Archive for the ‘Homosexuality’ Category

Acres of dildos

August 26, 2024

(Consider the title. I’m about to show you dildos by the bushel and talk about them rudely, so this posting is definitely not for kids or the sexually modest)

An e-mail summer sale offer from Fort Troff on 8/23 with the mail header:

For Ur D!ick Fix

What does my d!ick need for its fix? A boost from behind, in the form of dildos, acres of dildos:

46 total shapes + sizes
Each cock in 4 tones
Firm INNER core

184 different dildos, all soft on the outside, firm on the inside!

The Fort Troff ad, showing a happy young man luxuriating amidst acres of dildos:

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Dream blending

August 24, 2024

It appeared on Pinterest this morning, with no information beyond the artist’s name, Anthony Cudahy: a dreamlike sexual encounter like this one:


(#1) Like this one, but with a significant dream penis and testicle, which hog our attention; eventually, I’ll show you Full Frontal Man, but here, we’re drawn to the relationship between the somewhat anxious yellow-hued guy and the purple guy looming over him — note the subtle hand on yellow guys’s head, and then the head of another purple figure behind him, a remembered character, no doubt from another artwork, Cudahy’s or someone else’s

(I’d tell you more about this painting, but this is all I’ve got. So far the only copy of the image on the net seems to be this one on Pinterest.)

My first experience of Cudahy’s world. A quick intro from Wikipedia:

Anthony Cudahy (born [in] Florida, 1989) is an American painter. Cudahy’s approach is both figurative and abstract and takes inspiration from a breadth of source material ranging from personal photographs, movie stills, queer archival images and ephemera, and art history. Cudahy lives and works in Brooklyn, New York.

… Cudahy’s paintings are often a hybrid of visual histories blending various figures from art history and queer photography into contemporary scenes such as portraiture, domestic spaces, or social sites.

Now for more detail.

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A Mexican in Paris

August 23, 2024

(About art, and about some Z-folk (yay us!), but the Z-folk are knee-deep in homoerotic art (yay for Team Sodomite!), and male bodies and man-on-man sex will be discussed in plain language, so this posting is off-limits for kids and the sexually modest)

A Mexican in Paris — Ángel Zárraga, a painter who has brought us yet another remarkable painting of St. Sebastian (I know, I know, when will this rain of Sebastians end?, you cry out; well, not quite yet), the sensuous Votive Offering, more commonly known as (The Martyrdom ofSaint Sebastian:


(#1) I’ll have a fair amount to say about the elements of this painting, but there are endless further questions about them: why the contrapposto stance, why this posing of the saint’s arms, why stars in the saint’s halo? why only one arrow, just barely embedded in the saint’s left nipple, and with handsome black and white checks on its fletching? and on and on; you’ll probably have more questions yourself

So we see what looks like a a fashionable Parisian woman in Art Nouveau dress, on her knees in devotion before a handsome Italian man with wavy black Romantic hair. He’s Saint Sebastian, dying for his Christian beliefs, from wicked sharp arrows penetrating into his flesh; she’s Saint Irene of Rome, tending to him and healing his wounds. But there’s no agony, no tears, only the striking of poses. There’s no exertion, no fear, not one drop of sweat. Remarkably, there’s not a drop of blood, either, only these two powerfully beautiful people, radiating sensuous elegance.

The inscription in the lower right corner is a genuinely pious and humble dedication by the artist of his work to the Lord; meanwhile, in the work, the body of the saint is framed as itself a votive offering, a gift to God. But let’s face it, this Sebastian is one hot number (and so is this very worldly Irene, in her own way), presenting himself as strikingly unmartyrial, more like something cooked up by Pierre et Gilles. I find it easier to imagine Zárraga’s Sebastian stud-hustling on a city street — well, I have actually seen his brothers in action, though with more clothes on and no arrow — than to see him as a blood sacrifice in the service of Jesus Christ.

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I PAINT BOYS

August 22, 2024

(Talk about male bodies and sex between men in plain language, so, alas, not suitable for kids or the sexually modest)

The artistic manifesto of Polish queer artist Wojciech Woś (now working in Berlin), who came to my attention through this sweet and sexy (but, technically, entirely decorous) painting that came up on Pinterest this morning:


(#1) White Sock Club: one in a series with two boys, in white socks, on a blue sofa — a place where much can happen, but isn’t shown, only implied

WW is earnest and passionate about his art — and radically open in talking in plain language about what he’s doing in his art and what it means to him personally. Here’s his statement from his website (I’m giving you his text verbatim; he could use an English-speaking copyeditor to polish this text, but it’s so charming that I’d hate to mess with his voice).

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Saint Sebastian of Montreal

August 21, 2024

(Full frontal male nudity, but in serious artworks, so — under the Fine Art Exemption — I can show them in WordPress; but this material is not for kids or the sexually modest)

Encountered recently on Pinterest: Saint Sebastian of Montreal, as painted by Dan(iel) Barkley. Pained, worn, fierce, gay, and hung. To contrast with the beautiful young St. Sebastian of my earlier posting today (by Owe Zerge, whose studio was in a rustic Swedish village) and with the young, outrageously — goofily — gay St. Sebastians concocted by the French duo Pierre et Gilles, surveyed recently in another posting of mine.

Now I’m going to do a quick review of those two recent postings, to give you a feel for the landscape of gay Sebastians, so you can appreciate how Barkley’s gritty saint stands out.

