Archive for the ‘Photography’ Category

Three Pride moments

July 11, 2019

Pride Month is past, and so is the Fourth of July (US Independence Day), but my postings on these celebrations will go on for some time. Today, three images for Pride: the art of the flag; penguins at work; and the M&S sandwich.

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Come frolic and cavort in the water

June 11, 2019

Today’s Zippy has our playful Pinhead frolicking and cavorting in the surf, on a water trike:

(#1)

In no particular order: the Aqua-Cycle water trike, seen above churning through the surf (and, quite possibly, several holiday-goers); the verbs frolic and cavort, great favorites of Zippy’s, which tend to come with a sexual tinge; the social custom of pleasurable frolicking and cavorting in the water, easily bent to homoerotic purposes, in displays of the body and playful contact between men; and one particular artist of that scene (from a great many), Keith Vaughan.

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The videographer

May 22, 2019

It came to me via Google Alert last week, another creative Zwicky: Denis Zwicky, videographer in Miami. At first, I guessed from his French first name and his fluent but non-native English that he was related to the Zwickys of Wallisellen, outside Zürich, of the Zwicky thread and yarn company and now the Zwicky Areal Facility, an exploration of urban development on the grounds of the thread factory:


(#1) Wallisellen: the old factory and a corner of the new development

Though they’re in German-speaking Switzerland, the younger generations of the family mostly have French names (I’ve written about Joelle); see my 6/27/18 posting “Three Züricher Peter Zwickys”, with a section about “Silk Peter” of the thread company and his four daughters.

But no, far otherwise. As I wrote in yesterday’s posting “Das Wappen”, Denis turned out to be one of the Slavic Zwickys (more in today’s posting “Tsviki from Belarus”). However, I’ll put this personal and family history aside for today, to report on Denis the videographer.

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Revisiting 30: Fragonard at Neuschwanstein

May 2, 2019

My 4/22/19 posting “The Easter egg in the salt mine” took off from this archive photo used in an Economist article:

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The article tells us nothing about the provenance of the photo or about the scene represented in it, though in the context of the article, we’re invited to suppose that the photo shows us the retrieval of Raubkunst, art seized by the Nazis from Jewish families during World War II. From which we guess that the soldier is an American G.I., the time is 1945, and the locale is one of the Nazi storage places for stolen art, perhaps even one of the celebrated salt mines used for this purpose. (All of this is assumption and guesswork, not a single actual fact in the pack.)

The painting in the photograph is in the courtly style of the 18th century — I speculated on what the scene might be — but not one famous enough to be identified through various sorts of searches.

Then in a comment, John Baker came to the rescue, enabling me to make substantial advances: the painting is a Fragonard (apparently a minor one) — as it turned out, one recovered by Americans in a gigantic hoard of Raubkunst in Neuschwanstein Castle in Bavaria (the fantasy castle Ludwig II built for Richard Wagner).

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A standout in his shorts

April 27, 2019

(Mesh Man in his underwear, leading us in many directions, but with plenty of sexual content — not suitable for kids or the sexually modest.)

From the 12th: Mesh Man returns to the Daily Jocks underverse, flogging their fabulous Varsity Mesh Shorts, flaunting his famous receptive organ — he’s all man and a foot deep — kneeling with feeling in #1 and flashing a finger gun to his fans in #2:


(#1) Party shorts! (see the ad below) — I go down on one knee to go down on my guy

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Decorative

December 26, 2018

A Warwick Rowers 2018 tree decorating scene:

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He came from the sea … And can only love me

November 29, 2018

(Hunky men in minimal swimsuits, but nothing actually X-rated. The posting is about the presentation of self in photographs, via clothing, stance, gait, facial expression, gaze, and the like. Not much about language here.)

11/9 Daily Jocks sale ad for Marcuse underwear and swimwear:


(#1) Come Wander With Me

He came from the sunset
He came from the sea
He came from my sorrow
And can love only me

He said, “Come wander with me, love
Come wander with me
Away from this sad world
Come wander with me”

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Bruce Weber II: the photographer’s gaze

August 29, 2018

It begins with this photo, sent to me by a gay friend who found it, unattributed, on a hot-men website; found it, um, moving; and thought I would too:


(#1) Filed under “Hunks at play”, though the hunks don’t seem particularly playful

They are, first of all, hunks. The photographer’s gaze dwells on their bodies, presenting them as desirable pieces of meat. Then, they are sullenly inexpressive, not playful at all, despite the fact that they’re messing around on a boat.

I thought I recognized the style and the content as well, and I was right: Bruce Weber, a photographer who has played a major role in making homoeroticism — crudely, men as meat — a thing in the ad world (women as meat in ads has a much longer history). “Hunks at play” is actually Weber’s “Capri, Italy 1994”.

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Get your cruise face on

July 19, 2018

(About the social-sexual world of gay men — men negotiating for sex — so much of this is not for kids or the sexually modest.)

Two recent Daily Jocks postings featuring men displaying their bodies in what is clearly a sexual offer, with accompanying facial expressions: from July 9th, a DJ ad for CellBlock13 underwear, with a model performing two different cruises; and from July 11th, a selfie that won a DJ gift box for its subject:

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Chard semantics, chard art, and chard food

July 17, 2018

My recent Swiss steak posting,”Braised short ribs with Swiss chard, and the Swiss Hotel” on the 15th, in considering Swiss chard as an ingredient in cooking, also looked at the semantics of the composite Swiss chard (it’s relational rather than predicational: Swiss chard isn’t Swiss, but instead is related to or associated with Switzerland in some way — but in what way?) and illustrated one culinary use of the plant’s leaves.

But there’s more. First, there’s more on the semantics. Swiss chard is a synonym of chard; all chard is Swiss chard. That is, the Swiss of Swiss chard isn’t restrictive, but rather appositive: not ‘chard that is related to Switzerland (in such and such a way)’, but ‘chard, which is related to Switzerland (in such and such a way)’.

Second, thanks to the striking colors of its ribs and leaves and to the complex textures of its leaves, Swiss chard is beautiful: it’s a frequent subject for artists (in paintings, water colors, and pencil drawings) and photographers, and it’s grown as an ornamental plant (like ornamental cabbage and kale — the ornamental crucifers — and some herbs, notably rosemary, thyme, and sage).

Finally, my adventures with the composite Swiss chard led me to two specific culinary uses of the plant: in the characteristic dish of Romansh-speaking Switzerland, the chard-wrapped meat dumplings capuns; and the combination of   Swiss chard with white beans (in sautés, stews, and soups) — one of the staples of my Swiss grandmother’s cooking.

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