Archive for the ‘Linguistics in the comics’ Category

Harry’s scaffolding

August 10, 2024

From New Yorker bob (Bob Eckstein) — a regular visitor on this blog — in the West Side Rag (in NYC), as reproduced in his 8/9 newsletter The Bob, this charmingly absurdist cartoon:


(#1) Into an ordinary living room obtrudes one of the banes of urban street life, the often years-long scaffolding for construction projects — highlighted here by showing not just the scaffold structure of pipes, but also some green protective sheeting for the project (this in an otherwise b&w cartoon, so it’s shriekingly obtrusive)

Very roughly, cartoons and comics hinge on either word play (very commonly, punning) or the humor of situation. In turn, the humor of situation either comments on social, cultural, or political matters, or displays an absurdity — like surrealistic art, depicting discordant, inappropriate, ambivalent, or inexplicable elements of some situation, as if in a dream. And then, a lot of absurdos (absurdist cartoons) depict scenes that seem surreal because they unfold simultaneously in two different worlds, in what I’ll call an anchor world and an intrusive world.

The cartoon in #1 is a two-world absurdo. The anchor world is a modern middle-class living room, inhabited by three characters all sitting on comfortable furniture in the room: two women engaged in conversation about the third character, Harry, who’s engrossed in reading something. The trouble with Harry is that he’s covered in scaffolding, as in the intrusive world, a city street where construction is going on.

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For the quiet room, the loudest food

August 9, 2024

An Asher Perlman cartoon in the 8/12 issue of the New Yorker — deliberately contrived so as to present a puzzle in cartoon understanding:


(#1) Where are we? Who are those guys? What’s “the quiet room”? What’s “the loudest food on the planet”, and why would anyone want a bucket of it?

I ask these questions because it took me a while to get the cartoon; I was just baffled at first, distracted (as Perlman no doubt wanted me to be) by “the quiet room” and “the loudest food”, and so missed the counter with things for sale under it, and the machine with bits of stuff shooting into the air … oh, a popcorn machine! And then it all fell into place.

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Former Frog in Fableland

August 7, 2024

Today’s Wayno / Piraro Bizarro, in which a prince grouses, over a tipple, about his amatory career, to a nobleman, one of his courtiers:


It seems the prince was once a frog and could rake in the chicks with nothing more than a few commanding ribbits; those were the days of easy scores (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page)

What do women want?, the princel wonders with a whine, recalling that once upon a time a short squat body, moist smooth skin, and long hind legs for leaping used to drive them into an osculatory frenzy. It’s all so damn unfair. (Wayno’s title for the cartoon: “Unhappy Ending”.)

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Sparky Schulz and the least of us

August 7, 2024

(Not my intention for a posting today, but you work with what you get, and I happened to have a piece of (what I think of as) Jesus’s DEI Sermon sitting on my desktop, waiting for a suitable occasion. Which came this morning in a lead from Henry Mensch on Facebook that took me to a website of Peanuts cartoonist Charles Schulz’s widow Jean; from Jean Schulz’s Blog “The Circle Continues”, on 2/23/19:

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The Banana Bread Song

August 3, 2024

Day-old bread, an’ we wan’ go home, as this Dave Coverly Speed Bump cartoon of 3/1/24 has it:


day-old as a pun on day-o, which then licenses the full-out substitution of day-old bread for daylight come

And so the Jamaican dock-workers’ Banana Boat Song — famously recorded by Harry Belafonte in 1956 — is hijacked for baked goods.

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Private Magritte’s disavowal

August 3, 2024

It’s been a while since we contemplated a Magrittean disavowal, in the tradition of the Belgian surrealist’s paradoxical Ceci n’est pas une pipe, so today’s absurd Wayno / Piraro Bizarro strip is a welcome addition to the genre:


(#1) Surrealistic clandestine warfare (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 3 in this strip — see this Page)

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Watt, Ware, Wynn, and Y.A.

