Archive for the ‘Linguistics in the comics’ Category

Brewster Rockit fails lunch

August 7, 2023

From David Preston on Facebook, the Sunday 8/6 stand-alone Brewster Rockit comic strip, in which the dim-witted hero explains that he failed lunch at school because his sandwich was always peanut butter and jalapenos:


J-this or J-that, who cares — though he admits that jelly would have made better sense

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The definite article of salience

August 6, 2023

The Mother Goose and Grimm strip of 12/3/15 (lots of stuff hangs around on my desktop for a really long time), depicting a canine guardian of the gates of dog heaven:


The definite article of uniqueness, here distinguishing a proper name St. Bernard (unique in some salient world for the user and their audience), the name of a specific saint, from a common noun St. Bernard (a type name), the name of a breed of dogs

Now it turns out that this usage can be employed to distinguish two proper nouns (according to their salience in a particular sociocultural context); and to distinguish two common nouns (picking out the salient type, rather than naming an individual). (Necessarily rather complex) examples follow.

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The Big Button

August 2, 2023

Today’s Zippy strip, with an undisregardable piece of public art in Manhattan’s fashion district:


(#1) The giant button and needle leaning on the kiosk of the Fashion District Information Center

Now: about this sculpture — the kiosk structure and the sculpture itself were removed last year — and then about its bright yellow stand-alone replacement, unveiled in February of this year.

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No more bunny helmets

August 2, 2023

Dan Piraro’s Bizarro from Sunday 7/30, in which Vikings with bunny-eared helmets demand horned helmets:


(#1) No more eating grasses, it’s time for Viking pillaging and plundering in an appropriately fierce costume (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 10 in this strip — see this Page)

Now, you’re thinking, I’m going to tell you that actual Vikings didn’t wear ornamental horned helmets, just to look fearsome; that instead they wore more effectively protective helmets of thick leather; and that the horned helmet thing is totally an invention of artists — or some disappointing shit like that. And I am.

It’s a good story, and it makes for amazingly impressive operatic scenes and a totally menacing muscle-hunk Marvel comics superhero (among other things), but all that horns stuff is fanciful.

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The Bulldog Café, a lost monument of mimetic architecture

July 30, 2023

It begins with yesterday’s posting “Charlie’s Dog House Diner” — not actually in the form of a doghouse, but with a doghouse image on its facade; in a comment on my posting, Tim Evanson now suggests a little place in old L.A. in the form of a bulldog — a genuine piece of mimetic architecture:

There is also the Bulldog Cafe, once located at 1153 West Washington Boulevard in Los Angeles, California. A takeout restaurant, it was torn down in 1955. A re-creation was built for the 1991 Disney movie The Rocketeer.

The link Tim provided is unusable for me, but here’s a fine one, to Martin Turnbull’s website (of 3/10/15) on the Bulldog Café, opened in 1928:

I’m a fan of mimetic architecture – buildings intentionally made to look like something, often in the shape of what it sells, like an ice cream store in the shape of a waffle cone. Yes, they’re kitsch, and but they’re fun and memorable. This one was called the Bulldog Café, and opened at 1153 West Washington Blvd in 1928 and lasted until 1955 or 1966 (sources differ.) Not unsurprisingly, it’s no longer there, but a replica of it can now be found at the Idle Hour in North Hollywood. (The replica was built by the Petersen Automotive Museum on Wilshire Blvd, but was removed during their 2017 remodel.)

Featuring ham, barbecue, chili, tamales, and ice cream; if it offered hot dogs, that wasn’t trumpeted.

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Charlie’s Dog House Diner

July 29, 2023

From the great book of diners of fanciful design (compare, more generally: restaurants of fanciful design and motels of fanciful design), from Tim Evanson: Charlie’s Dog House Diner, 2102 Brookpark Rd, Cleveland OH:


(#1) The facade, representing a doghouse, with dogs; but this is just one face of the diner, which is otherwise of more ordinary form

Now: on the compound noun dog house; on Charlie’s Dog House Diner; on what is no doubt the most famous dog house in pop culture, Snoopy’s from the Peanuts comic strip; and on diners that have taken dog house entirely for its name value, without any attempt to mimic or represent a dog house — taking the Dog House Diner in Encinitas CA as one exemplar of these. Hot dogs! Getcher hot dogs here!

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The Marquis de Sad

July 29, 2023

(Innocent posting until I get to Pasolini’s Salò, or the 120 Days of Sodom, a section that is absolutely not for kids or the sexually modest. I’ll issue a warning when it’s coming up.)

Today’s Wayno / Piraro Bizarro, a Psychiatrist cartoon with, on the couch, a Marquis de Sade who no longer can no longer find pleasure in blasphemy and cruelty:


(#1) Yes, a terrible pun, with sad for the model Sade (if you’re puzzled by the odd symbols in the cartoon — Dan Piraro says there are 6 in this strip — see this Page)

Note that the therapist matches the Marquis in period costume, including a wig and the use of a quill pen for taking his notes.

Now, the backstory (about the actual Marquis de Sade and his writings) and the afterstory (the movie Pasolini made out of 120 Days of Sodom.

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The flightless kite

July 27, 2023

It’s definitely Penguin Day on AZBlog — following on my earlier “Illusory penguins ” posting — with this wonderful wordless Jared Nangle cartoon in the new New Yorker,  for 7/31:


(#1) The kite inherits its flightlessness from its subject; bird kites and butterfly kites can fly, but not penguin kites (meanwhile, a kite that could dive and swim like a fish would certainly be a disappointment)

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Zerbina and Zippy sling trochaic tetrameter

July 26, 2023

In today’s Zippy strip, Zerbina and Zippy indulge their onomatomania — a love of certain expressions that leads the affected person to chant them over and over for pleasure — by slinging competing (trochaic tetrameter) product names at one another competitively, before falling passionately into one another’s arms:

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To the Sea!

July 18, 2023

The title of Peter de Sève’s lemming cover art for the 7/24/23 New Yorker issue, which I reproduce here for its delightful playfulness:


These are of course the lemmings of the pop-cultural imagination, bearing only a distant relationship to actual lemmings

In fact, these sportive lemmings are only a stand-in for the beach-goers of July.

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