Author Archive

Diamonds, dildos, and in Seattle, clams

August 27, 2024

Acres, folks, acres. Diamonds and dildos got covered in my 8/26 posting “Acres of dildos”. Then from Wendy Thrash on Facebook the next day, more acres that I probably should have talked about in the first place. WT wrote:

Sorry, but as an old Seattleite this forces me to think of Acres of Clams

and referred to a Folk Music Blog posting, “The Songs of Ivar Haglund” by Jacqui Sandor on 5/28/19. I was just going to post WT’s note as a comment on my posting here, but then it occurred to me that “Acres of Clams” might not be familiar to everyone, and even if you know about the folk song (a text climaxing in acres of clams, set to an old Irish jig tune), the note might not have transported your imagination to Seattle, or, indeed, to Ivar Haglund. It might just have been baffling.

So now I will take you into a gigantic morass of the folk song world — in which, however, shines the canonical “Acres of Clams” text, which ends up being about Puget Sound (where Seattle is located), where clams abound, and where there’s a seafood restaurant founded by folksinger Ivar Haglund named Ivar’s Acres of Clams. You see, it does hang together. (And, despite the previous dildos, the clams in question are — surprise! — not lady-parts, but edible bivalves.)

The morass is a consequence of the fact that an extraordinary number of texts have been set to that same jig tune — possibly more than to any other folk tune — and then both the tune and all those texts have been popularly known by names that are phrases from the texts (you’ll see a small sampling of these names in a moment). Even the canonical clam text (from about 150 years ago) is so popular that virtually every folksinger who performs it alters the text to fit their own interests, passions, aims, and politics.

To set the stage, from the HistoryLink site:


(#1) From “Ivar Haglund opens Ivar’s Acres of Clams at Pier 54 in July 1946” by David Wilma on 6/19/00

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Acres of dildos

August 26, 2024

(Consider the title. I’m about to show you dildos by the bushel and talk about them rudely, so this posting is definitely not for kids or the sexually modest)

An e-mail summer sale offer from Fort Troff on 8/23 with the mail header:

For Ur D!ick Fix

What does my d!ick need for its fix? A boost from behind, in the form of dildos, acres of dildos:

46 total shapes + sizes
Each cock in 4 tones
Firm INNER core

184 different dildos, all soft on the outside, firm on the inside!

The Fort Troff ad, showing a happy young man luxuriating amidst acres of dildos:

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The cob-canine corn dog

August 25, 2024

Steven Levine on Facebook on 8/23, reporting in from an enormously crowded Minnesota State Fair, posted this cartoon t-shirt from the fair, with a note of distress:


(#1) SL: I find this t-shirt design to be disturbing. Shades of Charlie the Tuna.

(To which I added: Eat me!) I’ll get to Charlie the vorarephilic horse mackerel (and the Ameglian Major Cow, too) in a little while. But first, on fun-food corn dogs and cob-canine corn dogs.

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Dream blending

August 24, 2024

It appeared on Pinterest this morning, with no information beyond the artist’s name, Anthony Cudahy: a dreamlike sexual encounter like this one:


(#1) Like this one, but with a significant dream penis and testicle, which hog our attention; eventually, I’ll show you Full Frontal Man, but here, we’re drawn to the relationship between the somewhat anxious yellow-hued guy and the purple guy looming over him — note the subtle hand on yellow guys’s head, and then the head of another purple figure behind him, a remembered character, no doubt from another artwork, Cudahy’s or someone else’s

(I’d tell you more about this painting, but this is all I’ve got. So far the only copy of the image on the net seems to be this one on Pinterest.)

My first experience of Cudahy’s world. A quick intro from Wikipedia:

Anthony Cudahy (born [in] Florida, 1989) is an American painter. Cudahy’s approach is both figurative and abstract and takes inspiration from a breadth of source material ranging from personal photographs, movie stills, queer archival images and ephemera, and art history. Cudahy lives and works in Brooklyn, New York.

… Cudahy’s paintings are often a hybrid of visual histories blending various figures from art history and queer photography into contemporary scenes such as portraiture, domestic spaces, or social sites.

Now for more detail.

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A Mexican in Paris

August 23, 2024

(About art, and about some Z-folk (yay us!), but the Z-folk are knee-deep in homoerotic art (yay for Team Sodomite!), and male bodies and man-on-man sex will be discussed in plain language, so this posting is off-limits for kids and the sexually modest)

A Mexican in Paris — Ángel Zárraga, a painter who has brought us yet another remarkable painting of St. Sebastian (I know, I know, when will this rain of Sebastians end?, you cry out; well, not quite yet), the sensuous Votive Offering, more commonly known as (The Martyrdom ofSaint Sebastian:


(#1) I’ll have a fair amount to say about the elements of this painting, but there are endless further questions about them: why the contrapposto stance, why this posing of the saint’s arms, why stars in the saint’s halo? why only one arrow, just barely embedded in the saint’s left nipple, and with handsome black and white checks on its fletching? and on and on; you’ll probably have more questions yourself

So we see what looks like a a fashionable Parisian woman in Art Nouveau dress, on her knees in devotion before a handsome Italian man with wavy black Romantic hair. He’s Saint Sebastian, dying for his Christian beliefs, from wicked sharp arrows penetrating into his flesh; she’s Saint Irene of Rome, tending to him and healing his wounds. But there’s no agony, no tears, only the striking of poses. There’s no exertion, no fear, not one drop of sweat. Remarkably, there’s not a drop of blood, either, only these two powerfully beautiful people, radiating sensuous elegance.

