Archive for the ‘Linguistics in the comics’ Category

We’re AI Bozobots on this bus

April 14, 2024

… and we are chanting, chanting for our artificial lives … in a spasm of AI-onomatomania. It’s today’s absurd Zippy strip, arriving just in time to relieve the dark mortality of the day — Lincoln assassinated 1865, Titanic collides with iceberg 1912 (just wait until tomorrow, when the liner will actually sink):


Onomatomania, aka phrase repetition disorder, is a widespread affliction in the Zippyverse, triggered particularly by trochaic tetrameter phrases, as here: chatbot data mining (S S SW SW), neural network algorithm (SW SW SW SW)

There’s a Page on this blog with links to my (heavily Zippy-oriented) postings on chants, cheers, mantras, and onomatomania.

Big Mama Annie and her little boy

April 13, 2024

Following up on yesterday’s pun cartoon by Scott Hilburn (in the posting “Out of nowhere, a rhino appeared and charged”), I looked at his (huge) portfolio of pun cartoons for others I hadn’t already posted on that were worthy of note, found several candidates I was mulling over (though I had quickly become sated with puns), and then ran aground on one I just didn’t really get:


(#1) Well, there’s evidence — the name Annie, that mop of curly red hair — that it involves Little Orphan Annie as a grown woman, with a young son, who she says can’t come out and play with the other boys today, but trills in song that her son will be coming out tomorrow, which is clearly a pun on sun, so there are all those parts, with a pun smack in the middle of the action, but it doesn’t hang together as a joke

But all the pointers are to Annie, the musical based on the comic strip, in which case it makes sense that I don’t get the joke, since I’m one of a select band of people who find the musical cloyingly unwatchable and consequently don’t recognize its songs, not even the plucky tyke’s anthem “Tomorrow” (which, it seems, is enormously popular; in preparing this posting, I have, alas, watched a number of performances of it, so that my judgment of it has crystallized to solid detestation). But, as I frequently note on this blog, if you don’t know the cultural context for the joke in a cartoon, you won’t understand the cartoon.

This time the ignorant cluck who didn’t get the joke was me. (Apparently, a large part of the Anglophone world recognizes the song.)

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Out of nowhere, a rhino appeared and charged

April 12, 2024

Alternatively, someone appeared and charged the battery. Same image, text interpreted differently. It’s a little study in collocations — material that frequently cooccurs (while falling short of being a stock expression): rhinos charge, people charge batteries. Here, in overlapping fashion, producing a wonderful pun in this Scott Hilburn cartoon:


Collocated with subject rhino, the verb charge is especially congenial to NOAD‘s sense 5b; collocated with direct object vehicle, to sense 4a — and here you get them both (rhinos are famous, of course, for never going on the road without booster cables; they are always ready to charge)

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Two cartoons on (unstated) formulaic themes

April 9, 2024

Aka: Piccolo’s bull and Rubin’s cow: cattle days in CartoonLand. A little post-eclipse diversion: cartoons that make allusion to, or illustrate a pun on, some formulaic expression, but without actually mentioning that expression, so they present challenges in cartoon understanding. Two that have come by me recently: a Rina Piccolo Rhymes With Orange cartoon of 4/5 (alluding to the idiom bull in a china shop, which is something of a favorite of cartoonists); and an old Leigh Rubin Rubes cartoon that re-surfaced in Facebook (punning on the nursery-rhyme line the cow jumped over the moon).

Oh, I’ve given it all away. Well, you can still  appreciate Piccolo’s and Rubin’s ingenuity.

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The same great classic rock

April 8, 2024

☀️ 🌑 for Solar Eclipse Day, Sisyphus and drive-time DJs intersect in a Venn diagram, where they generate a wonderful even-handed pun:


(#1) The hinge is the ambiguous NP great classic rock; what Sisyphus and drive-time DJs share — what’s in the area in the diagram that represents the intersection of the categories in the two circles — is that they’re people who bring you the same great classic rock every night (but in two different senses of the great classic rock)

We understand what the categories are in a Venn diagram from the labels on the intersecting circles and on the areas of their intersection, which are meant to be informative (and clear in their reference). But of course the labels are expressions in some language, which means that ambiguous expressions can be exploited for a joke. As in #1.

