Yesterday’s Mother Goose and Grimm with an outrageous pun:
Archive for the ‘Linguistics in the comics’ Category
Another allusive pun
February 20, 2014Caption exercise
February 20, 2014Today’s Bizarro, first in a captionless version:
This is funny as it stands, though it requires considerable sociocultural knowledge to understand (I very much get doubt that my soon-to-be ten-year-old grand-daughter would get it).
Women’s comics
February 19, 2014An AP story from the 16th: “Pa. exhibit traces history of female comic artists” by Kevin Begos:
It took a war to let the country’s female comic book artists break character.
A new exhibit at Pittsburgh’s Toonseum is celebrating the history of female comic artists, including those who began laying the groundwork 100 years ago and the female artists of the 1940s, when World War II sent many male artists overseas.
Embedded PP
February 17, 2014Today’s Bizarro:
PPs within PPs. All are postnominal modifying PPs that are (roughly) equivalent to postnominal relative clauses:
the memo which was about the meeting which was about the conference call which was about the memo which was on how to schedule meetings
So these postnominal PPs have been referred to as “reduced relative clauses”.
Another word avalanche
February 17, 2014Two Sunday cartoons
February 16, 2014Two cartoons for today: a Pearls Before Swine on some visual conventions in the comics, and a Dilbert on telling stories, through images and words.
Subtext
February 15, 2014A recent Zits:
Subtext has come up in the Stanford Language of Comics seminar I’m involved with, in discussions of indirection — primarily, Gricean implicature, in which expressions have a straightforward interpretations but are used to convey different ones. Subtext is subtler, since two messages are sent at the same time.
In the Zits case above, the subtext (Drag Me to Hell) is made explicit, as commentary on the surtext (The Sound of Music).
Yet another pun
February 15, 2014Allusive pun
February 15, 2014Today’s Mother Goose and Grimm:
For a change, I won’t leave this as an exercise for the reader. Two crucial pieces: a pun on fence — a barrier or someone who sells stolen goods — and an allusion to Robert Frost’s “Mending Wall”, which ends with the quotation “Good fences make good neighbors”.







