Archive for the ‘Linguistics in the comics’ Category

Something in the way the pun unfolds

April 23, 2024

The Pearls Before Swine strip of 4/21 has cartoonist Stephan Pastis committing a formula pun joke, a genre of humor at which he’s a master:


(#1) Pig assembles, for Goat as his straight man, the parts of an outrageous pun on the first two lines of the Beatles’ song “Something”: Something in the way she moves / Attracts me like no other lover (and then in the last, frame-breaking, panel, Goat upbraids Pastis for exploiting him for the sake of a joke)

So, two things: formula pun jokes; and the song “Something”.

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Surely there’s a word for this

April 22, 2024

… many people’s reaction to the cartoon psychiatrist (in my 4/20 posting “Charlie on the couch”) admitting to her patient Charlie the StarKist tunafish:

you’re my first patient with a fear of not being eaten

Well, not an everyday word, but a specialized medical term, a bit of arcana from abnormal psychology.

There are, remarkably, two terms (one using the Latin ‘devour’ stem, one the corresponding Greek ‘eat’ stem) for ‘fear of being eaten’, so from these we can compose terms for ‘fear of not being eaten’.

Here you will object that this is a profoundly silly exercise; surely, such a term would have no utility in the real world. But no, there turns out to be a documented paraphilia centered on a erotic desire to be eaten (in the imagination), and in the world of this kink — very far from a top paraphilia, but a real thing —  fear of not being eaten, of not having this desire satisfied, would also be a real thing.

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Charlie on the couch

April 20, 2024

Today’s Wayno / Piraro Bizarro is a Psychiatrist cartoon with a stylized tunafish on the couch:


(#1) To understand this cartoon, you need to recognize that the patient’s not any old tuna, but Charlie, the celebrity mascot for the StarKist brand, whose widely advertised decades-long goal in life is to taste good (while — sorry, Charlie — his pursuit of good taste constantly frustrates this ambition, an experience that seems have led him to seek therapy) (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 6 in this strip — see this Page)

There’s a surprisingly rich history here (but one that might be specifically North American, so that the cartoon might be baffling to many of my readers). Summarized in this entry on the tv tropes site:

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Briefly noted: Oceanic Opus

April 19, 2024

… Wayno’s title for today’s Wayno / Piraro Bizarro, which I think of “MobyDicPOP”, to recognize the phrasal overlap portmanteau Moby Dictionary in it:


Moby Dick + dictionary (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are only 2 in this strip — see this Page)

Easy to imagine other DicPOPs: Tricky Dictionary, for Richard Nixon’s pungent vocabulary of contempt and abuse; Private Dictionary, for the lexicon of private eyes; Pencil Dictionary, for a list of famous men with thin penises; and so on.

I suppose it’s merely caviling to note that a Moby Dictionary should be huge, and white.

 

The Tunnel of Self-Love

April 16, 2024

From the annals of cartoon understanding: about today’s Wayno / Piraro Bizarro, in which an unaccompanied young man in classical Greek attire inquires about the reflectivity of the water in a Tunnel of Love:


(#1) In case you didn’t recognize (a pop-cultural version of) the figure of Narcissus from Greek mythology, the young man sports a buckle with a big N on it; meanwhile, you need to recognize another piece of pop culture, the amusement park ride the Tunnel of Love (which largely disappeared about 80 years ago as an actual amusement park phenomenon, but lives on as a trope in songs, movies, and tv shows) (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are only 2 in this strip — see this Page)

So, yes, you need to bring cultural knowledge to bear on understanding the cartoon — to seeing that it’s hilarious that a Narcissus figure would buy a single ticket for a ride through a Tunnel of Love (designed to provide about 6 minutes alone in the dark for couples to get steamy with one another) and want to know how reflective the water in it is: can I see myself in it?, he needs to know; can I become one with that beautiful man in this dark monument to love?. But all this cultural knowledge is second-hand, coming to us through the distorting, simplifying lens of pop culture: not the myth of Echo and Narcissus, but just a guy foolishly falling in love with himself; not actual amusement park rides, but their pop-cultural echoes in cartoons and the like.

