Archive for November, 2016

Patio, with plants and penguins

November 5, 2016

From a little while ago, this photo of part of my front patio, featuring, in the front, two giant pots, with an Agave desmetiana and, behind it, a Hydrangea macrophylla in bloom. With attendant plastic penguins. Behind them, two deck chairs and a small table. And to the side, a cymbidium orchid in a pot, one end of a stand of these orchids, together with many geraniums and a collection of other plants in pots.

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That was then. Now the patio is completely empty, waiting for a contractor to begin work on repairing the two dry-rotted balconies above my patio. Scaffolding is soon to be erected.

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Playing with fire

November 5, 2016

Three incendiary things for this November 5th: it’s Guy Fawkes Day (when the English get to light bonfires and set off fireworks); today’s Calvin and Hobbes cartoon, in which a small child is (hot-)wired by sugary cereals; and today’s Steam Room Storie episode, in which straight guys are inflamed by gay sex toys.

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Into the Cave world

November 4, 2016

A few weeks ago I posted briefly about performance artist Nick Cave and his Soundsuits, now on exhibition at Stanford’s Anderson Collection (9/14/16 – 8/14/17). Yesterday I got to visit the show: a small selection of Cave’s Soundsuits; a sizable viewing room with a large screen on which three of Cave’s videos  are projected; a set of shapes on a wall, with an assortment of materials for kids to create their own suits; and a space showing a documentary about Cave and his work.

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wishing well

November 3, 2016

The One Big Happy in today’s feed:

Ruthie’s take on the compound wishing well: for most of us, ‘well for wishing, for making a wish’, but Ruthie’s understanding is ‘place for wishing well, for making a wish for something good’. Her own private etymology.

Annals of musical instruments: improvised instruments

November 3, 2016

Probably since the beginning of time, people have made music using materials at hand: improvising percussion instruments, devices to modify or amplify the human voice, ways to create sound by blowing on pipes or making fibers vibrate. Here, two examples that have come past me recently: the ugly stick and the comb kazoo.

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Annals of musical instruments: two 20th-century inventions

November 2, 2016

As if there weren’t already huge numbers of folk musical instruments, in bewildering variety from all over the world, people are constantly inventing new instruments: the harmonica, the glass harmonica, the theremin, the Hammond organ, the saxophone, the sousaphone, and on and on. Now two 20th-century entrants.

Recently, a posting on the History of Music page on Facebook, passed on to me by Michael Palmer, about the melodica; and discussion on ADS-L about the bazooka.

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Prose poem

November 2, 2016

In the October 31st New Yorker, this poem by Charles Rafferty, reprodced here photographically:

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On its own website, the poem looks like this (again, reproduced photographically):

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And when I copy this to my computer files, it looks like this (once again, photographically reproduced)”

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Why the differences? Because “Attraction” is a prose poem.

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Giantess Jackie

November 2, 2016

Today’s Zippy takes us back to Kennedy Camelot times (January 1961 – November 1963), through the medium of a gigantesque Jackie:

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This is Bill Griffith’s work, so there is of course an actual giant statue of a Jackie Kennedy look-alike, a fiberglass Uniroyal Gal in Bolton NC (based on an original in Rocky Mount NC):

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(The hair color and bikini color on these roadside figures are easily adjustable, as is the thing on the giantess’s hand; and in fact the bikini can be replaced by more decorous clothing. But the basic figure and its stance are fixed in fiberglass.)

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Mad skills

November 1, 2016

Today’s Zippy, which presents an exercise in comics comprehension:

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If you don’t recognize the goofy freckle-faced icon Alfred E. Neuman — two-thirds of his name is supplied in the last panel —  and the “weird magazine” (first panel)  he represents — alluded to in the strip’s title “Don’t get him mad” (Mad Magazine, get it?, founded in 1952 (second panel)) — then the strip is just some sort of incoherent rambling through odd ideas and images. A tale told by an idiot.

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