Archive for the ‘Childhood’ Category
November 25, 2023
An old One Big Happy strip, one in a long series in which Ruthie or her brother Joe is confronted with some type of test question (rather than an information-seeking question):
Ruthie is laboring at a workbook — a culture object that subjects a student to test questions, in this case a question requiring the student to demonstrate their understanding of the culturally appropriate grounds for publicly assessing the characteristics of other people: industriousness is an appropriate ground for assessing a farmer (because it’s relevant to his doing his job), while a conventionally attractive appearance is not
Even though she’s filling in questions in a workbook, Ruthie falls back on treating busy-or-pretty? as a question about her opinions, rather than her knowledge of cultural appropriateness. In fact, for all we can tell from the workbook picture, Farmer Brown might not be at all busy; he might be sitting upright in a stationary tractor, daydreaming about what’s for supper. But he could perfectly well be busy, while even if was drawn to look like a handsome film star, his looks would be culturally irrelevant to his job. (Subtle point: they would, however, be culturally relevant in general, since men judged to be conventionally good-looking have a social edge over other men in various contexts.)
Here, Ruthie personalizes her response by giving her opinions. In other OBH test-question strips she looks situations from her point of view or takes her own experiences as background for answering questions. But test questions demand a depersonalized stance — and then regularly plumb very fine points of sociocultural awareness. Fine points that for the most part aren’t treated in the workbooks, aren’t explicitly taught in schools. I’ll give one further example from an earlier posting of mine below.
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Posted in Childhood, Culture, Linguistics in the comics, Questions, Speech acts, Teaching | 2 Comments »
October 1, 2021
🐇 🐇 🐇 Discouraged day yesterday, which I tried to find relief from by posting something small but entertaining, but every posting I started ballooned into a sizable project — including this one, but I’m going to ruthlessly cut out a big file on Lila that I assembled a couple of years ago, when she was still alive and I wanted to celebrate her, but then it just became one of hundreds of other similar merely nascent projects, so instead I’m going to ramble on about Lila and my life and Chuck Fillmore and probably my Aunt Marion, who like Lila was a sporty woman, direct and funny and tonic to be around.
The spur for this posting was Lane Greene’s Johnson column in the 8/21/21 issue of the Economist (which I finally got to yesterday; I’m hopelessly behind on my reading as well as my writing — though I got the bulletin about Lila’s dying — on 8/8, at the age of 91 — from Barbara Partee the day it happened).
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Posted in Childhood, Death notices, Gender and sexuality, Linguists, My life, Poetry | Leave a Comment »
August 27, 2021
(Well, the topic is phallicity, and there will be anatomical details — discussed with anatomical terminology rather than street language, but some might still find the posting edgy.)
The story is a month old, but interest in its central element, a rocket to space, is evergreen. And the imagery of this particular rocket, Jeff Bezos’s New Shepard, was fresh and noteworthy.
The symbolic resonance, of a rocket launch to active phallicity, to a penis rapidly tumescing and ejaculating, has been around ever since there have been rockets, but New Shepard makes a significant advance towards realism in this symbolic domain: the rocket looks a lot more like a penis than the rockets that have launched before it.
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Posted in Childhood, Gender and sexuality, Homosexuality, Language and the body, Masculinity, Movies and tv, Phallicity, Signs and symbols | Leave a Comment »
April 9, 2021
Not Frog and Peach, but Elephant and Plum, in a kid joke as told by Ruthie in the One Big Happy strip from 2/22 (in my comics feed on 3/21):
(#1)
Four things: kid jokes, of which the Elephant and Plum variant above is a particular clever example; the saying about elephants on which it depends; elephant jokes, of which the joke above is not the classic Elephant and Plum exemplar; and the ambiguity of “When did you laugh at it?”, which turns on the defining property of deictic elements like the interrogative when.
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Posted in Ambiguity, Childhood, Context, Deixis, Jokes, Linguistics in the comics, Semantics, Signs and symbols, Stock expressions | 4 Comments »
January 28, 2021
The One Big Happy cartoon from 1/6, recently up in my comics feed:
Ruthie and Joe are engaged in picking up elements of culture — American commercial culture, to be specific — beginning this particular bit of learning by reproducing material they’ve heard on tv, without much appreciation for what it means.
