(Little kids, but I pursue them into the weeds of sexual anatomy, though without the photos or raunchy talk. Take appropriate cautions.)
The One Big Happy cartoon from 2/9:
(#1) Once again, about the kids finding a word (un)familiar in a particular sense: the apparel noun hood
And the OBH from 2/17:
(#2) And minute ‘extremely small, tiny’
Today’s Zippy takes us into the world of soap-opera comics, specifically those by Nick Dallis (with various collaborators):
(#1) Realistic cartoon characters from three Dallis strips: Rex Morgan, M.D.; Judge Parker; and Apartment 3-G (among other well-known soap opera strips: Mary Worth, Brenda Starr)
The characters in realistic cartoons are stylized sketches from life, while those in cartoony worlds are grossly exaggerated, some not even humanoid in form. Zippy himself is human (a Pinhead rather than a Roundhead) but cartoony — though as other Zippy strips have demonstrated, he can be made even more so (cartooniness is a recurrent theme in Bill Griffith’s world).
Then there’s the segregation theme, with realistic cartoon characters mostly taking the position that realistics and cartoonies shouldn’t mix in any way: stick / keep to your own kind! (Note the meta move of having cartoon characters espouse beliefs and attitudes about cartoon characters.) With the predictable tragedy of prejudice against mixed couples, joined by bonds of affection, sexual relationship, or matrimony.
Identify that Artwork, 6/28/19: a piece of conceptual art (what I’ll call Skylunch III) taking off on a sculpture (Skylunch II) reproducing a photograph (Skylunch I) showing construction workers eating lunch on a girder high in the sky. Skylunch II and III are mounted on trucks so that they can easily move from place to place.
Bob Eckstein caught sight of Skylunch III in NYC’s Columbus Circle this morning, on top of a pickup truck:
(#1)
Presumably just part of the composition (Skylunch I and II have 11 men, we see 8 here), and the photo is none too clear. I wondered who created it, when, with what materials, for what purpose, and why the men are — or appear to be — all clones of a single model.
Informed answers to any of these questions would be appreciated; comment on this posting, or send me e-mail. (Google Images is useless; it thinks #1 is a photo of a musical group.)
(A version of things I posted on Facebook earlier today about my life, with glancing allusions to various phenomena of social life. Posted here to have a more permanent and accessible record, on WordPress. There will be a little bit of linguistics.)
(#1) (Not an accurate portrayal of Xfinity/Comcast staff)
… plus two grandmothers.
A bit more for Fathers Day, with photos from back in the day, more Alpen-Flora, and some reflections on social class. Starting with these photos:
(#1)
On the left (#1a): my dad, with his parents, Bertha and Melchior Zwicky, in April 1941 (on, I think, my grandparents’ farm in Sinking Spring PA, west of Reading). On the right, two photos from 1948, at my aunt Marian (Marian Rice Fries) and uncle Herb’s farm outside of New Smithville PA, west of Allentown. Top (#1b): Dad and his mother-in-law, Susannah Hershey Rice (called Sue). Bottom (#1c): Marian and Sue, her mother.
Or: Australia Australia Australia!
From Daily Jocks on the 25th, this example of their own AUS line (with my caption appended):
(#1)
A triple threat: proudly
Australian, proudly
Working class, proudly
Queer – “I like to get
Down under with
Me mates”
The company’s ad copy:
Say G’day to our newest underwear collection, designed downunder (for your downunder). Featuring a soft waistband with bold AUS logo and printed Australian flag, the cotton/spandex blend will keep you feeling comfortable.
To come: more on the underwear and the body of the model in #1. Then to Monty Python’s “Bruces” sketch, notes on Bruce as a particularly Australian name (and, in the U.S., as a particularly gay name), with a digression on the wattle, and then to Australian comedian and actor Barry Humphries, Dame Edna Everage, and Aussie bloke Barry McKenzie.
