Archive for the ‘Photography’ Category

Paul Sixta and Marios and more

February 28, 2016

(About photography/video and the male body, rather than about language.)

It started with a wonderful atmospheric photograph of a gorgeous nude man, sent to me by Mike McKinley, but without a source. The image is #1 in a posting I just did on AZBlogX; although it’s clearly a work of art (by a professional photographer using a professional model), it has a penis in it, so I can’t reproduce it here or on Facebook or Google+.

I gave the image the name “Romantic Haze” (since the model was posed in a blue-purple haze) while I searched for the source. This time Google Images eventually brought me to young Dutch filmmaker and photographer Paul Sixta and his model Marios.

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A passion for pickles

February 17, 2016

Note: this posting is about pickles (in the American sense: pickled cucumbers) and uses of the word pickle, especially in proper names; my main theme is that pickles and the word pickle tend to be intrinsically funny, inherently risible. I’ll be citing a whole bunch of uses, but I do not intend this posting to be a complete inventory of uses of the word, so if I don’t mention some example that you know or especially like, please add it in a comment, but don’t do this by accusing me of having failed or neglected to mention your example; that would just be gratuitously insulting.

It started with an entertaining piece by Winnie Hu in the NYT on the 15th: (on-line) “At United Pickle, Preserving the Standards of a Deli Staple”, (in print) “Family-Run Supplier Preserves Standards For a Briny Deli Staple”, beginning:

Not every cucumber has what it takes to be a pickle. As dozens of them tumbled from a steel hopper onto a conveyor belt in a Bronx factory, two workers enforced a strict pickle standard.

Bruised. Broken. Too curvy. Too short. Sorry, no exceptions.

The rejects — about one in 10 — were tossed into plastic bins, destined to become relish.

“You can’t just pickle any produce,” said Stephen Leibowitz, the self-described “chief pickle maven” of this operation, as he reached past the workers to personally pluck out an offending cucumber. “I can put in the best ingredients, and they still won’t turn out right.”

Mr. Leibowitz is the man to see if the pickles at your local deli, diner or burger joint have lost their crunch. Whether kosher dills, sours, half-sours or bread-and-butters, chances are they got their start on the production line at United Pickle, the largest family-owned supplier of pickles and pickled condiments in New York City.

Or as Mr. Leibowitz, 73, ever the pickle pitchman, put it, “If you’re in a pickle, call United Pickle.”

Kosher dill spears in preparation:

(#1)

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Loving couples

February 16, 2016

Two things that came to my attention over this holiday (Valentine’s and Presidents Day) weekend, both involving same-sex couples: a piece on two men who are a couple (an engaged couple, in fact), Tom Daley and Dustin Lance Black, in the February issue (the “love” issue) of OUT magazine; and a review (in the NYT Book Review on the 14th) of a children’s picture book about two hermaphroditic worms in love.

In both cases, the question is how these couples will present themselves and how they will be portrayed in images (photographs or illustrations) — in particular, how they will treat the conventions of coupledom for other-sex pairs, in which the sexes are often sharply distinguished. There are three possibilities: (a) to embrace these conventions; (b) to abandon them, by appearing as equals; and (c) to fragment them, by assigning each partner a mixture of them. Daley & Black present themselves / are presented sometimes via (b), sometimes (c), and the worms go for (c). I’ll get to (a) — which is well represented in male-male couples in gay porn, and sometimes in real life — after some discussion of Daley & Black.

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Two books of male photography

February 14, 2016

(This posting alludes to some male-male sexual practices — given the content of the books, that could scarcely be avoided — but in measured language rather than street talk, in accord with the tones of the books, one deeply sexy but sweet, the other not especially sexy but funny. Use your judgment.)

Arrived together a few days ago, two books of (sort of) male photography, where male photography is photography with a homoerotic slant. Sort of in one case because the book goes way beyond a homoerotic slant to explicit gay porn, sort of in the other case because the book alludes to images of men soliciting sex with other men and has a gay sensibility (manifested in its wry take on things: it’s intended to be funny, and it’s hilarious) but is focused elsewhere, on interior decoration as practiced by (non-professional) men.