August 1, 2024

🐇 🐇 🐇 rabbit rabbit rabbit to inaugurate August (inaugurust?) — and 🇨🇭 🇨🇭 🇨🇭 for Swiss National Day (yes, I am wearing my Swiss-flag gym shorts): happy 733rd birthday, Helvetia! — Uri! Schwyz! Unterwalden! — plus the Zwicky family canton: Glarus! — imagine the bunnies of August bounding over the Alpine meadows of the three Urkantone from 1291

But now for something completely different. A cascade of puns on names in the joke form I’ll call WoF?, abbreviating Who’s on First?, after the exemplary Abbott and Costello comedy sketch. In a Pearls Before Swine strip of 7/31/22, revived on Facebook yesterday (another 7/31):


(#1) WoF? now transported from baseball to football — in the NFL, with the four wh-question words of the gridiron: Watt, Ware, Wynn, and Y.A. (while Pig takes the role of the calmly explanatory Abbott and Rat the role of the increasingly confused and enraged Costello)

I’ll take an amused look back on WoF? cartoons on this blog in a moment. But first some notes on the comedy sketch that’s the model for this strip — noting that the cartoons have to achieve their effects through static text and drawings, while the comedy sketch is performed in real time by human actors deploying a rich stock of vocal and gestural resources. So on the one hand, though you might think of the comic strip as just a frozen, stripped down version of the live sketch, you could also view the strip as a highly artful joining of text and image using minimal resources (inspired by the live sketch but not attempting to reproduce it), as the comic counterpart of a graphic novel.

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From the annals of setup / payoff formula puns

July 31, 2024

A particularly elaborate example, which came to me yesterday on the Americana Music Society site on Facebook — on this site because it’s all about Johnny Cash. The story begins:

Few people know that before he was famous, the late Johnny Cash tried a chip full of salsa served backstage in Possumneck, Mississippi that changed his life. It was spicy and tangy and smoky and so good that he just couldn’t get it off of his mind. Unfortunately, there was no jar, no label.

Now, there have been rumors that Johnny had kind of an addictive personality. He would sometimes disappear for days on end. People attributed it to drugs or alcohol. The truth is that he would roam the country searching for the special hot sauce of his dreams. He heard rumors and whispers of the deadly condiment and followed them to countless dead ends. He stopped at every Tex Mex restaurant, truck stop, and Mexican grocery in the South without finding what he sought.

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Wrong window, said the sea lion, absurdly

July 27, 2024

This Charlie Hankin cartoon in the July 29, 2024 New Yorker:


(#1) Hankin is an old acquaintance on this blog; see the Page on my postings about his cartoons

The cartoon shows people queuing up at multiple windows in a bureaucratic office, each line for one type of applicant (as, in the US, at the (state) department of motor vehicles, the (federal) unemployment benefits office, or the municipal permits bureau), with one clerk for each line; in the cartoon, each queued applicant comes with some kind of ticket in hand. So far, that’s a familiar situation.

But then it’s made absurd when the clerks are aquatic mammals; a sea lion appears in the cartoon, which also refers to otters, but who knows what the other clerks are like: a manatee, a dolphin, a seal, a whale (or perhaps a polar bear, a beaver, a muskrat, a mink, a water shrew, a capybara or a hippopotamus) — given a choice, I would go to the otter or the capybara, but that’s my personal taste.

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Monday morning delight

July 22, 2024

For Pied-Piping Day — see my 7/23/13 posting “Pied-Piping Day”, on 7/22 as Ratcatcher’s Day (cue the Pied Piper of Hamelin), with a discussion of pied-piping in syntax — the wonderful French-English pun Philippe Philoppe:


(#1) Punnng on flip-flop ‘a light sandal, typically of plastic or rubber, with a thong between the big and second toe’ (of imitative origin) (NOAD) — currently being passed around on Facebook (I got it first from Susan Fischer yesterday)

As a jokey bonus, the image is a portrait of an actual Philippe — Philippe I, Duc d’Orléans [known as le Petit Monsieur or simply Monsieur] (from Wikipedia: (21 September 1640 – 9 June 1701) the younger son of King Louis XIII of France and Anne of Austria, and the younger brother of King Louis XIV) — as painted by Pierre Mignard (from Wikipedia: (17 November 1612 – 30 May 1695) … a French painter known for his religious and mythological scenes and portraits).

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