Archive for the ‘Pop culture’ Category

Pop psychology

March 13, 2025

The title of today’s Bizarro cartoon — a Psychiatrist cartoon, which will be incomprehensible to anyone who’s not up on American punk music, with a bare-chested, long-haired patient being asked by the therapist, “Can you tell me. Iggy, why you want to be a dog?”, a question that makes no sense unless you’re up on the lyrics of particular punk-rock songs; Wayno’s title for the cartoon is “Bark Therapy”, which is entertaining but not actually informative:


(#1) You really have to know about Iggy Pop (pictured on the couch) and his 1969 recording of “I Wanna Be Your Dog” (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 7 in this strip — see this Page)

Iggy Pop has put in a brief appearance on this blog — in my 1/24/16 posting “Morning name: John Varvatos”, in a section on the proto-punk band Iggy and the Stooges (with a reference to “I Wanna Be Your Dog”), But now it’s time to say more.

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Give a frugal cartoonist a donut strip …

December 30, 2024

… and they’ll use the old cartoon artwork for another strip, with fresh text: a new, improved donut. Case in point: today’s (12/30, New Year’s Eve Eve) Zippy strip:


(#1) The big donut by the side of the road in York PA, advertising Maple Donuts, its store, and its coffee shop

But, but: we’ve been here before; #1 is a reworking of  the Zippy strip in my 12/1/17 posting “Maple Donuts, coffee shops, and unapologetic identities”, with the old artwork merely re-colored but with fresh speech balloons:

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Doctor The Who

December 18, 2024

For today’s Bizarro, a portmanteau title — Doctor Who + The Who = Doctor The Who [with the overlapping material underlined] — for a hybrid cartoon character, who is simultaneously Tom Baker’s 4th Doctor Who and also the leaping, jumping Pete Townshend of the rock band The Who:


(#1) Wayno’s character is, in appearance and dress, Baker’s Doctor Who; but this character is also, in action, Townshend’s hyperactive guitarist in The Who (if you’re puzzled by the odd symbols in the cartoon — Wayno says there are 3 in this strip — see this Page)

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Groucho glasses for 12/3

December 3, 2024

… the better to see the coming five days

The inspiration for this posting is Tom Toro’s cover “Incognito” for the New Yorker‘s 12/2/24 issue:


(#1) Farm turkeys in pre-Thanksgiving disguise; turkeys (which are not especially clever creatures) apparently believe that no one will see past their Groucho glasses, so that rather than experiencing a cheap and chippy chopper on a big black block, they’ll be offered a cigar

So #1 is a big holiday ball of American pop culture; I wonder what your random Japanese, Turk, or Indonesian would make of it, even if you gave them the artists’s title as a clue.

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Slasher Day

September 13, 2024

🔪 🔪 🔪 slash slash slash: It’s Friday the 13th, and Jim Horwitz has re-run a Watson strip from 9/13/19 that plays with Friday the 13th‘s slasher Jason in a hockey mask:


Fudgey the little boy and his big dog Watson; here, Watson’s in a hockey mask, which Fudgey is sure none of the other kids will recognize as an allusion to the slasher Jason in all those old movies (12 of them, the last released in 2009)

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A smashing time

September 9, 2024

A smashing time: the Economist‘s punning teaser head on its article about demolition derbies in its 8/24/24 issue:


(#1) [Economist caption:] Art for art’s sake (photo: Getty Images)

Frankfort, New York: Where crashing cars is the point

After the formalities are seen to — the national anthem sung, the firemen assembled—the fun starts. The sound brings the first thrill: a dozen engines thundering, each without a silencer, and the crackle-pop of backfire. Then comes the crash and crumple of metal on metal. Tyres go flat, bumpers fall off. Cars catch fire, others get pushed up against the wall. They head-butt like billy goats. They hiss, wheeze, smoke, stall and go kaput. Soon only two are still moving, at which point the announcer might growl: “Finish him!”

Tom Wolfe, a writer*, called demolition derbies “culturally the most important sport ever originated in the United States” — closer to the gladiatorial games of Rome than even boxing. Annihilation is the point. The last car running wins. Sports reporters ignored them, wrote Wolfe, because they thought them puerile and low-class: too many kids with “sideburns, tight Levi’s and winkle-picker boots”.

