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Revisiting 27: Lilo, Stitch, Bouba, and Kiki

March 25, 2019

Mike Pope on Facebook, following up on my posting of the 25th “Lilo & Stitch”, with a question about the naming of the characters in the movie:


(#1) Stitch and Lilo

MP: Do you think the animators consciously followed a kiki/bouba paradigm?

AZ:  Almost surely not consciously; they just chose names that “sounded right” to them.

In general, writers’ name choices for fictitious characters are inscrutable in detail; even if the writers have an explicit account of where the names came from, unconscious preferences for certain kinds of names can usually be seen to be at play.

One of these preferences is the bouba/kiki effect, which has to do with the visual appearance of the referents (see the images above). Also involved are effects having to do with the gender of the referents (Stitch is male, Lilo female). No doubt there are more.

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The moving sale

March 21, 2019

From Karen Chung on Facebook a while back, this complex pun in the 9/25/15 Bizarro, illustrating (among other things) a nice contrast in accentual patterns: front stress (or forestress), the default for N + N compounds, in MOVING saleback stress (or afterstress), the default in Adj + N nominals, in moving SALE:


(#1) (If you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page.)

So the hinge of the pun is the ambiguity of moving: as N, (roughly) ‘the act or process of changing residence’; or as Adj, (roughly) ‘causing strong emotion, esp. of sadness’ (both senses are ultimately semantic developments from the simple motion verb move, intransitive or transitive; but they are now clearly distinct lexical items). Then from the difference in syntactic category follows the difference in accentual pattern.

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