Archive for the ‘Hyperbole’ Category

Toxic, resilience, Rizzler

May 19, 2026

Whoa: toxic, resilience, Rizzler — all cry out to Zippy as he makes his critical way along a forest path, deprecating — despite their (respective) colorfulness, exactness, and freshness — the way these expressions are overused:


In the Zippy strip of 5/17, the forest is alive with the sound of lexical lamentation — with 14 such sounds, to be specific

For each of them, you might feel that you’re legitimately complaining that you’ve been hearing the expression often in recent times, though this impression is obviously going to depend a lot on who you hang out with (Rizzler has a minuscule role in my life. and my bad not much of one; consequently, I find them notable, but not because they seem to be used too much).

Now, people choose — mostly tacitly, not through conscious planning — to use certain expressions for reasons; people choose them because they have some function in the speakers’ and writers’ lives. The usual critique of overuse amounts to the claim that people are making their choices entirely on the basis of stylishness, choosing certain expressions merely because they are fashionable, stylish, with-it, what (they believe to be) the cool people are saying; and that this is reprehensible, because people are making choices just to show off that they’re in whatever counts as the in crowd for them and not on the basis of some more abstract goodness of fit of expressions for conveying particular meanings.

But talking this way just puts things back onto the question of where these styles come from. There’s room there for a certain amount of historical accident, but there are also reasons why certain expressions might get some social traction, through their values or virtues. Specifically, the values of colorfulness, exactness, and freshness. I will ilustrate all three from Zippy’s 14.

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REX&M graphic art

May 8, 2026

Spurred by Max Vasilatos’s show-n-tell at the most recent (5/3) soc.motss get-together on Zoom, some material on the S&M graphic artist REX, assembled from material in his Wikipedia entry; the summary paragraph:

REX (1943 – March 2024) was an American visual artist and illustrator closely associated with gay fetish art of 1970s and 1980s New York and San Francisco. He avoided photographs and did not discuss his personal life. His drawings influenced gay culture through graphics made for nightclubs including the Mineshaft and his influence on artists such as Robert Mapplethorpe. Much censored, he remained a shadowy figure, saying that his drawings “defined who I became” and that there are “no other ‘truths’ out there”. REX died in Amsterdam in late March 2024.

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assless (also: amply assed)

May 8, 2026

(much talk of men’s bodyparts and some of man-on-man sex, much of it in street language, so not suitable for kids or the sexually modest)

Background: from Benjamin Dreyer on Facebook yesterday (5/7), about assless:

— BD: My gosh, I’m in the dictionary.


(#1) From Merriam-Webster online

And my comment:

— AZ: why do I find no citations (anywhere I can see) of hyperbolic bodypart assless ‘having minimal buttocks’, esp. in assless Irishman (used ruefully by some Irish American men I know)?

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Swim Meat, the video

October 30, 2024

(Publicity for a gay porn video, entertaining in its way but absolutely off-limits for kids and the sexually modest)

🎃 🎃 🎃 three jack-o’-lanterns for penultimate October, Halloween Eve (that is, the day before the day before the day of the dead) — in my house, the day when the pussyboys go out to seek their phallic prey

Into this scene comes this morning’s e-mail from the Falcon | NakedSword Store, offering:

Hot House movie download discounts — full movies $11.95 each

With, right at the top, the crudely pun-titled video Swim Meat and its cover illustration, offering four fine pieces of swim meat, one (Johnny V’s) just barely concealed by his swimwear; plus three proudly jutting tubesteaks that I’ve had to suppress for WordPress modesty (but here you can view the uncensored cover, along with the publicity text):

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In a frenzy

May 27, 2024

In begins with (the wildly hyperbolic) jockstrap frenzy (in an ad featuring notable male buttocks), followed by some playfulness that treats jockstrap frenzy as a laughable absurdity, turns to raw, terrifying frenzy, then the specialized zones of murder frenzy / frenzy murder and feeding frenzy, concluding with the ecstatic state of sexual frenzy (in a section not suitable for kids or the sexually modest; I’ll issue a warning when we get to the really raunchy stuff — though from the outset this posting is suffused with sexual matters not to the taste of some of my readers).

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De Interpretatione

August 11, 2023

From the New Yorker issue of 8/14 (arrived in my mailbox yesterday), two cartoons about interpreting what we perceive — on what we see, a Stephen Raaka cartoon on the perils of pointillism; and on what’s been said, a Will McPhail drawing paired with this issue’s winner in the caption contest, with a text about literal vs. figurative understandings.

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Mind-Blowing Theories

April 21, 2021

Tom Gauld cartoons from New Scientist magazine, in a 2020 collection:

(#1)

— with three cartoons that especially caught my interest. One  on science vs. journalism over de-extinction (already posted on this blog); one on the agony of Science Hell, the scene of eternal scientific mansplaining; and one on the adverbial literally understood literally (which then provides the title for the 2020 book).

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Big sexy prime birthday gay ice cream

September 7, 2019

(References to gay male life, men’s bodies, and mansex, so not suitable for kids or the sexually modest.)

Yesterday was my birthday, my 79th, 79 being, as I noted in a 8/29 posting for the day, a sexy prime. 8/29 is also, every year, National Coffee Ice Cream Day, and coffee is my favorite ice cream flavor. Put all this together and you get this birthday present, delivered by Kim Darnell yesterday:


(#1) Coffee ice cream, plus a selection of Big Gay Ice Cream flavors for Big Gay Arnold

This will take us to the pornstars of the end of summer, to Greenwich Village, and to South Park, with a final side trip to visit with the Marquis de Lafayette.

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Through the centuries in the morning

September 10, 2018

The morning name for the 6th: Attraverso i Secoli, the title of an elementary Italian textbook from about 60 years ago. Not mine, but Ann Daingerfield Zwicky’s. No longer in my possession, after several years of the Great Library Divestment, but still I remember it, and it somehow surfaced in my dreamtime.

The title attraverso i secoli ‘(down) over / through(out) / across the centuries / ages’ is a PP with the very interesting P attraverso, which (historically) is itself a P + a N derived from a verb of motion (cf. the English V traverse).

And the expression as a whole is formulaic, a conventional way of referring to (all of) historic time.

As a bonus, there’s the book Il Quidditch Attraverso i Secoli by Kenilworthy Whisp.

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The literalist on Fathers Day

June 9, 2016

Fathers Day comes on the 19th. For the occasion, a Tom Toro cartoon that didn’t get into my earlier posting about him:

Well, there can be literally only one greatest dad in the world, but then not all language is literal — as in this case, where the sentiment on the mug is a piece of hyperbole, exaggeration for effect.

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