Archive for the ‘History’ Category

The world is too much with me

April 3, 2025

Und die einen sind im Dunkeln, und die andern sind im Licht, doch man sieht nur die im Lichte, die im Dunkel sieht man nicht
— Bertholt Brecht, Die Dreigroschenoper

Over the past six days I suspended a complex series of postings on LGBTQ people integrating sexual lives, relationships, and identities with lives of accomplishment, slowly focusing on the examples closest to me: gay men in linguistics. I intended to begin with one specific example that came my way a while back, in this announcement (with special emphasis on a passage I’ve boldfaced; read it in conjunction with the Brecht quote above):

The George A. Smathers Library [of the University of Florida, Gainesville] cordially invites you to the Michael Gannon Lecture on Tuesday, April 1st, from 4:00 – 5:00 p.m., featuring linguistic anthropologist George Aaron Broadwell [AZ: called Aaron], Ph.D., the Elling Eide Professor of Anthropology at University of Florida. A booksigning will be held immediately following the event.

“Reading Florida’s First Native Authors: Towards an Understanding of Timucua Literature”

This talk introduces the public to some of the most interesting passages of Timucua literature and discusses the techniques that our team has used to read and interpret Timucua texts.

Having assembled a host of texts written in Timucua, the native language of the inhabitants of northern Florida from around the twelfth century into the eighteenth century, Broadwell has spent years working to translate what the writers were recording. Through his own efforts, work with colleagues, and assistance from students Broadwell has reconstructed substantial parts of Timucua vocabulary, in some cases interpreting previously untranslated texts, and also offering new revelations about those with Spanish corollaries.

His work has revolutionized understanding of the conquest and colonial eras in Florida, giving voice to the people who lived under Spanish rule and revealing what their letters and writings say about dramatic changes taking place in their lives and world. The topic is especially appropriate for a lecture in honor of [historian, educator, priest, and war correspondent] Michael Gannon [(1927-2017)], who included in his own discussions of Florida history an example of the Timucua-language version of the Lord’s Prayer.

Alas, the world has been too much with me, so I now bring you the news of this excellent event after it has taken place; I’ve been posting little things to show that I’m still alive, while I try to cope with the threatening turmoil instigated by President Putinitsa and her sidekick Evilon (two monstrous buckets of pathologies, of different sorts); my current mantra is Stand Up and Stand Out, and I’ve been doing my best to be pointedly offensive. Meanwhile, I have a complex personal and medical life, with much I’d like to report on (I visited my department at Stanford this morning, first time in years, and showed some of the delightful campus to my caregiver J — who then showed me that I will need to post about Antigua Guatemala, all new to me).

In any case, I have tons of stuff to say and feel overwhelmed. But I intend to move on to Aaron Broadwell, and try to distill many pages of a remarkable c.v. into something digestible, before moving on to the story of his relationship with the author Peter Marino (Aaron and Peter have been together for 30 years and were in the earliest group of gay people who got married in Massachusetts, in 2004, wow. Then to get back to the larger topic, with other examples of gay male linguists of substantial accomplishment and some words on why people should care about us, especially during a time when concerns about DEI mask a concerted attack on (among many other things) LGBTQ people and our rights — one of a number of bullshit smokescreens spread by Putinitsa and Evilon in their program to establish domination over a cowering and compliant populace.

Poetic note. “The World Is Too Much With Us” is a sonnet by William Wordsworth, first published in 1807; in it, the poet maintains that industrial society has damaged the connection between people and nature and replaced it with getting and spending.

A coat of arms

February 19, 2025

Unus pro omnibus
Omnes pro uno

This display came by me on my Facebook feed this morning; as a grandson of Switzerland I found it offensive (and, by the way, inaccurate):


(#1) From the Holy Roman Empire Association, the coats of arms of “European Kingdoms, Duchies and Principalities in 1519”

Switzerland is a confederation, with no ruler — not king nor duke nor prince — and has been (with occasional hiccups) since its founding in 1291. Like the Friends / Quakers, it is (in principle) radically egalitarian, as am I personally (though I concede that every person, and every human institution, is imperfect, flawed; but that’s a core principle of radical egalitarianism).

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The nuh-DEER

February 3, 2025

Caught out of the corner of my ear on 2/1 and 2/2, discussions on MSNBC (which might have been re-plays from earlier dates, I haven’t been able to tell) with Nikole Hannah-Jones (creator of The 1619 Project), about the Nadir, or Great Nadir, of American race relations. I’ve since looked up some information on the subject (see below), but what got my attention was the pronunciation of nadir — back-accented nuh-DEER /nǝdír/ or sometimes nay-DEER /nèdír/ — that everyone involved used all throughout these exchanges; it stood out like the proverbial sore thumb because, I’m sure, I’d never heard it before. It was totally bizarre.

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The sting in the tail

November 15, 2024

Coming to the Stanford Humanities Center on November 18 at 4:00 p.m., the 2024 Marta Sutton Weeks Lecture, “Caravaggio’s Americas” by the poet and scholar Edgar Garcia of the University of Chicago; the announcement:

This talk relocates the where and when of the baroque to the sixteenth-century Americas, arguing that the anxieties of eroded sovereignty amidst legal heterogeneity that gave rise to the baroque began not in Counter-Reformation responses to Protestantism but earlier in encounters with the legal and cultural others of the indigenous Americas. In this account, the spirit of the Counter Reformation precedes the Reformation and is, in its expression as the baroque, inescapably entangled with Indigenous cultures and polities of the Americas. In turn, this view of the baroque from the Americas helps to recast, interpret, and even re-visualize the works of the iconic late sixteenth-century Roman painter and living catastrophe-on-legs Caravaggio.

