Archive for the ‘Music’ Category
March 27, 2026
E-mail from Ellen Kaisse this morning, for the annals of mishearing:
— EK > AZ: I got all bent out of shape this morning when I thought I heard an ad for a prescription drug called Vivaldi. How dare they appropriate the name of a beloved Baroque composer? Further investigation revealed that it is called Lybalvi.
— AZ > EK: Lovely. With you, I am offended on Vivaldi’s behalf.
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Posted in Errors, Mishearings, Music | Leave a Comment »
March 21, 2026
Aric Olnes on Facebook on 3/15:
I just saw Martha Wash opening for Boy George & Culture Club in Sacramento on Friday night [3/13] and she closed her set with the entire Sacramento Gay Men’s Chorus behind her singing “It’s Raining Men.“
The whole concert was a treat.
Boy George & Culture Club were amazing. They did all their big hits plus cover songs by Wham!, Rolling Stones, T-Rex, David Bowie and Prince.
Monumental queerness, and you want to, need to, get up and dance. I’ll get to almost all of this, starting (as AO does) with Martha Wash and “It’s Raining Men”
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Posted in Homosexuality, Music | 1 Comment »
March 9, 2026
On 3/7 (on this blog) I posted “The travails of etymology”, about the sources of some phrasal verbs meaning ‘to die’. Which elicited from Troy Anderson friendly but anxious e-mail on 3/8:
dai s’la (hello friend/cousin, in Miluk),
Your last post on Facebook makes me think you’re thinking you’re about done? I’m sad we haven’t kept the conversation going.
Know I’m here rooting for you.
(The reference to the language Miluk will get clarified eventually, when I tell you more about TA.)
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Posted in Death and dying, Etymology, Etymythology, Humor, Language and religion, Lexicography, Music, My life, Poetry | Leave a Comment »
March 5, 2026
I recently stumbled on the notion of an idiot plot on Facebook — a cultural category I had surely encountered before but must have forgotten about. In any case, I now had Wikipedia’s explanation, along with a notable example, the plot of the Astaire / Rogers musical comedy film Top Hat.
But … despite some evident absurdity, I find the film enormously enjoyable, and in fact it’s by far the most successful of the Astaire / Rogers movies. Musical films are clearly not bound by constraints of rationality or fidelity to fact — indeed, the narrative objects of culture are in general unconstrained by such considerations: consider the plots of most operas and American Western movies, both set in times and places that never existed and often don’t make sense: consider, specifically, Manon Lescaut and The Magic Flute; or Red River and Stagecoach. Masterpieces of their genres, truly wonderful, but preposterous and inaccurate in many ways. We don’t care. All this stuff happens in fictive worlds that are imaginative creations with their own conventions (not unlike the fictive worlds of science fantasy).
Now: background about idiot plots. And then an appreciation of Top Hat.
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Posted in Culture, Dance, Dancers, Formulaic language, Movies and tv, Music, Pop culture | 1 Comment »
March 2, 2026
(Firmly located in men’s crotches and inclined to silliness, though without the bodyparts illustrated and without the street talk — so clearly not to everyone’s taste)
From WOIO tv channel 19 in Shaker Heights OH (serving the Cleveland area as a CBS affiliate — covering news, weather, sports, and a ton of racy / raunchy content): a report on a guy whose impressive genital package turned out to be a huge stash of narcotics, inspiring me to some musical silliness on Facebook.
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Posted in Language and medicine, Language and plants, Language and the body, Movies and tv, Music, Silliness | Leave a Comment »
December 21, 2025
(This posting devolves fairly fast into oral sex between men, so it is, alas, entirely unsuitable for kids and the sexually modest.)
Musical overture: the chorus and verse 2 of the 1960s song “Chapel of Love”:
[chorus]
Goin’ to the chapel
And we’re gonna get married
Goin’ to the chapel
And we’re gonna get married
Gee, I really love you
And we’re gonna get married
Goin’ to the chapel of love
[verse 2]
Bells will ring, the sun will shine,
I’ll be his and he’ll be mine
We’ll love until the end of time
And we’ll never be lonely anymore
Save this thought. In the original, written for a girl group, the narrator is a woman writing about her man. A later version was performed by a guy group; the narrator is a man writing about his woman. Finally, we get performances by Elton John singing to his husband David Furnish (they got a civil partnership in 2005, were married in 2014).
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Posted in Etymology, Homosexuality, Language and the body, Language of sex, Marriage, Music | Leave a Comment »
December 6, 2025
My morning name for 11/28: The Nairobi Trio (TNT). An instant trip back to my teenage years, the 1950s, when my friends and I were wildly entertained by Ernie Kovacs’s TNT skits on television. Today I’ll give you something like the basic facts about TNT (which involves three people in gorilla suits moving in sync with the tune “Solfeggio”) and its creator. But then I’ll ask the question: why is TNT funny? And eventually the question: why does TNT make many people feel uneasy? (One writer has declared it to be “incredibly controversial” and “completely unacceptable by today’s standards”.)
On this last question, I’ll look ahead and suggest that the twinges would vanish if the skit were called, say, “The Solfeggio Players” — no Nairobi reference — and the gorilla suits were replaced by, say, chicken suits or frog suits. Observations that take us into facts about Africa and gorillas, tons of beliefs and attitudes from common culture, assorted tropes from popular culture, and written and filmed works of imaginative fiction (King Kong! Tarzan!). I’m not sure I can do justice to all of this, but I’ll try to at least skim the surface. Just not today.
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Posted in Humor, Jokes, Language and animals, Movies and tv, Music | Leave a Comment »
December 5, 2025
Today’s Wayno / Piraro Bizarro is an advanced exercise in cartoon understanding: a wordless strip (no speech, no caption) in which a tuxedoed performer takes a bow, next to a toy piano:

Ah, he seems to be a pianist, and the tiny piano, no more than a foot long, must be his instrument; at that point, you are baffled — unless you’re familiar with a classic walk-into-bar joke (if you’re puzzled by the odd symbols in the cartoon — Wayno says there’s only 1 in this strip — see this Page)
In this variant of the classic joke, that piano is in fact 12 inches long, a 12-inch piano, so the performer is a 12-inch pianist. This is the status conferred on him by a genie when he wished for a 12-inch penis. Whoops.
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Posted in Jokes, Language and the body, Language of sex, Linguistics in the comics, Music, Understanding comics | 10 Comments »
December 2, 2025
… And glory shone all around
So I sang this afternoon, immersed in the joy of the Christmas season, weeping with pleasure at being able to sing again (and exercise my lungs; my singing is supposed to be both pleasurable and therapeutic), after many weeks of being laid low. And so I write about the hymn tune Sherburne paired with the text of the Christmas carol “While shepherds watched their flocks”, from which comes the angel descending in a shimmer of glory.
Not what I intended to post about today — but the Ernie Kovacs Nairobi Trio comic routine has turned out to be vastly more complex than I originally thought, so I’m going for the fire-bright Christmas angel. Stay tuned for something later about three people in gorilla suits.
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Posted in Holidays, Language and medicine, Language and religion, Music, My life, Poetic form, Signs and symbols | Leave a Comment »