Archive for the ‘Art’ Category

Annals of animal husbandry: breeding the cartoon horse

July 5, 2024

Michael J. Johnson’s cartoon in the New Yorker issue of July 8 & 15, 2024, offering a fresh solution to a perennial vexation of artists: drawing a horse (especially the legs and head):


(#1) Don’t try to fix the artists; fix the horses

You can see an opportunity for a much larger-scale breeding program — which might be extended, if the ethical issues could be ironed out, to breeding people with easy-to-draw legs, feet, and facial expressions (like the ones in #1)

There are many Michael Johnsons around, even a Michael J. Johnson who’s a painter and video artist. Of the cartoonist of (#1), I haven’t been able to find any information (though my mind is somewhat addled by the heat). I can at least report on two earlier New Yorker cartoons by him:

(more…)

The exile

July 1, 2024

🐇 🐇 🐇 three rabbits to inaugurate the month of July (and recognize, with a flourish of maple leaves, Canada Day), with American Independence Day about to be upon us — plenty of local fireworks on Saturday night, more to come; and it’s time to contemplate my annual celebratory (kosher) hot dog

Meanwhile, Hana Filip posted, on Facebook yesterday , this enigmatic photo —  Napoli 1979, by Josef Koudelka — without explanation or other comment:


(#1) A young woman sunbathing, face down, on a Naples seawall while reading from a book

Which I turned into an exploration of Koudelka’s life and work. My response:

(more…)

Perfecto Fancy-Boy

June 24, 2024

Perfecto Fancy-Boy, the Dingburg psychoanalyst, analyzes the appeal of Helmet Grabpussy in today’s Zippy the Pinhead strip:


(#1) Grabpussy’s real name is suppressed above, as too indecent to mention, even on this blog; but what grabbed me first in this strip was the name Perfecto Fancy-Boy for the psychoanalyst — a name that is most unlikely to have ever been given to any actual person, but is instead a pure creation of Zippy‘s cartoonist Bill Griffith

Zippy is a savorer of words and phrases. (He is also the playful lord of nonsensicality, call him Absurdo.) He has favorite names — Ashtabula, Estonia, Valvoline, Ding-Dongs, taco sauce, and more, treasured just for the way they sound, not for what they refer to; the Talking Heads album Stop Making Sense could have been named in his honor.

And he’s forever latching onto random expressions whose sound enchants him, so that he repeats them for pleasure, like mantras — what Griffy, the cartoon avatar of Bill Griffith, calls onomatomania. (There’s a Page on this blog about my postings on chants, cheers, mantras, and onomatomania.)

Then there’s Griffith’s choice of names for his characters — like Perfecto Fancy-Boy. No doubt intentionally crafted to some degree, but also to some degree pulled out of thin air, from Griffith’s subconscious, picked because they “sounded good”. I’m in no position to say which part is which, so here I’ll just unearth some possible ingredients in the name Perfecto Fancy-Boy, specifically in this name referring to a psychoanalyst.

(more…)

What I’ve been writing: the cartoon

June 23, 2024

From Bob Eckstein’s substack The Bob yesterday, this cartoon (from Writer’s Digest), which struck a metaphorical chord with me:


(#1) Abandoning the farm to write romance fantasy

You’ll see the connection in my 11/9/22 posting “What I’ve been writing”:

over the past two decades I’ve abandoned traditional publication for postings on my blog that I now think of as intellectual entertainments, aimed at a general audience, mixing writing about language with writing about g&s (gender & sexuality), plus all sorts of other stuff that happens to come within my view. The pro here is that this isn’t like anything else you’ll find on the net; it is, as people have said about my work since the 1960s, idiosyncratic. And that’s pretty much the con too; what you get is me, in all my playful and highly personal rambling over all sorts of stuff, which many people will find weird or distasteful or both.

(more…)

A Magritte double play

June 16, 2024

Today’s Bizarro, a Sunday strip from Dan Piraro alone, is a Magritte double play:


The Magritte pipe in panel 1, the Magritte apple in panel 3 (if you’re puzzled by the odd symbols in the cartoon — DP says there are 6 in this strip — see this Page)

The Magritte pipe is, paradoxically, disavowed in The Treachery of Images (La trahison des images). The Magritte (green) apple conceals its bearer’s face in The Son of Man (Le fils de l’homme) — but seems to be on his driver’s license, so that it, paradoxically, makes him recognizable to the traffic cop.