Dense with the abstract vocabulary of sociocultural analysis and cultural and literary history — it makes actual claims about the sources of the baroque / Baroque style in the Western arts, but it might take you some work to figure out what they are — the announcement devolves into a vividly earthy thumbnail characterization of Caravaggio as “the iconic late sixteenth-century Roman painter and living catastrophe-on-legs”. A sting in the tail. [Here we laugh and applaud.]

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11/11

November 11, 2024

🎆 🎆 🎆 fireworks for 11/11, the double-lucky day the Great War was over (my parents, now long gone, were only 4 at the time and didn’t remember it; I was just short of my 6th birthday when V-J Day, recognizing the end of World War II, came along; celebrating it on the streets of West Lawn PA is my first clear memory of events in the larger world)

Hard to appreciate now what a gigantic rupture the Great War (beginning in 1914) was; the horrors of its modern warfare came along with those of the Russian Revolution (beginning in 1917) and the great influenza pandemic of 1918, and (as Paul Fussell argued in The Great War and Modern Memory) fostered a disillusioned modernist sensibility, wiping out much of what had gone before.

Then, as I wrote in my 11/11/22 posting “Carousing for St. Martin”:

It’s Armistice Day [commemorating the 11/11/1918 armistice ending World War I] (in the US, Veterans Day), solemnly following on the solemn anniversary of Kristallnacht, but it’s also (as Hana Filip just reminded me) the feast day of St. Martin of Tours: St. Martin’s Day, which has its serious saintly side — St. Martin and the beggar in rags — but is, as well, a day of wild revelling, initiating the winter season. An occasion that, ultimately, inspired a piece of music that is just sheer noisy unbridled fun: the Wine Chorus from Haydn’s The Seasons (aka “Juhe! Der Wein ist da!” from Die Jahreszseiten).

But now about 11/11:

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Briefly noted: the new Caligula

October 25, 2024

Posted to Facebook yesterday. I had been recalling Albert Camus’s play Caligula (adapted into English by Justin O’Brien), which I happened to see in February 1960, during its famously brief — one month long — run at the 54th Street Theatre in NYC — which led me to investigate Wikipedia’s long and intricate entry on

Gaius Caesar Augustus Germanicus (31 August 12 – 24 January 41), better known by his nickname Caligula …, Roman emperor from AD 37 until his assassination in AD 41.

and then to write on FB:

Was just musing on TFG as the new Caligula (vengeful, unclear on the separation of his personal fortune and the state’s coffers, declaring himself a god, etc.) when I thought to look for parallel uses in the press. I bring you

the Daily Beast in 2011, Benjamin Netanyahu as the new Caligula; the Times (of London) in 2015, Jeremy Corbyn, the new Caligula; the Irish Times in 2016, [Helmut Grabpussy], the new Caligula?; POLITICO.eu in 2020, Boris Johnson the new Caligula

(there are probably more)

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Once, twice, six times Marengo

October 5, 2024

My morning name from Thursday, 10/3: MARENGO. Which is:

1 an Italian place name
2 the name of a Napoleonic battle fought (near) there

And then from that:

3 the name of Napoleon’s horse
4 any one of various place names in Canada and the US
5 the French dish chicken Marengo
6 any of various colors in the black, dark blue, dark brown, and gray or blue-gray spectrum

As if that weren’t complex enough already, the name MARENGO brought with it a torrent of name associations, from MANDINGO to NINTENDO, which I’ll sample below.

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The cartoon glory that was Rome

September 4, 2024

In this morning’s comics feed, two linguistic jokes from the Roman Empire (in a Rhymes With Orange and a Bizarro); maybe it’s just something in the air, but on the other hand, September 4th, 476, marks the end of the Western Roman Empire as a political entity and consequently (in some people’s view) the beginning of the Middle Ages. So let’s say goodbye to the boy emperor Romulus, aka Augustulus, and antiquity; and hello to the barbarians and, oh yes, medieval times!

Bye-bye, Imperial times
Took Romulus to the border, to see the Empire die

I’ll get to Augustulus in a while.  But first the cartoons.

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The exile

July 1, 2024

🐇 🐇 🐇 three rabbits to inaugurate the month of July (and recognize, with a flourish of maple leaves, Canada Day), with American Independence Day about to be upon us — plenty of local fireworks on Saturday night, more to come; and it’s time to contemplate my annual celebratory (kosher) hot dog

Meanwhile, Hana Filip posted, on Facebook yesterday , this enigmatic photo —  Napoli 1979, by Josef Koudelka — without explanation or other comment:


(#1) A young woman sunbathing, face down, on a Naples seawall while reading from a book

Which I turned into an exploration of Koudelka’s life and work. My response:

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On the transmission of ideas: RUKI gets around

April 22, 2024

Today, a long guest posting on intellectual history, specifically on the transmission of ideas in linguistics, in particular on the innovation and spread of linguistic terminology. This is an immensely scholarly follow-up to my 4/15/24 posting “Greek-letter variables and the Sanskrit ruki class”, in which I reproduced a 1970 Linguistic Inquiry squib of mine with that title and wrote:

and then there’s the question of the useful ruki terminology, whose history [the Indo-Europeanist Michael L. Weiss (Professor of Linguistics and Classics at Cornell)] has been trying to trace (this squib might have been the source of its spread throughout the linguistic literature)

Today’s guest post is the current fruit of Michael Weiss’s RUKIstorical investigations, with minimal intrusions in his text by comments from me.

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