The inscription in the lower right corner is a genuinely pious and humble dedication by the artist of his work to the Lord; meanwhile, in the work, the body of the saint is framed as itself a votive offering, a gift to God. But let’s face it, this Sebastian is one hot number (and so is this very worldly Irene, in her own way), presenting himself as strikingly unmartyrial, more like something cooked up by Pierre et Gilles. I find it easier to imagine Zárraga’s Sebastian stud-hustling on a city street — well, I have actually seen his brothers in action, though with more clothes on and no arrow — than to see him as a blood sacrifice in the service of Jesus Christ.

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I PAINT BOYS

August 22, 2024

(Talk about male bodies and sex between men in plain language, so, alas, not suitable for kids or the sexually modest)

The artistic manifesto of Polish queer artist Wojciech Woś (now working in Berlin), who came to my attention through this sweet and sexy (but, technically, entirely decorous) painting that came up on Pinterest this morning:


(#1) White Sock Club: one in a series with two boys, in white socks, on a blue sofa — a place where much can happen, but isn’t shown, only implied

WW is earnest and passionate about his art — and radically open in talking in plain language about what he’s doing in his art and what it means to him personally. Here’s his statement from his website (I’m giving you his text verbatim; he could use an English-speaking copyeditor to polish this text, but it’s so charming that I’d hate to mess with his voice).

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Saint Sebastian of Montreal

August 21, 2024

(Full frontal male nudity, but in serious artworks, so — under the Fine Art Exemption — I can show them in WordPress; but this material is not for kids or the sexually modest)

Encountered recently on Pinterest: Saint Sebastian of Montreal, as painted by Dan(iel) Barkley. Pained, worn, fierce, gay, and hung. To contrast with the beautiful young St. Sebastian of my earlier posting today (by Owe Zerge, whose studio was in a rustic Swedish village) and with the young, outrageously — goofily — gay St. Sebastians concocted by the French duo Pierre et Gilles, surveyed recently in another posting of mine.

Now I’m going to do a quick review of those two recent postings, to give you a feel for the landscape of gay Sebastians, so you can appreciate how Barkley’s gritty saint stands out.

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Swedish male art from a hundred years ago

August 21, 2024

A surprise on Pinterest this morning: the head from a 1925 Saint Sebastian painting by Swedish artist Owe Zerge (1894 – 1983); even in the crowded field of homoerotic St. Sebastian depictions, the martyred saint in Zerge’s painting stands out as an exceptionally beautiful young man:


(#1) The Auctionet site says it’s a painting of Zerge’s (20 years younger) friend and travel companion Hugo Holmer (1915 – 2002) and reports that it was Zerge’s favorite work, one he refused to sell in his lifetime

I then searched further for biographical information on Zerge, finding material only on artworld — art sales and auction — sites, all of it talking in bland terms about his artistic styles and his quiet life history in Sweden, and nothing more. Meanwhile, various gay sites have noted the evident homoeroticism in many of his works, citing especially the 1925 Saint Sebastian, a 1919 Model Act, and a 1948 Boy in American Sailor Costume  (I’ll get to all of them in a little while). It could hardly be clearer that Zerge’s sexual imagination — richly manifested in his art — centered on boys and young men, and that he had a long-term affectionate friendship with Holman, who could fairly be characterized as the love of his life. Whether Zerge and Holman were sexual partners is none of our business (unconsummated passions were commonplace a hundred years ago), and there’s no evidence that I can find that Zerge ever did more than, scrupulously, appreciate young, lean male bodies. So I view it as a shame that his substantial body of homoerotic art is not better known and celebrated.

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The NASCAR snail races

August 20, 2024

That is, the NASCARGOT races, as a Bizarro of 12/26/10 has it, reveling in the portmanteau of NASCAR and escargot (French ‘snail’) and showing us Dan Piraro’s goofy conception of snails in a NASCAR race:


(#1) The cartoon appeared as the middle panel of a Bizarro Sunday Punnies strip with three bits of word play in it, posted about (without further analysis) in my 12/26/10 posting “Punnies #11” (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page)

Hat tip to Susan Fischer for dredging up this old cartoon on Facebook yesterday. Causing me to reflect on the fact that not all of my readers will be familiar with the American popcultural phenomenon that is NASCAR; there are people who wouldn’t be surprised to see that contestants in a race carry numbers, but would be baffled by all those ads on the snails’ shells. Indeed, DP has managed to transport the physical trappings of NASCAR vehicles to le monde des escargots. Motor sport meets malacology.

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Canadian steak seasoning

August 19, 2024

On Facebook recently, Alessandro Michelangelo Jaker remarked on a product label he found at the Hy-Vee supermarket in Watertown SD:


(#1) [AJ:] Canadian friends 🇨🇦: please explain this. What is a Canadian steak 🇨🇦🥩 supposed to taste like?

FB posters seem to have disregarded AJ’s little joke, which turns on parsing CANADIAN STEAK SEASONING as

[CANADIAN STEAK] SEASONING ‘seasoning for Canadian steak’

— a parsing strongly suggested by the font sizes on the label — rather than

CANADIAN [STEAK SEASONING] ‘type of seasoning for steak, associated with Canada’

— which is what the company is actually selling, and which posters went on to describe (as I will myself, in a little while, since this sort of meat rub will not be familiar to many of my readers). I note that this reading of CANADIAN STEAK SEASONING is probably a mischievous willful misparsing on AJ’s part, since he’s accustomed to doing fieldwork in Canada and would likely be familiar with the product. And, since AJ is a friend of mine, I know and appreciate his wry sense of humor.

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