Archive for the ‘Music’ Category

One of these things is not like the others

April 14, 2025

This morning, for complex reasons that shouldn’t concern you here, I did a Google search on “African American linguists”, not reckoning on what might happen with Google’s AI-guided search. This astonishing result, a page with the first 9 of 13 items retrieved:


2 historical figures, 7 living linguists; of those living linguists, 4 are women, 3 are men; of those men, two are African Americans, but the linguist in the position of greatest prominence, at the top left, Walt Wolfram, is not like the other 8 linguists: WW is a strikingly European — specifically German — American

Now, if there were a gold medal for wokeness, WW would surely have retired it for life, but he doesn’t belong in a display of African American linguists.

Thing is, Google hasn’t answered the question that I (implicitly) asked, Who are some linguists who are African American? (which might have pulled up, say, Ken Naylor, who studied the dialectology of what was then called Serbo-Croatian), but instead answered a somewhat similar question it had the answer to, Who are some linguists who have studied African American English? (which should pull up at least Bill Labov, Roger Shuy, and WW, all of whom are white).

Wokeness. From NOAD:

adj. woke: alert to injustice and discrimination in society, especially racism … (1960s: originally in African American usage)

Expanded on in a Wikipedia article:

used since the 1930s or earlier to refer [AZ: especially by African Americans of other African Americans] to awareness of racial prejudice and discrimination, often in the construction stay woke.

… By 2019, the term was being used sarcastically as a pejorative among many on the political right and some centrists to disparage leftist and progressive movements as superficial and insincere performative activism. [AZ: heavy sigh]

Encomia. I was sure that I had posted an encomium to WW and his remarkable career studying the language of, and supporting the communities of, African Americans (and Appalachians and Carolina Tidewater folk too), with all the passion he has devoted to sports (he played basketball, baseball, and football at Olney High School in north Philadelphia many years ago, and seems never to have met a sport he didn’t like). But I can’t find it in my files. Well, you can see the outlines of it from what I just said; he’s been a model of engagement and energy for the rest of us.

It’s probably a garrulous-codger thing, but I’ve been into encomia recently (see my previous posting, on Sonja Lanehart); well, it’s a great pleasure to write encomia for living people, rather than elegiac death notices.

One of these things. Music by Joe Raposo, lyrics by Jon Stone for Sesame Street (1968):

One of these things is not like the others,
One of these things just doesn’t belong,
Can you tell which thing is not like the others
By the time I finish my song?

Of course you can.

 

Another day at the Kharkiv opera

April 6, 2025

A comment on today’s little posting “The light hand and the hammer” from Chi Hang Cheung on Facebook, with my response:

— CHC: Glad to see that you can remain calm with the drastic political changes in the US!

— AZ > CHC: I am not calm. These little postings — more are in preparation — are a kind of therapy for me while I channel my alarm and anger on other fronts against the outrages of the government as it attempts to institute total control over public life and suppress or destroy significant parts of the population. But it’s absolutely essential to preserve art and play and human connection of every kind; we need a whole lot of Kharkiv opera. I’m doing what I can to sing.

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Falling on my head

April 2, 2025

Posted on Facebook by Bill Halstead today:

Come on, supervolcano! Giant Asteroids keep failing us…

about this American Geographical Society posting on 3/31:


(#1) USGS map

The new steam vent is part of a rhyolite lava flow, a type of thick, chunky slow-moving lava. Yellowstone National Park sits atop a supervolcano that provides the heat energy for its numerous geothermal attractions. The supervolcano is believed to be due for another major eruption in around 100,000 years, with the potential to produce devastating impacts across North America.

To understand Bill’s comment, you need to know about the news in this headline from The Guardian on 2/24/25:

Chance of giant asteroid hitting Earth in 2032 falls to 0.0017% 

Which is to say that the chance of this particular disaster is now negligible. But wait! The Yellowstone supervolcano might erupt. Cataclysmic disaster might yet be on the way.

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Candidiana

March 30, 2025

Penultimate March, and today’s song from Candide is Cunegonde’s aria “Glitter and be gay” (from Act 1, right before “You were dead, you know”, the title subject of my 3/27 posting on this blog), in which she confronts her, um, suitors with the defiant quatrain:

Enough! Enough!
I’ll take their diamond necklace
And show my noble stuff
By being gay and reckless!

(Oh, honey, I am so with you!)

Candide is a remarkable theater piece that provides almost as many quotations suitable for random occasions as the Alice books, but with a sensibility that is some sort of compound of Voltaire’s satirical novella and the New York City intellectual and artistic world of the 1950s. But it works.