This is in line with kids’ learning of other bits of culture — song lyrics, joke routines, patterns of swearing and insulting, greeting and leave-taking routines, and much much more. At the same time that kids are picking up new words at a great rate, they are also incorporating those words into ways of performing the verbal bits of social life. (Meanwhile, they’re learning gestures, facial expressions, the physical elements of dances, games, and sports, and the rest of a vast universe of nonverbal behavior, which then has to be coordinated with verbal behavior.)
And much of this has to be picked up “on the fly”, from observing what people around you do, without being explicitly instructed — a fact that guarantees that their first efforts at performing these bits of culture will be decidedly imperfect and will have to be honed by practice.
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Posted in Child language, Childhood, Linguistics in the comics, Sociocultural conventions | 2 Comments »
June 17, 2020
(Adapted and expanded from a Facebook comment of mine a while back. Some coarse sexual language, notably from American newsmakers, but also enough about sexual bodies and mansex from me to make the posting dubious for kids and the sexually modest.)
Every so often, MSNBC commentator Ali Velshi tartly notes — alluding to the Imperator Grabpussy’s smears of President Barack Obama as a Muslim born in Kenya — that he is a Muslim who was born in Kenya (though he grew up in Canada).
There’s a linguistic point here, having to do with relevance and implicature. Why does Velshi say this? Yes, it’s true, but then “The freezing point of water is 32F” is true, but if Velshi had said that it would have been bizarre, because it would have been irrelevant in the context. So Velshi’s religion and nativity are relevant in the context. Cutting through a whole lot of stuff, I would claim that Velshi is implicating something like “Being one myself, I know from Muslims born in Kenya, and I know that Barack Obama is no Muslim born in Kenya”. And THAT brings me to a piece I’ve been wrestling with some time, about Grabpussy Jr. jeering at Mitt Romney, taunting him by calling him a pussy. (I have a Velshian response of my own to that.)
Hang on; this will go in several directions.
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Posted in Childhood, Gender and sexuality, Idioms, Implicature, Insults, Masculinity, Metaphor, Negation, Relevance, Taboo language and slurs, Toys and games, Yiddish | Leave a Comment »
June 4, 2020
A postcard from Ann Burlingham back in March, from an exhibition at the Frick Museum in Pittsburgh, with this ghostly vision:
(#1) Nick Veasey’s Boxer Shorts (2008)
From Wikipedia:
Nick Veasey is a British photographer working primarily with images created from X-ray imaging. Some of his works are partial photomanipulations with Photoshop. He therefore works with digital artists to realise his creations.
Born in London in 1962, he worked in the advertising and design industries and pursued work in conventional still photography before being asked to X-ray a cola can for a television show. Veasey also X-rayed the shoes he was wearing on the day and upon showing the finished image to an art director was galvanised by the response it provoked.
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Posted in Art, Childhood, Linguistics in the comics, Poetic form, Underwear | Leave a Comment »
August 8, 2017
Today’s One Big Happy has James reciting a piece of American childlore, the taunt “X is a friend of mine” (where X is a name, preferably a trochaic one, like Ruthie, to fit the trochaic tetrameter pattern of the verse):
(#1)
A cornucopia of pop culture references.
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Posted in Childhood, Insults, Language of sex, Linguistics in the comics, Movies and tv, Music, Poetic form, Poetry, Pop culture | 3 Comments »
June 30, 2017
Or: Happy Trails to You.
It starts with a Richard Oliva photo in Steathy Cam Men on the 28th, with the caption “Hello, sexy daddy man!”:
(#1)
In leather singlet, displaying his furry pecs and treasure trail.
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Posted in Childhood, Clothing, Gender and sexuality, Language and the body, Language play, Movies and tv, Music, Shirtlessness | Leave a Comment »
June 18, 2013
Delivered in the mail yesterday, two big books of stickers from the Melissa and Doug company (I use a lot of stickers on the postcards I send out and on the collages I make): the Pink Collection and the Blue Collection, intended for girls and boys (ages 3+), respectively. Each has ten themed pages, with themes mirroring gender stereotypes for kids.
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Posted in Childhood, Gender and sexuality, Linguistics in the comics | 1 Comment »
