Archive for the ‘Gender and sexuality’ Category

Come frolic and cavort in the water

June 11, 2019

Today’s Zippy has our playful Pinhead frolicking and cavorting in the surf, on a water trike:

(#1)

In no particular order: the Aqua-Cycle water trike, seen above churning through the surf (and, quite possibly, several holiday-goers); the verbs frolic and cavort, great favorites of Zippy’s, which tend to come with a sexual tinge; the social custom of pleasurable frolicking and cavorting in the water, easily bent to homoerotic purposes, in displays of the body and playful contact between men; and one particular artist of that scene (from a great many), Keith Vaughan.

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What makes the world go round?

June 6, 2019

Today’s Zippy starts with Zippy and Griffy at Universal Studios Hollywood, reflecting on what is worthwhile in our lives:

(#1)

Griffy inventories some of his passions, in high culture and popular culture (including sports and food):

Beethoven, Alice Neel, Miles Davis, Tiger Woods, Ernie Bushmiller (the Nancy cartoonist), tuna melt

And Zippy, being a cartoon character,  follows with a catalogue of his own cartoon favorites:

Gerald McBoing Boing, Baby Huey, Yosemite Sam, Popeye the Sailor Man

Lots of stuff in these lists, but most of it is either in the cultural commons or treated in previous postings on this blog. The standout exception is the uncompromising portrait painter Alice Neel. She will lead us to a number of her subjects: the art critics Gregory Battcock and David Bourdon; the Greenwich Village eccentric Joe Gould; and the poet Frank O’Hara. It will end in naked men and some flagrant mansex, but I’ll warn you when this material looms.

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Follow-up: John Rechy

May 26, 2019

Yesterday’s posting “High 5 from a bison”, all about number(s), ended with some exposition of John Rechy’s 1967 novel Numbers, about a male hustler collecting lots of tricks — numbers of numbers — on the streets and in the parks of Los Angeles. Now two follow-ups: Soft Cell’s (“Tainted Love”) musical tribute to the novel, and notes on Rechy’s life and career, still going at 88.

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The ballet of Mango Meshman

May 24, 2019

(Mango Meshman shows off his body, to the accompaniment of mansexually suggestive lyrics. Not for everyone.)

(#1)

The beauty of his buttocks
And the juicy sweetness
Of his secret parts

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Annals of fruity goodness: the strawberry file

May 20, 2019

(Warning: It ends with indirect allusion to mansex and with two shirtless actors, arms around each other’s shoulders, showing their stuff in their underwear.)

A recent posting in the My Home is California group on Facebook:

(a) I dreamed of photographing a sliced strawberry …, thinking it was a fruit. It is actually more closely related to a rose.

To which I now respond, first:

(b) I dreamed of photographing a sliced potato, thinking it was a vegetable. It is actually more closely related to a petunia.

And, second:

(c) I dreamed of photographing James Franco, thinking he was a fruit. He is actually more closely related to a piece of meat.

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Pooh’s honey pot

May 16, 2019

(Talk of men’s bodies and mansex, not appropriate for kids or the sexually modest.)

From several posters on Facebook, a raunchy fabric composition involving TopPooh, TPooh for short, and BottomPooh, BPooh for short (both of them from Ernest Shepard illustrations for the original Winnie-the-Pooh books), doing a standing doggy:

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The dragons of Homoland

May 11, 2019

The centerpiece:


(#1) “Rainbow Dragons” (for LGBT Pride 2018) by Ross Sanger, on Deviant Art (hat tip to Kim Darnell)

Two effects here. One, in popular culture, dragons are  tamed, almost to the point of cuteness; otherwise, they’re creatures of great power and potential danger (in Western traditions, active malevolence) — but here are cicurated (tamed, rendered mild or harmless), or even cutesified. And then, dragons have become loosely attached to gay culture; they’ve been homoized in some contexts — Homoland is, at the very least, congenial to dragons as symbols, perhaps as symbols of gay power, so that dragons and rainbows have come to have some affinity for one another, in draconical rainbows and arcipluvial dragons (like Sanger’s).

Especially in places where dragons bear some specific symbolic weight, gays and their rainbows are likely to follow: the red dragon of the Welsh flag; the logo of Dungeons and Dragons; and the dragon of Chnese astrology. But gay dragons, often in rainbow, might pop up anywhere (as in #1).

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Here we come a-frankerin’

May 1, 2019

(Several kinds of silliness, some music, and some food, but also very plain talk about men’s bodies and mansex — in the woods! — so not at all for kids or the sexually modest.)

Recently posted on Facebook, this mock vintage food ad:


(#1) [The AZ  jingle for Pocket Weenies:] Here we come a-frankerin’ a-frankerin’ a-frankerin’ / Among the leaves so green

No one will be watching us / Why don’t we do it in the woods?

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A Ceci disavowal

April 24, 2019

From Jeff Bowles on Facebook on the 12th, this Magritte-based composition:

(#1)

Apparently a Magrittean disavowal (there’s a Page on such disavowals here), playing on Magritte’s wry late 1920s painting La Trahison des images (The Betrayal / Treachery of Images which shows a pipe, with the painting labeling itself Ceci n’est pas une pipe ‘This is not a pipe’. Here we get Louis Flint Ceci, on the left, objecting in astonishment that what’s on the right is not (a) Ceci; instead, it’s (a) Davisson.

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Let’s have a kiki … in me

April 21, 2019

(Men’s bodies, clicks, mansex, dactyls, homowear, eggcorns, street talk, and more. Not suitable for kids or the sexually modest.)

The Daily Jocks mailing of the 15th, with a studiedly homo-smouldering ad for crop tops from the fetish-wear company Barcode Berlin. Plus a foul derangement of (heavily enjambed) dactyls as a caption.

(#1)

Kiko the crop-top kid,
Impudent pussy boy,
Butch faggy target for
Amorous arrows — a

mazing for festivals,
Parties with gangbangers,
Mid-drifting kikis with
Quatrains of dactyls

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