Now: the work, my 3/27 posting, and two responses from old friends about the show.

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You were dead, you know

March 27, 2025

The first follow-up to my posting yesterday “A gay life”, which had material about my first male lover, Larry Schourup, from earlier postings of mine. About 55 years of the loving friendship that succeeded our original relationship, a lifelong conversation carried on through enormous changes in our lives. LS ended up in Japan, with a long-time Japanese partner, Isao; they had to conceal their homosexuality and their relationship for many years, until recently it became possible for them to live openly, and to apply for domestic partnership in Kyoto (which I now have learned was granted on 5/29/24, wonderful thing).

My intention was talk about integrating sexual lives, relationships, and identities with lives of accomplishment (like LS’s teaching and published research in linguistics) and value, with a bow to the poet Frank O’Hara (who LS introduced me to many years ago). I am, however, overwhelmed by the firehouse of fascism being sprayed on a daily basis by the overlords in my country, which needs a variety of responses, all of which take time — so I’ve trimmed this post down to its other aim, which is to report on the last year or so of the LS/AZ correspondence.

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Streets of Genui Neska

March 25, 2025

On Facebook on 3/23, Mike Pope passed along this book cover (from Raspberry Bow Press in 2024):


MP: Someone thought this was a good design for a book title

I had an immediate response:

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Good morning, good morning

March 23, 2025

I woke at 3:30 am, after 8 hours of good sleep, to the sound of Scott Ross playing Soler keyboard music on his power harpsichord — the Fandango and an assortment of sonatas — which filled me with delight and promised a good day to come. Eventually I worked my way to my computer, and found one odd surprise and one very sorrowful one.

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Morning name: barramundi

March 18, 2025

Awakening at 3:51 am (to a performance of Richard Strauss’s comic opera Intermezzo, which has nothing to do with any of what follows, beyond evoking operatic singing), what was in my head was the word barramundi (pronounced boldly, with a big tongue-trilled R in it, so that it was simultaneously ponderous and ridiculous). I immediately recalled why the name of an Asian / Oceanic fish was calling to me: a recent Facebook posting by an American who was startled to find the fish on sale in a supermarket near them.

So: the fish, in the water and on the table. Then the name: metrically, a double trochee, of the back-accented type (Barbarina, ` ˘ ´ ˘  ) rather than the front-accented type (manicurist, ´ ˘ ` ˘ ) — which led me to operatic singing, not Strauss’s Intermezzo, but the marvels of Verdi’s Rigoletto, in particular the duet Si vendetta, whose title is, well, yes, a back-accented double trochee.

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Pop psychology

March 13, 2025

The title of today’s Bizarro cartoon — a Psychiatrist cartoon, which will be incomprehensible to anyone who’s not up on American punk music, with a bare-chested, long-haired patient being asked by the therapist, “Can you tell me. Iggy, why you want to be a dog?”, a question that makes no sense unless you’re up on the lyrics of particular punk-rock songs; Wayno’s title for the cartoon is “Bark Therapy”, which is entertaining but not actually informative:


(#1) You really have to know about Iggy Pop (pictured on the couch) and his 1969 recording of “I Wanna Be Your Dog” (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 7 in this strip — see this Page)

Iggy Pop has put in a brief appearance on this blog — in my 1/24/16 posting “Morning name: John Varvatos”, in a section on the proto-punk band Iggy and the Stooges (with a reference to “I Wanna Be Your Dog”), But now it’s time to say more.

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Music of the night

March 11, 2025

Another posting in the Kharkiv Opera genre — as in my 3/9 posting “The dandelion caper”, where I described the genre as “a pleasant, playful, or joyous event staged in the face of terrible times” (from my 3/2/25 posting “Three men walk into bar”). That day’s pleasure was the enjoyment of the plants and flowers around us; today I bring you a mixture of pleasure, playfulness, and joy, along with some weirdness, but with an alarming sting in its tail. All from the music that played during my sleep time the night before last (7:30 pm to 4:15 am, with brief waking moments roughly every hour during the night for a whizz — hey, my kidney disease has been brought to a standstill for the moment, and my whizz regimen is the price I pay for that), so that I had ten moments of nighttime music, from the final “Ode to Joy” movement of Beethoven’s 9th Symphony (yes, I can drop off to sleep during the “Ode to Joy”, with its cascade of musical climaxes), to waking with Dvořák songs for violin.

In between there was an extraordinary grab-bag of musical works, listed below, followed by comments on two of the items.

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