Archive for the ‘Linguistics in the comics’ Category

Briefly noted: decline

June 5, 2014

From Bruce Handy’s “Comic Relief: Bob Mankoff’s ‘How About Never — Is Never Good for You?’ ” in the NYT Book Review on the 1st (on Mankoff’s book, see here):

To the perennial gripe that the [New Yorker] cartoons aren’t as funny as they used to be [a complaint sometimes ventilated in comments on this blog], Mankoff’s short answer is: “They never were.” It’s true. I conducted another experiment, pulling three random issues of the magazine off local library shelves, from 1933, 1965 and 1997; each batch of vintage cartoons produced the same amount of chuckles, snorts of recognition, mehs, groans and huh?’s as would those in any recent issue (minus jokes at the expense of Africans, Native Americans, Gypsies, Jews and wives who won’t shut up). Mankoff believes that people tend to forget cartoons they didn’t like, remembering only the keepers, which gives the past a perpetual leg up.

Selective memory strikes again.

I’ve gone back over years of New Yorker cartoons and had the same experience as Handy. In fact, some older and celebrated cartoonists — Peter Arno and Helen Hokinson, for example — never entertained  me much at all.

Four for the fourth

June 5, 2014

My morning mail on Wednesday the 4th brought me six suitable cartoons for this blog. Two I have already posted about: a Doonesbury with Duke hallucinating a lizard; and a Bizarro with a diner asking for eggs without any sense of style. The others: a One Big Happy on the attractions of “diet” versions of foods; a Zits on hearing and listening; a Zippy with (among other things) more better; and a Mother Goose and Grimm with a symbolic ambiguity.

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In style

June 4, 2014

This morning’s Bizarro:

The diner is asking for eggs in one of the handful of standard named American styles — scrambled, poached, fried (over or sunny side up), boiled (hard- or soft-) — and not in some “fancy” style, whether in French (eggs/oeufs à/a la Florentine), in English with postposed modifier (eggs Florentine style, eggs Florentine), or in English with preposed modifier (Florentine-style eggs, Florentine eggs).

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Hallucinations and delusions

June 4, 2014

An avalanche of linguistically relevant cartoons this morning. I’ll pick out a few individually, then post a collection. First, an old Doonesbury, relevant to one of the occasions of the week in my house, the anniversary of my husband-equivalent Jacques’s death in 2003; the relevance will soon become clear.

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Coping with the new

June 2, 2014

In today’s One Big Happy, Ruthie and Joe are back on the track of trying to make sense of things they haven’t heard before:

  (#1)

Lots of knowledge needed here — about the words of English and about sociocultural conventions:

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May-June turnover

June 1, 2014

A One Big Happy from yesterday (May 25), on conversational organization; and then three from this morning’s (June 1st) crop: a Bizarro with an ambiguity introduced by truncation; yet another meta-Zippy, this time on reports of Zippy’s death; and a Rhymes With Orange with a pun from the Black Lagoon.

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What are they?

May 30, 2014

Two recent items that challenge the borders of categories in the world of art, literature, and humor: another Jane Austen quote (yes, Chris Ambidge keeps sending them on); and an e-card (passed on by Victor Steinbok because of the entertaining portmanteau on it).

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Self-awareness and a milestone

May 29, 2014

Self-aware cartoon characters come up here every so often — most recently, in a Scenes From a Multiverse strip (#2 here). Today’s Zippy brings us to self-aware diners:

With this posting, we reach a milestone: this is the 4000th posting in this blog. No wonder I have trouble remembering what I’ve posted on here!

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Threesies

May 29, 2014

From Bob Mankoff’s How About Never …  (see here), p. 255, on Mankoff’s effort to give “aspiring cartoonists feedback” by “developing a mini course in cartoon fundamentals and the psychology of humor.” One course topic: “things are funnier in threes”.

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Back from Memorial Day

May 28, 2014

Two cartoons from yesterday: in Doonesbury, the plants continue to talk; and in One Big Happy, Ruthie runs into the problems of correcting young language learners.

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