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We’re AI Bozobots on this bus

April 14, 2024

… and we are chanting, chanting for our artificial lives … in a spasm of AI-onomatomania. It’s today’s absurd Zippy strip, arriving just in time to relieve the dark mortality of the day — Lincoln assassinated 1865, Titanic collides with iceberg 1912 (just wait until tomorrow, when the liner will actually sink):


Onomatomania, aka phrase repetition disorder, is a widespread affliction in the Zippyverse, triggered particularly by trochaic tetrameter phrases, as here: chatbot data mining (S S SW SW), neural network algorithm (SW SW SW SW)

There’s a Page on this blog with links to my (heavily Zippy-oriented) postings on chants, cheers, mantras, and onomatomania.

Big Mama Annie and her little boy

April 13, 2024

Following up on yesterday’s pun cartoon by Scott Hilburn (in the posting “Out of nowhere, a rhino appeared and charged”), I looked at his (huge) portfolio of pun cartoons for others I hadn’t already posted on that were worthy of note, found several candidates I was mulling over (though I had quickly become sated with puns), and then ran aground on one I just didn’t really get:


(#1) Well, there’s evidence — the name Annie, that mop of curly red hair — that it involves Little Orphan Annie as a grown woman, with a young son, who she says can’t come out and play with the other boys today, but trills in song that her son will be coming out tomorrow, which is clearly a pun on sun, so there are all those parts, with a pun smack in the middle of the action, but it doesn’t hang together as a joke

But all the pointers are to Annie, the musical based on the comic strip, in which case it makes sense that I don’t get the joke, since I’m one of a select band of people who find the musical cloyingly unwatchable and consequently don’t recognize its songs, not even the plucky tyke’s anthem “Tomorrow” (which, it seems, is enormously popular; in preparing this posting, I have, alas, watched a number of performances of it, so that my judgment of it has crystallized to solid detestation). But, as I frequently note on this blog, if you don’t know the cultural context for the joke in a cartoon, you won’t understand the cartoon.

This time the ignorant cluck who didn’t get the joke was me. (Apparently, a large part of the Anglophone world recognizes the song.)

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Out of nowhere, a rhino appeared and charged

April 12, 2024

Alternatively, someone appeared and charged the battery. Same image, text interpreted differently. It’s a little study in collocations — material that frequently cooccurs (while falling short of being a stock expression): rhinos charge, people charge batteries. Here, in overlapping fashion, producing a wonderful pun in this Scott Hilburn cartoon:


Collocated with subject rhino, the verb charge is especially congenial to NOAD‘s sense 5b; collocated with direct object vehicle, to sense 4a — and here you get them both (rhinos are famous, of course, for never going on the road without booster cables; they are always ready to charge)

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Two cartoons on (unstated) formulaic themes

April 9, 2024

Aka: Piccolo’s bull and Rubin’s cow: cattle days in CartoonLand. A little post-eclipse diversion: cartoons that make allusion to, or illustrate a pun on, some formulaic expression, but without actually mentioning that expression, so they present challenges in cartoon understanding. Two that have come by me recently: a Rina Piccolo Rhymes With Orange cartoon of 4/5 (alluding to the idiom bull in a china shop, which is something of a favorite of cartoonists); and an old Leigh Rubin Rubes cartoon that re-surfaced in Facebook (punning on the nursery-rhyme line the cow jumped over the moon).

Oh, I’ve given it all away. Well, you can still  appreciate Piccolo’s and Rubin’s ingenuity.

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The same great classic rock

April 8, 2024

☀️ 🌑 for Solar Eclipse Day, Sisyphus and drive-time DJs intersect in a Venn diagram, where they generate a wonderful even-handed pun:


(#1) The hinge is the ambiguous NP great classic rock; what Sisyphus and drive-time DJs share — what’s in the area in the diagram that represents the intersection of the categories in the two circles — is that they’re people who bring you the same great classic rock every night (but in two different senses of the great classic rock)

We understand what the categories are in a Venn diagram from the labels on the intersecting circles and on the areas of their intersection, which are meant to be informative (and clear in their reference). But of course the labels are expressions in some language, which means that ambiguous expressions can be exploited for a joke. As in #1.

(#1 came to me on Facebook from from pun enthusiast Susan Fischer, the syntactician and psycholinguist specializing in sign languages; the ultimate source is the vox + stix website, on which see below)

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