Archive for the ‘Male art’ Category

JCL for Hump Day

September 18, 2024

In recognition of Wednesday as Hump Day, I offer you (from today’s Pinterest mailing) a brief notice of some hump-worthy (verb hump: … 3 [with object] vulgar slang have sex with (NOAD)) young men in a vintage ad by J.C. Leyendecker (who appeared most recently on this blog in my 9/2 posting “Leyendecker Labor Day”):

A JCL ad for Ivory Soap, set in an athletic homosocial space, the locker room showers (note the male buttocks, a recurrent object of JCL’s artistic — and presumably also personal — engagement).

Meanwhile, there’s a lot of checking-out going on in that shower room. No doubt dwelling on those “muscles … in perfect trim” and the “sweating skin” that has been cleansed “under the rushing water”.

 

 

A representational oil painter

September 17, 2024

David Tanner, whose portrait of the artist at work caught my eye on Pinterest a little while back:


(#1) Model Break (2016), which attracted my attention for its interest in the male body, also because it’s an example of modern representational painting by a serious artist, in one of the forms (portraiture) where this traditional approach flourishes (other such forms: still lifes, nudes, landscapes, and magic realism and fantasy — all of which, except the last, Tanner has also taken up)

Tanner has also provided us with a detailed account, in plain language, of his development as an artist. And thrown off a passing reference to his husband, so providing some background for his attention to the male body.

He’s a prolific artist, turning out enormous numbers of paintings in the following categories (of his own devising):

scenes with male figures [especially dancers and athletes], scenes of musicians [all male], landscapes and cityscapes, scenes of Italy, scenes with female figures, Richmond Virginia [the city he lives in] scenes, scenes of artists [all male] at work, still lifes

Two further examples, and then DT in his own words.

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Speeding into the 20th century

September 15, 2024

Encountered on Pinterest today, this cover of Collier’s magazine from 1/19/1907: an early J.C. Leyendecker work of gay soft porn in the style of classical sculpture (an art form that lets the artist get away with a lot), which is also a hymn to rapid transport in the early 20th century:


“The Speed God” posed with a stylized caduceus against a hot air balloon, while the messenger of the Roman gods poses his muscular body on the hood of an early automobile

And then there are Mercury’s truly fabulous winged sandals, which appear to be living creatures in their own right.

(JCL appears every so often on this blog — most recently in my 9/2 posting “Leyendecker Labor Day”.)

 

 

Put on some pants, ranger!

September 14, 2024

Today’s Wayno / Piraro Bizarro — Wayno’s title: “Forestry Union Negotiations” — plays with the homophones bear and bare in a fresh way, turning on the fact that Smokey the Bear (in those American public service ads for fire safety) is in fact a National Park Service ranger (who happens also to be a talking bear), and so would be required to dress in ranger garb:


(#1) The cartoon, in which Smokey appears on duty with his shovel for fighting fires, but regrettably bare: sans hat and (AmE) pants — also shirt and boots (regulation NPS wear is a gray shirt and green pants) (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 5 in this strip — see this Page)

Now: a little background on Smokey, followed by some other playing with bear and bare. (By the way, though these are homophones for many English speakers, including most Americans, there are English varieties in which they are distinct — but quite close phonetically, so the word play still works just fine.)

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Leyendecker Labor Day

September 2, 2024

From Tim Evanson on Facebook this morning:

It’s Labor Day in the United States.

Here is a Labor Day image by J.C. Leyendecker, the gay illustrator who was probably the greatest magazine cover artist of the early and mid 20th century. (Norman Rockwell blatantly copied him.)


(#1) [AZ:] JCL’s tribute to both masculinity and labor; labor is conventionally represented as a big muscular man in grimy work clothes, engaged in hard physical work, typically with a sledgehammer (as here) — as the cultural ideal of masculinity

“The American Weekly” was a Sunday insert carried in nearly all American newspapers at the time.

To come: more on JCL; and more on US Labor Day images.

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Transitional days

September 1, 2024

🐇 🐇 🐇 rabbit rabbit rabbit to inaugurate September and a new season (autumn in the northern hemisphere, where I am); we bid a fond farewell to August and summer as we sail on to new times and new climes (time to think about mittens and down jackets!)

And time to turn the pages on the calendar — in my case, a Tom of Finland calendar that takes us from August’s sailor and leatherman paired in the bright sun on the water to September’s lumberjack and leatherman paired in a shady evergreen forest.

