Archive for the ‘Language and food’ Category

Chant with me, baby

June 4, 2022

First, some silly banter on Facebook that led to reminiscing about the roasted-eggplant chocolate-cream elephant-god chant

Baba ganoush ganache Ganesh! Baba ganoush ganache!

Which then plugged into the 4/3 Zippy strip I’ve been saving for an auspicious moment, in which Zippy and Zebrina order coffee together, sharing the onomatomanic chant:

double cup … sipper lid

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Today’s rainbow sprinkles cake

May 21, 2022

‘Cause today is Belgian Pride Parade day in Brussels!

From Johan Rooryck (in Brussels) to Facebook today:

So what do you do when you have misjudged the size of sprinkles containers you ordered online, and have come to own more sprinkles than you can eat in a lifetime? You just make a load of cakes for Belgian Pride Day, is what you do. Andrea did, that is.

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Now serving at the Raven Cafe

May 11, 2022

Today’s Mother Goose and Grimm, with the POP (phrasal overlap portmanteau) Edgar Allan Po’ Boy = Edgar Allan Poe (the American writer and poet) + po’ boy (the superb New Orleans submarine sandwich):


(#1) Edgar Allan Po’ Boy is a N1 + N2 compound N, understood as having the head, N2, semantically associated with the modifier, N1, by (the referent of) N2’s being named after (the referent of) N1 — parallel to the Woody Allen Sandwich (a tower of corned beef and pastrami) at NYC’s Carnegie Deli

(Plus the allusion to Poe’s poem The RavenQuoth the raven, “Nevermore” — in Grimm’s, “I had it once, but… nevermore”.)

If you were a betting person, you would surely put some money on this MGG strip as not being the first to use this particular POP — of course, that would be fine, it’s all in how you develop the joke — and you would win.

Just on this blog, in Zippy postings from 2016 and a Rhymes With Orange posting in 2017.

Plus bonuses: a texty with a pun turning on the ambiguity of /póbòj/ as either po’ boy or Poe boy; and two cartoons turning on Edgar Allan Poe / Po’ Boy understood as a Source or Ingredient compound (parallel to shrimp po’ boy) — yes, Edgar Allan Poe in a po’ boy, in it, good enough to eat.

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Three occasions

May 10, 2022

Three occasions, the first deprecable in intent, though with some charms in the local execution of it; the second earnest in aim, but distressing in its commercialization and its substitution of a day’s dose of sentimentality for any lasting celebration of mothers (plus, it interferes with Ann Daingerfield’s birthday):

May 7-9: Palo Alto’s celebration of Cinco de Mayo on 5/7  (it has to be on a Saturday)

Mother’s Day on 5/8 (the punctuation of the name is merely the one I fancy; don’t get all riled up about it)

Ann Daingerfield Zwicky’s 85th birthday — she died in 1985 — on 5/9 (this is Arnold Zwicky’s Blog, so you get my occasions)

And then three sub-occasions:

family breakfast (a weekly event, this week a three-generation affair for me, Elizabeth Daingerfield Zwicky, and Opal Armstrong Zwicky) on 5/7

Masturbation Day on 5/7 (a major celebration in my one-person household) (I put the responsibility for the choice of date on Good Vibrations in San Francisco, and specifically on Susie Bright, though she will probably demur)

AMZ’s return to Sacred Harp singing on 5/8 (only via Zoom, but still)

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Cool [ʍɪp]

May 9, 2022

Voiceless /hw/ (phonetically [ʍ]) in a surprising place (the name of the artificial whipped cream Cool Whip), a place where even W-WH contrasters like me never have it. Made into a standing joke on The Family Guy. Which will cause me to tell you more about voiceless /hw/ in English than you might have wanted to know.

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The sequel to my allergic ass

May 1, 2022

🐇 🐇 🐇 pour le premier mai. A follow-up to yesterday’s posting “My allergic ass”, which was (mostly) about pronominal ass — possessive pronoun + ass, used of a person, to refer not to their buttocks but to that person: his ass ‘he, him’, your ass ‘you’, my ass ‘I, me’.