(#1 came to me on Facebook from from pun enthusiast Susan Fischer, the syntactician and psycholinguist specializing in sign languages; the ultimate source is the vox + stix website, on which see below)

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La machine à comprendre les femmes

April 5, 2024

From Joelle Stepien Bailard on Facebook yesterday, this Tintin panel (whose specific source I do not know), in which Tintin and Capt. Haddock finally reach the famous machine for understanding women:


bon sang!, Capt. Haddock exclaims (literally ‘good blood’, used as an exclamation covering a range of high affect: roughly ‘Damn it!’); and Tintin prefaces his announcement of their amazing find with alors voila enfin ‘here it is finally’

La célềbre machine is a monster of science-fantasy invention, the sort of unimaginably intricate device that might revivify corpses, transport people through time, or launch a fleet of rocket ships to destinations light-years from the earth. But this one is devoted to understanding women, as if this project were on a par with revivifying corpses, transporting people through time, and launching a fleet of rocket ships to destinations light-years from the earth.

Men! I cry out, peevishly, at the ways of normative masculinity. As women and gay men are given to doing (often together, since many of our annoyances are shared).

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The Ruthie versions

April 2, 2024

An old One Big Happy strip, recently up in my comics feed, has Ruthie once again coping with vocabulary unfamiliar to her:

Cirque du Soleil (presumably pronounced in English, as if it were Sirk do sew-lay), obstetrician, and false alarm (which Ruthie takes to be circus ole, lobstertrician, and fossil arm, respectively). These are three different cases, as I’ll explain below.

But then — knowing that in the world around her, different people have different pronunciations for expressions — she takes her mother’s intended corrections of her creative misinterpretations to be just repetitions of them (“Mom always repeats the stuff I say”), but with a pronunciation alternative to hers. Attempted corrections of kids often run aground in similar ways.

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Love what Scrivan did with the rabbit pun!

April 1, 2024

🐇 🐇 🐇 three rabbits to inaugurate the new month, 🃏 🃏 🃏 three jokers for April Fool’s Day, and 🌼 🌼 🌼 three jaunes d’Avril. yellow flowers of April, all this as we turn on a dime from yesterday’s folk-custom bunnies of Easter to today’s monthly rabbits; for this intensely leporine occasion, a Maria Scrivan hare-pun cartoon:


(#1) (phonologically perfect) pun hare on model hair, taking advantage of I love what you’ve done with your hair as an common exemplar of the stock expression (I) love what you’ve done with X; a cartoon posted on Facebook by Probal Dasgupta, who reported, “Even I groaned at this one”

Things to talk about here: my use of turn on a dime just above; Easter + April Fool’s; the yellow flowers of April (which will bring us to Jane Avril — Fr. Avril ‘April’); and the stock expression (I) love what you’ve done with X.

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An AZ icon?

March 30, 2024

Thanks to a pointer from Jeff Bowles, this first panel from a Peanuts strip (dated by Charles Schulz as from 2/16/60), now a candidate for my on-line icon:


(#1) Schroeder at his toy piano, on which rests a somnolent Snoopy, emitting the cartoon Z of sleep (also the Zwicky initial); for further personal meaningfulness, I am a former pianist (still an enthusiast of the piano repertory), now an analyst of the comics (among other things)

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Hold the mayo

March 29, 2024

Today’s Rhymes With Orange, a Psychiatrist cartoon in which a ketchup squeeze-bottle treats a mayonnaise jar:


with a surprising pun on the verb hold, a pun that’s possible only because of the nature of this particular analysand (a sentient jar of mayonnaise)

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