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Dream blending

August 24, 2024

It appeared on Pinterest this morning, with no information beyond the artist’s name, Anthony Cudahy: a dreamlike sexual encounter like this one:


(#1) Like this one, but with a significant dream penis and testicle, which hog our attention; eventually, I’ll show you Full Frontal Man, but here, we’re drawn to the relationship between the somewhat anxious yellow-hued guy and the purple guy looming over him — note the subtle hand on yellow guys’s head, and then the head of another purple figure behind him, a remembered character, no doubt from another artwork, Cudahy’s or someone else’s

(I’d tell you more about this painting, but this is all I’ve got. So far the only copy of the image on the net seems to be this one on Pinterest.)

My first experience of Cudahy’s world. A quick intro from Wikipedia:

Anthony Cudahy (born [in] Florida, 1989) is an American painter. Cudahy’s approach is both figurative and abstract and takes inspiration from a breadth of source material ranging from personal photographs, movie stills, queer archival images and ephemera, and art history. Cudahy lives and works in Brooklyn, New York.

… Cudahy’s paintings are often a hybrid of visual histories blending various figures from art history and queer photography into contemporary scenes such as portraiture, domestic spaces, or social sites.

Now for more detail.

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A Mexican in Paris

August 23, 2024

(About art, and about some Z-folk (yay us!), but the Z-folk are knee-deep in homoerotic art (yay for Team Sodomite!), and male bodies and man-on-man sex will be discussed in plain language, so this posting is off-limits for kids and the sexually modest)

A Mexican in Paris — Ángel Zárraga, a painter who has brought us yet another remarkable painting of St. Sebastian (I know, I know, when will this rain of Sebastians end?, you cry out; well, not quite yet), the sensuous Votive Offering, more commonly known as (The Martyrdom ofSaint Sebastian:


(#1) I’ll have a fair amount to say about the elements of this painting, but there are endless further questions about them: why the contrapposto stance, why this posing of the saint’s arms, why stars in the saint’s halo? why only one arrow, just barely embedded in the saint’s left nipple, and with handsome black and white checks on its fletching? and on and on; you’ll probably have more questions yourself

So we see what looks like a a fashionable Parisian woman in Art Nouveau dress, on her knees in devotion before a handsome Italian man with wavy black Romantic hair. He’s Saint Sebastian, dying for his Christian beliefs, from wicked sharp arrows penetrating into his flesh; she’s Saint Irene of Rome, tending to him and healing his wounds. But there’s no agony, no tears, only the striking of poses. There’s no exertion, no fear, not one drop of sweat. Remarkably, there’s not a drop of blood, either, only these two powerfully beautiful people, radiating sensuous elegance.

The inscription in the lower right corner is a genuinely pious and humble dedication by the artist of his work to the Lord; meanwhile, in the work, the body of the saint is framed as itself a votive offering, a gift to God. But let’s face it, this Sebastian is one hot number (and so is this very worldly Irene, in her own way), presenting himself as strikingly unmartyrial, more like something cooked up by Pierre et Gilles. I find it easier to imagine Zárraga’s Sebastian stud-hustling on a city street — well, I have actually seen his brothers in action, though with more clothes on and no arrow — than to see him as a blood sacrifice in the service of Jesus Christ.

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I PAINT BOYS

August 22, 2024

(Talk about male bodies and sex between men in plain language, so, alas, not suitable for kids or the sexually modest)

The artistic manifesto of Polish queer artist Wojciech Woś (now working in Berlin), who came to my attention through this sweet and sexy (but, technically, entirely decorous) painting that came up on Pinterest this morning:


(#1) White Sock Club: one in a series with two boys, in white socks, on a blue sofa — a place where much can happen, but isn’t shown, only implied

WW is earnest and passionate about his art — and radically open in talking in plain language about what he’s doing in his art and what it means to him personally. Here’s his statement from his website (I’m giving you his text verbatim; he could use an English-speaking copyeditor to polish this text, but it’s so charming that I’d hate to mess with his voice).

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Saint Sebastian of Montreal

August 21, 2024

(Full frontal male nudity, but in serious artworks, so — under the Fine Art Exemption — I can show them in WordPress; but this material is not for kids or the sexually modest)

Encountered recently on Pinterest: Saint Sebastian of Montreal, as painted by Dan(iel) Barkley. Pained, worn, fierce, gay, and hung. To contrast with the beautiful young St. Sebastian of my earlier posting today (by Owe Zerge, whose studio was in a rustic Swedish village) and with the young, outrageously — goofily — gay St. Sebastians concocted by the French duo Pierre et Gilles, surveyed recently in another posting of mine.

Now I’m going to do a quick review of those two recent postings, to give you a feel for the landscape of gay Sebastians, so you can appreciate how Barkley’s gritty saint stands out.

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