Archive for December, 2010

Mondegreens

December 22, 2010

From Stephen Sondheim’s fabulous new book Finishing the Hat (“Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes”), p. 202, a comment on the song “Beautiful Girls” from Follies:

A crtic named Arlene Croce, in her enraged review of Follies, called this lyric “disgusting” in its comparison of middle-aged ladies to beasts, as evidenced by “Beauty celestial / The bestial agree.” [The actual lines go “Beauty celestial / The best you’ll / Agree.”] This kind of aural confusion crops up more often than you might think. When an eight-year-old Linda Rodgers, Richard’s younger daughter, attended Annie Get Your Gun and was asked what she thought of it by her father, a producer of the show, she told her father that she loved “the hurricane song.” The show being hurricaneless, Rodgers asked her which song she was referring to. “Mighty Fences Are Down,” she replied. (The title, for those who don’t know the score, is “My Defenses Are Down.”) I myself had a similar experience when I saw Carousel for the first time, I was startled at the daring openness of hearing Nellie, the hearty café owner, celebrating Julie Jordan’s pregnancy with “Julie’s Busting Out All Over.” (The soprano playing the part was operetta-trained and pronounced “June is” as “June ease.”) These were certainly confusions that neither Berlin nor Hammerstein could foresee, just as “bestial” was one that never occurred to me, but Linda had the excuse of being only eight years old, and in the case of “June is Bustin’ Out All Over,” my confusion at least made sense. Ms. Croce’s confusion makes no sense at all–if the ladies are “bestial,” what are they agreeing on? Nevertheless, whether it can be attributed to willful bitchery or natural stupidity on her part, her tirade encouraged me to be careful about aural ambiguities.

[I had to quote the whole thing to get in “willful bitchery or natural stupidity”.]

Mondegreens came up in a serious way on this blog most recently in “The ants are my friends”, here. Before you write in with your favorites, let me remind you that there are many published and on-line collections of the things, and of course a Wikipedia entry. Mondegreen is in OED3 (2002), with nice quotes from Bill Safire and Steve Pinker.

 

Expressive matter/material

December 21, 2010

Dan Goncharoff posts to ADS-L on this notice from New York City Parks and Recreation:

Beginning Monday, July 19, 2010, new rules take effect for vendors who sell art, photography, reading material, or sculpture in City parks. Vendors who sell these items are referred to as “Expressive Matter Vendors.” The new rules are available at http://www.nyc.gov/parks/rules.

The relevant point is the technical expression expressive matter (a mass nominal), designed to cover a category of creative productions that has no ordinary-language label, though it hangs together for people in the culture.

Considerable NYC coverage.

Meanwhile, the related mass nominal expressive material has some history as a legal term covering creative productions (including movies, computer files, published material of all kinds, and so on, as well as the material enumerated above) that might be subject to laws governing plagiarism, pornography, privacy, search and seizure, forfeiture, and the like.

Sometimes it’s subject to countification (see here and here), as in this piece of Alabama legal code, with the relevant occurrence boldfaced:

Property subject to forfeiture may be seized by state, county or municipal law enforcement agencies upon process issued by any court having jurisdiction over the property upon a showing of probable cause; provided, however, that not more than one copy of each expressive material may be seized prior to a judicial determination, after a hearing at which all proper parties have an opportunity to be heard and present evidence, that the expressive material is obscene material or material which is harmful to minors and, in either case, subject to forfeiture under this division. (link)

That’s expressive material ‘item of expressive material’.

X whore

December 21, 2010

Overheard in a local restaurant last week, one Silicon Valley guy to another, about a third: “He’s a total deal whore” — meaning that he’s totally into doing business deals.

This is a instance of the snowclonelet composite X whore, roughly ‘one who craves X (or something to do with X) extravagantly’. Most examples, including this one, are non-subsective: an X whore is not a whore; a deal whore is a whore for deals, but not actually a whore.

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The Xmas package 4

December 21, 2010

[Warning: You should be 18 or older to view this posting.]

The Undergear Christmas ads get further and further away from explicit reference to (genital) packages, though the (gift) package remains in the photo — this time with two Santas:

Now we’re in the world of hi-def underwear (discussion on this blog here, on my X blog here): instant Basket display (though the images are not technically “adult”, because they don’t show the actual package). From the Undergear catalog, a hi-def jockstrap:

This item comes in black, white, and (illustrated here) royal blue. The ad copy:

Lighten up in this Good Devil mesh jockstrap. Crafted from an extremely soft and stretchy polyamide/spandex blend, this sheer mesh jockstrap delivers a supportive and confident look. The cutting-edge construction allows for maximum breathability while still providing a boosting lift that flatters and feels great. A whole new look in men’s underwear.

As in my earlier examples, the copy focuses on the look of the underwear while still advertising its comfort and good feel.