The first is a product of the CockyBoys porn studio: Sixty Nine: Joyful Gay Sex (Bruno Gmünder, 2015) by photographers RJ Sebastian & Jake Jaxson. The second is the work of photographer and cultural critic (among other things) Justin Jorgensen: Obscene Interiors: Hardcore Amateur Décor (Baby Tattoo Books, 2004). What unites them is their association with artist and gay pornstar Colby Keller; my 2/2 posting on Keller has a section on Jorgensen and a section on CockyBoys.

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Notes on male ballet dancers

February 2, 2016

Two recent items passed on to me by Mike McKinley: one a photograph of young male dancers at the barre, the other a video compilation of dancer Joseph Gatti in an assortment of his roles. The photograph, found on a Facebook page (where it wasn’t identified in any way: where? when? who are they? who was the photographer?):

(#1)

The Gatti compilation can be viewed here; it has some remarkable stuff.

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Morning name: John Varvatos

January 24, 2016

The menswear guy, especially coats and footwear (shoes, boots, even Varvatos Converse sneakers — high end sneakers, at $100 to $140 each), though now he’s branched out in other directions: men’s fragrances and recordings, in particular. You can view a short commercial for the John Varvatos Fall 2015 Menswear Collection here. It’s a pas de deux between two beautiful fashion models (beautiful in two different ways), Nick Rea and Jonas Kesseler, left and right in this still at the end of the ad:

(#1)

The ad focuses on their coats and, in frequent shots, their boots. And it has a haunting sound track, “Old Bones”, performed by Tyler Bryant and the Shakedown (on, yes, John Varvatos Records).

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A piece of male art

January 16, 2016

From Chris Ambidge a little while back, this arresting piece of sculpture in the form of a human body — a collaboration between model and photographer to yield an image that looks like something made of a silvery metal. In a pose that reminded Chris of photos I’ve posted of male ballet dancers executing movements that make them appear to be flying in mid-air; but this man is posing supported:

An extraordinary, almost hyper-real body in a remarkable pose.

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Calendrical hunks

December 22, 2015

Two male-hunk calenders, one with an image for the Christmas season. Mr. December from the Meet the Bern calendar, supporting Democratic presidential candidate Bernie Sanders:

(#1)

And the cover image from the Calendrier des Pompiers calendar, with homoerotic male photography celebrating French firemen:

  (#2)

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Professional muscle hunks

December 14, 2015

It started with a postcard from my friend Max:

(#1)

The card said this was a photo of model Nathan Black, from Body Image Productions. That led me to the company’s website (not especially easy to negotiate) and eventually to the information that #1 was from a photo spread in Men magazine (formerly Advocate Men) by male photographer Ron Lloyd — a magazine that was one of a number of publications that supplied high-quality erotic photography (featuring lots of full-frontal nudity) appealing primarily to to gay men (who used it as jack-off fuel) but also to straight women. The models have attractive (and carefully developed) bodies — they are muscle hunks — which they, in effect, sell: they are professional muscle hunks.

Body Image Productions has an even narrower focus: its wares are aimed specifically and unapologetically at gay men, and they are intended as well “for the physique connoisseur”.

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José Parra

December 3, 2015

Assembling materials for my posting on Jack Adams underwear for men took me further into the world of homowear, premium men’s underwear brands (pricey, emphasizing athleticism and stylishness, plus comfort and sexiness, and also homoerotically tinged) and the world of the male underwear models who are used by these brands — both crowded and competitive fields these days. And there I came across this David Wagner photo of model José Parra displaying his muscular body and offering his crotch (and one armpit) in a wrestling singlet (aka wrestler) from N2N:

(#1)

I’ll be posting a few more photos of Joey Parra (as he is also known), mostly doing enthusiastic cock-tease performances, and also information about some of the homowear brands he’s worked for, starting with N2N.

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