[* AZ: satirical chronicler of both the counterculture of the 1960s and the elite culture of New York City]

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Diamonds, dildos, and in Seattle, clams

August 27, 2024

Acres, folks, acres. Diamonds and dildos got covered in my 8/26 posting “Acres of dildos”. Then from Wendy Thrash on Facebook the next day, more acres that I probably should have talked about in the first place. WT wrote:

Sorry, but as an old Seattleite this forces me to think of Acres of Clams

and referred to a Folk Music Blog posting, “The Songs of Ivar Haglund” by Jacqui Sandor on 5/28/19. I was just going to post WT’s note as a comment on my posting here, but then it occurred to me that “Acres of Clams” might not be familiar to everyone, and even if you know about the folk song (a text climaxing in acres of clams, set to an old Irish jig tune), the note might not have transported your imagination to Seattle, or, indeed, to Ivar Haglund. It might just have been baffling.

So now I will take you into a gigantic morass of the folk song world — in which, however, shines the canonical “Acres of Clams” text, which ends up being about Puget Sound (where Seattle is located), where clams abound, and where there’s a seafood restaurant founded by folksinger Ivar Haglund named Ivar’s Acres of Clams. You see, it does hang together. (And, despite the previous dildos, the clams in question are — surprise! — not lady-parts, but edible bivalves.)

The morass is a consequence of the fact that an extraordinary number of texts have been set to that same jig tune — possibly more than to any other folk tune — and then both the tune and all those texts have been popularly known by names that are phrases from the texts (you’ll see a small sampling of these names in a moment). Even the canonical clam text (from about 150 years ago) is so popular that virtually every folksinger who performs it alters the text to fit their own interests, passions, aims, and politics.

To set the stage, from the HistoryLink site:


(#1) From “Ivar Haglund opens Ivar’s Acres of Clams at Pier 54 in July 1946” by David Wilma on 6/19/00

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Toto, Tonto, let’s call the whole thing off

August 11, 2024

Today’s Dan Piraro Bizarro, in three panels: an odd title panel that seems to be mostly about phallicity in the mythic Old West, and two Toto / Tonto confusion panels: the Lone Ranger and Toto (with a glancing allusion to Little Orphan Annie); and Dorothy and Tonto — to which I’ve added a Gershwin song in my title for this posting — to make a rich stew of American pop culture, covering the comics, jokes, movies, radio, tv, and popular music:


(#1) It’s a Sunday panel, so it’s by DP, not Wayno, and it’s a horizontal strip rather than a vertical one-panel gag (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 7 in this strip — see this Page)

I’ll look at things panel by panel, then comment on my title for this posting — but first I’ll point out that

— the second panel, set in the desert of the mythic Old West, is from the Lone Ranger world, but with the dog Toto (intruding from the Wizard of Oz world) in place of the faithful Indian companion Tonto (Toto in effect punning on Tonto)

— while the third panel, with Dorothy confronting the Wicked Witch of the West (accompanied by one of her evil flying monkeys) on the Yellow Brick Road to the Emerald City of Oz, is from the Wizard of Oz world, but with Tonto (intruding from the Lone Ranger world) in place of Toto (Tonto in effect punning on Toto)

Here I’m carrying over my analysis, in yesterday’s posting “Harry’s scaffolding”, of one type of absurdist cartoon as involving an anchor world and an intrusive world; the second panel of #1 stands on its own as one such absurdist cartoon, and the third is another. The special delight of these panels is that the two absurdist cartoons are converses, conceptual mirror images of one another.

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Bijlert, Leonardo, parody magnets, and the Priapic-Apollonian opposition

August 5, 2024

The July 26th opening ceremonies for the Paris Olympic games included a tableau — of drag queens posed as presiding over a banquet — that vaguely resembled Leonardo da Vinci’s Last Supper painting:


(#1) The Olympic drag pose


(#2) The Leonardo original

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Slouch Gravitsky’s ode to those people

July 17, 2024

Today’s Zippy strip brings us a rambling poetic diatribe by Slouch Gravitsky, the Zipfigure of poet Charles Bukowsky in Bukowsky’s fictional alter ego, the (sometime) postal clerk Henry Chinaski — crude, aggrieved, cynical, alcoholic. And, oh yes, sharp-eyed.


This might be a burlesque of a specific Bukowski poem, but not one I’m familiar with; meanwhile, note the bottle of booze in the first and fourth panels (plus of course the cigarette) — plus Zippyesque dips into popular culture (Lawrence Welk, beef jerky, Taylor Swift)

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