Spem in alium

December 20, 2010

A few days ago, my iTunes brought me Thomas Tallis’s magificent motet Spem in alium (ca. 1570), as performed by the Choir of King’s College, Cambridge — causing me to stop what I was doing and just listen to this extraordinary 40-part masterpiece (eight choirs of five singers each) for 11 minutes. I’ve never experienced a live performance of it, much less a performance with the singers arrayed in a horseshoe around the listeners. (Understandably, it’s not often performed, because of the extraordinary demands it makes on the singers.)

I bring it up here because of the name Spem in alium — the first three words of the Latin text, which begins

Spem in alium nunquam habui praeter in te ‘I have never put (my) hope in any other but in You, I have never had hope in another beyond/besides/except in You’

That is, spem in alium ‘hope in another’. Without the context you can’t tell that this phrase is not in fact a constituent in Latin; it’s not spem in alium ‘hope in another’ functioning as a NP, but rather the sequence of the NP spem ‘hope (acc.)’ and the PP in alium ‘in another’, both functioning as complements of the perfect verb habui ‘I have had’. So it’s a part of a VP constituent but not a constituent on its own.

A while ago, Geoff Pullum collected examples of non-constituent book titles, for example Andrew Holleran’s Dancer From the Dance (like Spem in alium, a non-constituent of the form NP + PP); see Language Log postings here and here. He observed that such titles seem to be pretty rare in English. I’d imagine that the practice of referring to Latin texts by their first few words will yield many more Latin examples, especially given the famously free word order of Latin.

 

On AZBlogX: b/t coding

December 19, 2010

A series of postings on my X blog about roles (b vs. t) in sexual encounters in Gayland:

12/17/10: Cocks and cum (link). Two scenes from the gay porn flick Logan’s Journey.

12/18/10: The Bombardier 1 (link). The first of four postings on the gay porn flick The Bombardier.

12/18/10: The Bombardier 2 (link)

12/18/10: The Bombardier 3 (link)

12/18/10: The Bombardier 4: b/t (link)

12/19/10: b/t coding (link). On the importation of gender stereotypes into the b/t split in Gayland.

12/20/10: Roles in Manifest (link). On b/t coding in the gay porn flick Manifest.

1/4/11: Cruisin’: Men on the Make: b/t (link). On b/t coding in another gay porn flick.

1/14/11: Gay for pay (link). On perennial t Chris Rockway. With a bit on the configuration of male-male sex as a buddy relationship (not just as a complex re-inscription of male-female relationships).

[More on gay for pay, on this blog:

What’s the word for this?

http://arnoldzwicky.org/2011/01/17/a-note-on-gay-for-pay/ ]

 

 

 

 

 

 

The Xmas package 3

December 19, 2010

[You should be 18 or older to view this posting.]

Undergear continues its series of Christmas ads playing on package, this time under the heading “It’s what underneath that counts”:

As before, I’ve added an item from the catalog, the Good Devil Preview Jockstrap,

described in the ad copy:

Sneak preview. Good Devil preview jockstraps are anything but boring! This eye-catching men’s underwear features printed metallic accents on the outside and a soft and comfortable feel inside the pouch. A sexy cutout preview panel allows for a sneak peak without showing it all off at once— but definitely still gets attention! An undeniably red-hot look, these men’s jockstraps are a playful pick that are fun to wear and leave a lasting impression. A bold Good Devil logo design on the elastic waistband completes the look.

Note the rhyme sneak peak and the alliterative playful pick (which might have been intended to evoke the word prick, to go along with the image).

This time the model’s body is not shaved and smooth; in fact, in the world of underwear models he counts as a pretty hairy man.

Dr. Miles’ Nervine

December 18, 2010

From Chris Ambidge in the mail yesterday, a version of this vintage ad:

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Debris tide

December 18, 2010

A Zits in which Jeremy’s mother confronts the disaster that is his bedroom:

The linguistic point is the compound debris tide (here spelled solid), which is reasonably transparent as used for tidal flow of natural and man-made debris, deposited on a beach, here used metaphorically for waves of trash in Jeremy’s bedroom.

The only debris compound in OED2 is debris-cone ‘a cone formed by the accumulation of volcanic ejecta, debris, etc.’, though surely debris flow (and maybe also debris tide) will be added eventually. Wikipedia says:

debris flow is a fast moving, liquefied landslide of unconsolidated, saturated debris that looks like flowing concrete. It is differentiated from a mudflow in terms of the viscosity and textural properties of the flow. Flows can carry material ranging in size from clay to boulders, and may contain a large amount of woody debris such as logs and tree stumps. Flows can be triggered by intense rainfall, glacial melt, or a combination of the two.

Debris flows in the San Gabriel Mountains of southern California are the subject of one of the three main sections in John McPhee’s gripping book The Control of Nature.

 

 

Proof in the pudding

December 17, 2010

Found in an R. Crumb cartoon on a postcard I sent out yesterday:

The proof is in the pudding.

The original proverb is

The proof of the pudding is in the eating.

But, thanks to the fact that the sense of proof having to do with the trying or testing of something has largely disappeared except in this proverb, in its elliptical form the proof of the pudding, and in the idiom to put to (the) proof, the saying became opaque to many people and was reanalyzed and simplified, to yield the mysterious the proof is in the pudding.

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