[Ambiguity may ensue: my ass is warm can mean either ‘my buttocks are warm’ or ‘I am warm’ (you have to figure out from context which was intended); while my ass is heart-shaped is probably about my buttocks (well, I might be Candy Man, shaped like a candy heart), and my ass is allergic is probably about me (though I might conceivably have buttocks afflicted by contact dermatitis).]

Now: through Facebook discussions, two different threads have emerged from that posting: one about material in a long citation in the 2006 Beavers and Koontz-Garboden paper on pronominal ass; the other about the source of the example — my allergic ass — that provoked my posting.

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The fruitcake and the meze

April 24, 2022

The fruitcake is a metaphor, applied first of all here to  my 4/20 posting “Oh joy, oh rapture unforeseen!” — a huge, complex mixture of writing about joy, playfulness, sex, story-telling, intertwined narrative, human nature, memory, artistic performance, Purcell, Jeremiah Clarke, Mendelssohn, Shakespeare, Schubert, Mozart, my life as a child, Lenore Barth and her family, my life with Ann Daingerfield, my life with Jacques Transue, my despair at the evil in the world, and, oh Christ, much more. All compounded together in such a way that no individual topic can easily be pulled out of the mixture. Like a fruitcake.

(You then get the allusion to (offensive) fruit ‘male homosexual’ for free.)

And then this metaphor applied to personal identities, most pointedly mine. Also enormously complex mixtures, a fact merely hinted at my assertions in the 4/20 posting:

I am a prole, proud of it, a union guy from the age of 17 on; I am also a distinguished university professor and all that other good shit.

And then, and then, and then … I am in fact a giant fruitcake of identities, and so are you (just not the same ones).

What about a metaphor counterposed to the fruitcake metaphor? In particular, how do we characterize postings that present pretty much one thing at a time, with the understanding that the postings are parts of some larger assemblage?

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Sheep grazing among the Paschal roses

April 16, 2022

From my old friend (of 60+ years now) BBC — Benita Bendon Campbell, aka Bonnie Campbell — yesterday, a Jacquie Lawson electronic greeting card “Eastern Morning”, full of symbols of the holiday (including many plants, hellebores among them) and accompanied by a particularly bright orchestral setting of Bach’s gorgeous aria Schafe können sicher weiden (“Sheep May Safely Graze”). Solid delight.

First, some plants. Then the music.

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Riffs on squat

April 3, 2022

(There will, as the title tells you, be riffs on squat, well, on squat. Since I’m given to finding my material in louche and faggy places, there will be brief encounters with squat — short and thick, fireplug-like — male organs and with a squatting position for receptive anal intercourse. But no visible body parts.)

I glanced at today’s incoming e-mail, which included a mailing from the New York Times with a link to a story of theirs offering life advice:

(#1)

I found it remarkable that the paper was giving pointers on how to embark on living in uninhabited buildings without the legal right to do so. But then we live in precarious times, and millions are having trouble coping.

Then I found the fine print of the mail header:

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pit beef snow ball girl

March 28, 2022

The Zippy strip from yesterday, 3/27:


(#1) Help wanted at the pit beef restaurant: a female server for their pit beef (the house entrée) and snow balls (the dessert), with the ensuing mantra that afflicts Zippy: PIT BEEF SNOW BALL GIRL (prosodically SW SW S; add a strong fourth beat — a shout YEAH!,  a drum beat, cymbals, whatever — and you can conga to it)

So, the obvious stuff: Zippy’s onomatomania, his attraction to certain words and phrases; pit beef (especially associated with Baltimore); snow balls / snowballs, shaved ice confections especially associated with the Italian communities of Philadelphia and New York. Plus the gender stuff, a girl needed to serve guy-food: grilled meat, especially beef, being at the peak of masculinity in the American food world (with the gender association reinforced by serving it in a bun); not to mention that beef with balls is covertly phallic.

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