 

Alberta’s gigantic dumpling (and its fork)

June 10, 2024

Passed on by Lisa Cohen on Facebook on  6/2: a bulletin about the world’s largest perogy, in Glendon AB. From the Atlas Obscura site, in “Giant Perogy… Roadside tribute to a staple of eastern European cuisine”, published on 9/5/10:

In 1993, Glendon, a village in Alberta …, unveiled its roadside tribute to the perogy. The town’s [fiberglass and steel] Giant Perogy, complete with fork, stands 27 feet tall, weighs approximately 6,000 pounds, and is considered one of the “Giants of the Prairies,” a collection of massive sculptures that can be found across this geographic region of North America.

The fork was added to the sculpture so that people would have some idea as to what it was supposed to be. The first design, without the fork, left passersby baffled. “The first design wasn’t [with] a fork, but then people went by and they responded that it looked like a cow pie or something,” said Johnny Demienko, who dreamed up the sculpture when he worked as the town’s mayor and also a school bus driver.

Apparently, a Perogy Cafe, serving “Ukrainian and Chinese perogies”, was located next to the sculpture for some years.

To come: photos of Glendon’s Giant Perogy; the spelling PEROGY; for comparison to the Glendon dumpling, actual pierogies; the Giants of the Prairies.

(more…)

Casey Spooner

June 9, 2024

… the hunky way-gay electroclash musician and performance artist, who somehow escaped notice on this blog until a photo from a 2017 Out magazine piece (“Gallery: Wet n Wild With Casey Spooner”) about him popped up on my Pinterest yesterday, with this, um, hose-drinking shot:


(#1) There are contexts in which this would be innocent fun — but this is not one of them

The rest of this posting will be soaked through with playful, entertaining queerness, from a performer who deploys his very muscular high masculinity to jab at and undermine conventional notions of gender, sexuality, identity, and relationships. That might not be to your taste; use your judgment,

(more…)

Vitruvianus stands in Belgrave Square

June 6, 2024

The title is a play on the song title “A Nightingale Sang in Berkeley Square” (that’s Berkeley pronounced like Barclay, not like Burkley), and after an introduction to my colleague Asya Pereltsvaig this posting goes with her on a recent visit to Belgrave Square — Berkeley Square (in Mayfair) and Belgrave Square (in, yes, Belgravia) being two delightful green spaces in the toniest parts of central London — and I will celebrate the Vitruvian Man statue Homage to Leonardo in Belgrave Square. But in the end, today’s essay is about penises — the one on Vitruvian Man, the one on Michelangelo’s David, and the one on Astrid Zydower’s Orpheus — and their acceptability in a variety of cultural contexts.

So, while I have labored to keep the crude references to a minimum, there’s no denying that this posting will end up being, um, phallically rich — which some of my readers will find unsavory and unwelcome; this is a warning about what’s to come.

(more…)

P&G feel the agony of St. Sebastian

June 2, 2024

That’s Pierre et Gilles, the French collaborative artists — playful, way gay, outrageous, and exceptionally fond of sailors — and their approach to what I called, in a 5/20/11 posting, that

widespread and powerful homoerotic subject in artworks, the martyrdom of Saint Sebastian

From that posting, a P&G depiction of the arrow-pierced, agonized saint:


(#1) Saint Sebastian (1987), focused on the beauty of the young male body; this saint seems more anxious about the future than writhing in agony, and the composition is otherwise restrained

P&G have used StS as a subject at least seven times. I was moved to post on their treatments of the saint by encountering a remarkably campy depiction of him on Pinterest this morning:

(more…)

Queens Pride

May 31, 2024

To mark the eve of Pride Month, this digital composition passed on by Steven Levine on Facebook today:


Queen Elizabeth II of the United Kingdom, in the 7 ROY G. BIV, or Newtonian rainbow, colors, rather than the 6 Pride Flag colors — so the composition was probably not intended to celebrate the wonderful LGBTQ+ness of June; but let’s just disregard that

Now, the composition supplies a number of tokens of the Queen Elizabeth II type, so I had to consider whether my title for this posting would be Queen’s Pride (one QEII type) or Queens’ Pride (many QEII tokens). This is a familiar sort of problem, cropping up annually when Mother’s / Mothers’ Day and Father’s / Fathers’ Day come around, and I’ve chosen the same solution for my title that I chose for those two commercial holidays: axe the damn apostrophe. It’s Queens Pride.

(more…)