Archive for the ‘Phonology’ Category
July 26, 2022
… What a delicious Tweety you are!
The 7/24 Mother Goose and Grimm strip, with a police line-up of cartoon cats, for little Tweety to pick out the threatening pussy cat that he thought he saw:
(#1) The potential pussy predator perps on parade, left to right: 1 the Cat in the Hat (Dr. Seuss picture book), 2 Stimpy (Ren & Stimpy tv animation), 3 Sylvester (Looney Tunes film animation), 4 Catbert (Dilbert strip), 5 Attila (MGG strip — note self-reference), 6 Garfield (Garfield strip)
The number of domestic cats in cartoons is mind-boggling — there are tons of lists on the net — and then there are all those other cartoon felines: tigers, panthers, lions, leopards, and so on. Out of these thousands, the cops rounded up the six guys above — all male, as nearly all cartoon cats are, despite the general cultural default that dogs are male, cats female — as the miscreant. (It might be that male is the unmarked sex for anthropomorphic creatures in cartoons as for human beings in many contexts; females appear only when their sex is somehow especially relevant to the cartoon.) And that miscreant, the smirking Sylvester, is the only one of the six known as a predator on birds, though in real life, domestic cats are stunningly effective avian predators, killing billions of birds annually.
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Posted in Alliteration, Books, Child language, Comic conventions, Constituency, Gender and sexuality, Homosexuality, Language and animals, Language play, Linguistics in the comics, Movies and tv, Nonsense, Parody, Phonology, Poetry, Syntax, Understanding comics, Variation | 2 Comments »
May 1, 2022
🐇 🐇 🐇 pour le premier mai. A follow-up to yesterday’s posting “My allergic ass”, which was (mostly) about pronominal ass — possessive pronoun + ass, used of a person, to refer not to their buttocks but to that person: his ass ‘he, him’, your ass ‘you’, my ass ‘I, me’.
[Ambiguity may ensue: my ass is warm can mean either ‘my buttocks are warm’ or ‘I am warm’ (you have to figure out from context which was intended); while my ass is heart-shaped is probably about my buttocks (well, I might be Candy Man, shaped like a candy heart), and my ass is allergic is probably about me (though I might conceivably have buttocks afflicted by contact dermatitis).]
Now: through Facebook discussions, two different threads have emerged from that posting: one about material in a long citation in the 2006 Beavers and Koontz-Garboden paper on pronominal ass; the other about the source of the example — my allergic ass — that provoked my posting.
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Posted in Clothing, Compounds, Expressive language, Gender and sexuality, Homosexuality, Language and food, My life, Phonetics, Phonology, Phrasal overlap portmanteaus, Puns, Semantics of compounds, Underwear, Variation | 1 Comment »
September 1, 2021
🐇🐇🐇 It was 8/30, and the comic strip Mother Goose and Grimm went POP!, exploded in a phrasal overlap portmanteau, the one in the title:
(with the snow-sliding dog seen doing an airborne trick in the second panel of the strip).
Not your everyday POP, because it works straightforwardly in pronunciation but works only imperfectly in spelling:
snowboarder + border collie = snow border collie
Distinct spellings, boarder vs. border, homophones in both AmE and BrE (but see below).
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Posted in Dialects, Language and animals, Language and sports, Linguistics in the comics, Phonology, Phrasal overlap portmanteaus, Spelling, Variation | Leave a Comment »
August 19, 2021
(Well, yes, jockstraps, depicted and described, with attention to their contents, so not to everyone’s taste.)
In a comment on my 8/15 posting “Jock Robin” (a posting about jockstraps in beautiful colors, masculinity, and sexuality), Mike McManus noted the relevant novelty song “Harry’s Jockstrap” (a jock that’s pale blue, suggesting that Harry is a fairy), a burlesque on the French nursery rhyme (and round) “Frère Jacques”. I had somehow missed “Harry’s Jockstrap”, but here it is, in all of its pale blue fairy glory:
Harry’s jockstrap, Harry’s jockstrap
It’s pale blue, it’s pale blue
They say that he’s a fairy. But Harry is so hairy
So are you, so are you
(Call this verse HJ.) The burlesque goes on and on through many more verses; I’ll give you a transcription and a recording of the whole thing — but first, some background. (more…)
Posted in Color, Dialects, French, Gender and sexuality, Language and the body, Masculinity, Music, Parody, Phonology, Poetic form, Poetry, Underwear, Variation | 3 Comments »
June 26, 2020
A preliminary death notice for David Stampe, an old friend and hugely influential colleague in my work in linguistics. A first pass, deficient in many of the customary details about academic careers, reproducing the death notice on Facebook from David’s son John (with some amendments in square brackets):
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Posted in Death notices, Linguists, My life, Phonology | 7 Comments »
August 25, 2019
Exhibit A: the joke routine That’s Good / That’s Bad from an Archie Campbell comedy sketch — discussed in my 7/22/19 posting “Oh that’s good”.
Exhibit B: the principles that predict when a N + N compound in English has primary accent on the first (modifier) N (front stress, or forestress) and when that accent falls on the second (head) N (back stress, or afterstress) — discussed in my old paper “Forestress and afterstress”, (OSU Working Papers in Linguistics, 1986, viewable on-line here).
From a sufficiently abstract point of view, these two phenomena can be seen to be manifestations of a single scheme, which I’ll refer to as exception-triggered alternation.
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Posted in Accent, Compounds, Homosexuality, Jokes, Opposition, Phonology | Leave a Comment »