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Swedish male art from a hundred years ago

August 21, 2024

A surprise on Pinterest this morning: the head from a 1925 Saint Sebastian painting by Swedish artist Owe Zerge (1894 – 1983); even in the crowded field of homoerotic St. Sebastian depictions, the martyred saint in Zerge’s painting stands out as an exceptionally beautiful young man:


(#1) The Auctionet site says it’s a painting of Zerge’s (20 years younger) friend and travel companion Hugo Holmer (1915 – 2002) and reports that it was Zerge’s favorite work, one he refused to sell in his lifetime

I then searched further for biographical information on Zerge, finding material only on artworld — art sales and auction — sites, all of it talking in bland terms about his artistic styles and his quiet life history in Sweden, and nothing more. Meanwhile, various gay sites have noted the evident homoeroticism in many of his works, citing especially the 1925 Saint Sebastian, a 1919 Model Act, and a 1948 Boy in American Sailor Costume  (I’ll get to all of them in a little while). It could hardly be clearer that Zerge’s sexual imagination — richly manifested in his art — centered on boys and young men, and that he had a long-term affectionate friendship with Holman, who could fairly be characterized as the love of his life. Whether Zerge and Holman were sexual partners is none of our business (unconsummated passions were commonplace a hundred years ago), and there’s no evidence that I can find that Zerge ever did more than, scrupulously, appreciate young, lean male bodies. So I view it as a shame that his substantial body of homoerotic art is not better known and celebrated.

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Accepting variation, or not

August 17, 2024

A brief posting designed to work my way towards further postings about recent exchanges with Richard Vytniorgu, on the occasion of his new book (released on 6/21):

RV, Effeminate Belonging: Gender Nonconforming Experience and Gay Bottom Identities, Emerald Publishing, 2024

My plans for posting about RV’s book spun off so many aspects of the work that I have been unable to organize this material into a coherent posting (while still getting through daily life, which has often been challenging in recent months), so I’ve temporized by posting little, more manageable essays on other, unrelated, topics. But I really have to get to some of the Effeminate Belonging material.

Today’s wedge into one bit of this material comes from a Peanuts comic strip, one that first appeared on 8/4/69 (posted recently on Facebook by Jeff Bowles);


Lucy relays to Linus their grandmother’s disapproval of his security blanket

Gramma’s disapproval is implicitly two-pronged. Prong 1 is that having a security blanket is, variously:

different, atypical, unusual, ill-adjusted, nonconforming

while Prong 2, unspoken, is that it is also

undesirable, reprehensible, even contemptible, potentially threatening

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Mid-August Man

August 16, 2024

(Naked male bodies, some with full frontal nudity, but in fine art, so exempt from the WordPress ban on naughty bits — but still not suitable for kids or the sexually modest)

A 1977 linocut print by German graphic artist Roland Rudolf Berger, encountered on Pinterest yesterday, shows us Mid-August Man:


(#1) Berger’s Sommer (Summer)

According to Wikidata, Berger (born in 1942) is a German graphic artist whose work incorporates gay themes; his specialty is linocut prints made in his studio in Berlin. That’s pretty much all I’ve been able to discover about him, though art auction sites seem to do a profitable business in his prints.

What to do in mid-August: Berger at the beach. Now, three Mid-August Men (cavorting naked at the beach) from Berger, plus an inscrutable couple — a naked guy greeting a clothed one, possibly also at the beach (though the setting is unclear):

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A homo thesaurus

August 8, 2024

An alert yesterday from Ernesto Cuba about the Homosaurus project: an LGBT thesaurus, with a portmanteau name

homosaurushomo(sexual) + thesaurusthesaurus from Ancient Greek, meaning ‘treasure, storehouse’

and a logo featuring a mascot apatosaurus (aka brontosaurus):


(#1) The Homosaurus mascot is a huge but herbivorous (hence unthreatening, user-friendly) dinosaur, and it comes with an accompanying Pride rainbow

— all these creatures with names  incorporating the formative saur(us) (ultimately from Greek again, and meaning ‘lizard, reptile’ ), utterly unrelated to thesaurus but irresistible as a source of verbal and visual play, as in #1.

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The eminence grise of underwear models

August 2, 2024

(Underwear model leaving only a bit to the imagination, with a sprinkling of the F-word in the text, so not to everyone’s taste)

The story begins with 7/23 e-mail from Bill Stewart (a friend who frequently appears as a character on this blog), asking me, about this photo of a silvering model hawking GYM brand jockstraps on Jockstraps.com:


(#1) BS > AZ: Do you know who this hot guy is? — to which BS followed up on 8/2: Brain fog has cleared —  Colby Melvin

Oh daddy, hot silver daddy,
I love you in that deep blue jock
And I need you so bad

Indeed very hot; Bill suspected at the outset that the guy was too expensive for him, and that was surely the case when he was available as a rent boy, back when he was a feature at gay parties; and probably still now, when he sells himself virtually on the OnlyFans site while continuing to act in gay porn: 16 episodes of Raw Fuck Club and in such videos as Power Play (2022), Big Load Movers (2022), Sweat. Fuck. Repeat (2023), and Fan Male (2023). He’s an admirably hard worker, thoughtful and self-reflective, and he’s turned himself around after an incandescent youth fueled by drugs and alcohol; he’s still a sex worker, not always an easy career, but he seems to be on top of things. He’s even engaged to another man, Todd Wing, who is (like CM) also an amazing muscle-hunk (photo to come).

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